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Do you believe that people can change? Can a bank robber marry the banker’s daughter without having any hidden thoughts and intentions? "A Retrieved Reformation" tells the story of Jimmy, a formal prisoner, who decides to quit violating the law in the name of love. He takes up a new identity and starts a new life as an honorable man. However he is about to face a choice which can cost him his future. Will he sacrifice himself in order to save a child in danger or he will prefer to keep his old identity in secret? William Sydney Porter, better known as O. Henry, was an American writer who lived in the late 19th century. He gains wide popularity with his short stories which often take place either in New York or some small American towns. The plot twists and the surprise endings are a typical and integral part of O. Henry’s short stories. Some of his best known works are "The Gift of the Magi", "The Cop and the Anthem", "A Retrieved Reformation". His stories often deal with ordinary people and the individual aspects of life. As a result of the outstanding literature legacy that O. Henry left behind, there is an American annual award after his name, given to exceptional short stories.
The narrative approach is a relevant and enriching technique for uncovering, describing and interpreting the meaning of experience. This collection explores the challenges of performing narrative work in an academic setting, writing about it in an ethical and revealing fashion, and drawing meaningful conclusions. This stellar collection of scholars examine such topics as: how the larger construct of `personality' can read out of a life story; the development of multicultural identity as a dynamic process; the transition away from delinquent behaviour; the importance of cultural continuity for understanding loneliness in elderly refugees; race relations and how it relates to the meaning of the decade in which the interviewee
Recent years have witnessed an increase in the attention given to the later stages of criminal careers. Research upon this topic has charted the main factors associated with the termination of criminal careers, outlined some of the possible reasons behind these relationships and started to develop theoretical explanations for such relationships. Collected together for the first time are some of the most important contributions to this field of research. The collection focuses upon the initial explorations into this topic, the most commonly observed findings, the cessation of offending by specific offender-types and theoretical matters. An introductory essay by the editor provides a thorough overview of the work in this area and highlights the reasons why the termination of criminal careers will become increasingly important to criminologists and criminal justice policy makers alike.
Including his most famous works, such as “The Gift of the Magi” and “The Furnished Room,” this collection of forty-one O. Henry short stories demonstrates his extraordinary technical genius. “There are stories in everything. I’ve got some of my best yarns from park benches, lampposts, and newspaper stands.”—O. Henry Readers the world over recognize O. Henry as the best short story writer of the early twentieth century—even today a masterful surprise at the end of a story is described as “an O. Henry twist,” and a prominent short fiction award bears his name. Widely known as a master of irony, O. Henry also displayed in his stories dazzling wordplay and a wry combination of pathos and humor. Cunningly arranged according to geographic location, these tales display the wide range of O. Henry’s world, from the streets of his beloved New York City to the heat of Honduras and other exotic locales. With his wonderful plot turns, unexpected climaxes, and deep insights into human nature, O. Henry’s works will live on as prime examples of the well-told tale. Includes an Introduction by Burton Raffel and an Afterword by Laura Furman
The silent film era featured some of the most revered names of on-screen comic performance, from Charlie Chaplin and Buster Keaton to Harold Lloyd, Douglas Fairbanks, and Laurel & Hardy. Besides these giants of cinema, however, there are other silent era performers—both leading actors and supporting players—who left an enduring legacy of laughter. In The 100 Greatest Silent Film Comedians, James Roots ranks the greatest performers based on a scorecard that measures each comic’s humor, timelessness, originality, and teamwork. Far more than just a listing, this is an idiosyncratic and entertaining review of the men and women who created the golden age of comedy. As a critic and deaf viewer, Roots brings a truly unique perspective to the evaluation of these performers and their work. He has viewed thousands of silent comedies and offers some assessments that run contrary to the standard list of performers. While many obvious names are placed in the top echelon, the author also champions performers who have been neglected, in part because their work has not been as visible. Each entry includes a filmography a scorecard an evaluation of the artist’s overall work an assessment of representative films DVD availability With the increased availability of films on DVD, as well as Internet access, more and more silent performers are being discovered by film fans. Supplemented by an appendix of comedians who missed the cut, as well as an annotated bibliography, The 100 Greatest Silent Film Comedians will be an invaluable resource to anyone wanting to know more about the brilliant entertainers of the silent era.