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Brief illustrated presentation of the physical and political geography of Algeria.
Describes the topography, history, society, economy, and governmental structure of Algeria.
Photographs by Michael von Graffenried Introduction by Mary-Jane Deeb Foreword by Robert Delpire Michael von Graffenried, award-winning Swiss photographer, covertly photographed civil strife in Algeria from the early 1990s through 1998. In a land where Islamic terrorists have executed over sixty journalists and photographers in the last seven years, Graffenried's very survival is remarkable. His extraordinary accomplishment, however, is these photographs, which form a composite of Algeria that is more whole than the nation itself, fractured by one segment of the population in favor of democracy and another in favor of an Islamic state.
Kid's U Presents...Algeria- Amazing Pictures and Facts About Algeria. Are the people in Algeria poor? Does Algeria have an official flower? In this book you will explore the wonders of Algeria, finding the answers to these questions and so many more. Complete with incredible pictures to keep even the youngest of children captivated, you will all embark on a little journey into the great unknown. In school our children aren't taught in a way that makes them curious and wants to learn. I want to change that! This book will show your children just how interesting the world is and help ignite a passion for learning. Your children will learn how to: Become curious about the world around them. Find motivation to learn. Use their free time to discover more about the world-and have fun while doing so! And much more!
Algeria the Beautiful explores the rich heritage and tumultuous modern history of Algeria and its connections to Europe and colonialism. Olivia had always heard stories about Algeria from her maternal grandmother, a Black Foot (a “Pied-Noir,” the French term for Christian and Jewish settlers of French Algeria who emigrated to France after the Algerian War of Independence). After her grandmother’s death, Olivia found some of her grandmother’s journals and letters describing her homeland. Now, ten years later, she resolves to travel to Algeria and experience the country for herself; she arrives alone, with her grandmother’s postcards and letters in tow, and a single phone number in her pocket of an Algerian, Djaffar, who will act as her guide. Olivia’s quest to understand her origins will bring her to face questions about heritage, history, shame, friendship, memory, nostalgia, fantasy, the nature of exile, and our unending quest to understand who we are and where we come from.
This is a collection of essays analyzing Pierre Bourdieu's early fieldwork in Algeria and its impact on his larger body of social theory.
Humans of Algeria is a photography project that aims to highlight the human side of lives in Algeria in the form of images and stories of ordinary Algerians.
As a soldier in the French army, Pierre Bourdieu took thousands of photographs documenting the abject conditions and suffering (as well as the resourcefulness, determination, grace, and dignity) of the Algerian people as they fought in the Algerian War (1954Ð1962). Sympathizing with those he was told to regard as Òenemies,Ó Bourdieu became deeply and permanently invested in their struggle to overthrow French rule and the debilitations of poverty. Upon realizing the inability of his education to make sense of this wartime reality, Bourdieu immediately undertook the creation of a new ethnographic-sociological science based on his experiencesÑone that became synonymous with his work over the next few decades and was capable of explaining the mechanics of French colonial aggression and the impressive, if curious, ability of the Algerians to resist it. This volume pairs 130 of BourdieuÕs photographs with key excerpts from his related writings, very few of which have been translated into English. Many of these images, luminous aesthetic objects in their own right, comment eloquently on the accompanying words even as they are commented upon by them. BourdieuÕs work set the standard for all subsequent ethnographic photography and critique. This volume also features a 2001 interview with Bourdieu, in which he speaks to his experiences in Algeria, its significance on his intellectual evolution, his role in transforming photography into a means for social inquiry, and the duty of the committed intellectual to participate in an increasingly troubled world.