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Three more classic tales in which the Saint takes an office job with a twist, tackles the ultimate locked-room mystery and stumbles across a remote Welsh inn where a series of strange things are happening....
He may not always be on the right side of the law, but with his charm and Robin Hood morality, he is clearly on the side of angels: he is the Saint.
"The bestselling Saint novel which sees Simon hired to clean up the criminals from Prohibition-era New York, only to discover that the Big Fellow is pulling the strings"--Unedited summary from the book.
The Saint is in New York on the trail of drug smuggling, dead bodies, and a singer who has the misfortune to work at a club owned by the loathsome Cookie.
Templar seeks to avenge the death of his dearest friend.
'Simon had about him that indefinable atmosphere of romance and adventurousness which is given to some favoured men in every age, and it attracted adventure as inevitably as a magnet attracts iron filings' Leslie Charteris Exciting, debonair and ever so slightly disreputable, the Saint is ready to mete out justice in a way that only he can. These adventures take him all over the world, where, with that ever present twinkle in his eye, he flushes out swindlers, murderers and jewel thieves. He helps to solve an unusual murder in Paris, confounds a cunning crook in Bermuda and in Rome he is grabbed by the long arm of the Mafia at their peril! Sir Roger Moore, star of the Sixties TV series, introduces this collection of post-war stories, which include The Patient Playboy and The Sporting Chance.
Simon Templar is the Saint - daring, dazzling, and just a little disreputable. On the side of the law, but standing outside it, he dispenses his own brand of justice one criminal at a time In three more classic tales, the Saint continues to push his luck in his own inimitable style. The Story of a Dead Man sees the Saint in a more mundane line of work - running an office and writing letters to the editor - until Inspector Teal comes to investigate the mysterious Mr Vanney and the Saint's real intentions come to light. In The Impossible Crime, a bored Saint tackles a most unlikely mystery: a man who has somehow been shot in a locked room. And in The National Debt Simon Templar stumbles across a remote Welsh inn where a series of strange things is happening... another job for the Saint!
The early years of television relied in part on successful narratives of another medium, as studios adapted radio programs like Boston Blackie and Defense Attorney to the small screen. Many shows were adapted more than once, like the radio program Blondie, which inspired six television adaptations and 28 theatrical films. These are but a few of the 1,164 programs covered in this volume. Each program entry contains a detailed story line, years of broadcast, performer and character casts and principal production credits where possible. Two appendices ("Almost a Transition" and "Television to Radio") and a performer's index conclude the book. This first-of-its-kind encyclopedia covers many little-known programs that have rarely been discussed in print (e.g., Real George, based on Me and Janie; Volume One, based on Quiet, Please; and Galaxy, based on X Minus One). Covered programs include The Great Gildersleeve, Howdy Doody, My Friend Irma, My Little Margie, Space Patrol and Vic and Sade.