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Collects Alfred Stieglitz's photographs of New York City, which chronicle the transition the city underwent in the first three decades of the twentieth century.
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
In this book [the author] draws upon her close association with Stieglitz and upon his own words to create a warm portrait of the focal figure of the modern art movement in America. The many direct quotations preserve in written form the bold, subtle nature of Stieglitz's speech and the brilliance of his parables and anecdotes. The 80 reproductions of Stieglitz's photographs constitute the largest selection ever published. Many are reproduced here for the first time. They powerfully attest to the purity of his vision. Ninety illustrations of a documentary nature, including additional Stieglitz photographs and work by artists he showed, are also reproduced--Jacket.
A fascinating biography of a revolutionary American artist ripe for rediscovery as a photographer and champion of other artists Alfred Stieglitz (1864–1946) was an enormously influential artist and nurturer of artists even though his accomplishments are often overshadowed by his role as Georgia O’Keeffe’s husband. This new book from celebrated biographer Phyllis Rose reconsiders Stieglitz as a revolutionary force in the history of American art. Born in New Jersey, Stieglitz at age eighteen went to study in Germany, where his father, a wool merchant and painter, insisted he would get a proper education. After returning to America, he became one of the first American photographers to achieve international fame. By the time he was sixty, he gave up photography and devoted himself to selling and promoting art. His first gallery, 291, was the first American gallery to show works by Picasso, Rodin, Matisse, and other great European modernists. His galleries were not dealerships so much as open universities, where he introduced European modern art to Americans and nurtured an appreciation of American art among American artists.
Essay by John Szarkowski.
"This volume is published in conjunction with the exhibition "Stieglitz, Steichen, Strand," held at The Metropolitan Museum of Art, New York, from November 10, 2010, to April 10, 2011."
A master photographer, Alfred Stieglitz was also a visionary promoter and avid collector of modern American and European art from the first half of the 20th century. This book is the first fully-illustrated catalogue of works in the unparalleled 'Alfred Stieglitz Collection', which was given to the Metropolitan Museum after Stieglitz's death.
A close reading of photography yields a groundbreaking cultural biography; reveals photography's impresario, Alfred Stieglitz, as he has never been revealed before and looks at his photographs as they have never been looked at before.
Collects Alfred Stieglitz's photographs of New York City, which chronicle the transition the city underwent in the first three decades of the twentieth century.