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In this fascinating biography, the first ever published about Alfred Maudslay (1850-1931), Ian Graham describes this extraordinary Englishman and his pioneering investigations of the ancient Maya ruins. Maudslay, the grandson of a famous English inventor and engineer, spent his formative adult years in the South Seas as a junior official in Great Britain’s Colonial Office. Despite his exotic experiences, he did not find his true vocation until the age of thirty-one, when he arrived in Guatemala. Maudslay played a crucial role in exploring and documenting the monuments and architecture of the ancient Maya ruins at Palengue Copán, Chichén Itzá, and other sites previously unknown. His photographs and plaster casts have proven to be invaluable in the deciphering of Maya hieroglyphics. Personal resources allowed him to undertake fieldwork at a time when no institution provided such support. He made plaster casts of large stone monuments, accurate maps of sites, and painstaking recordings of inscriptions. His Biologia Centrali-Americana, a multivolume compendium of photographs, drawings, plans, and text published almost a century ago, remains an essential foundation for Maya studies. Perhaps Maudslay’s greatest legacy is magnificent collection of glass-negative photographs, many of which are reproduced in this book.
In this second English-language edition of one of his most notable works, Miguel León-Portilla explores the Maya Indians’ remarkable concepts of time. At the book’s first appearance Evon Z. Vogt, Curator of Middle American Ethnology in Harvard University, predicted that it would become "a classic in anthropology," a prediction borne out by the continuing critical attention given to it by leading scholars. Like no other people in history, the ancient Maya were obsessed by the study of time. Their sages framed its cycles with tireless exactitude. Yet their preoccupation with time was not limited to calendrics; it was a central trait in their evolving culture. In this absorbing work León-Portilla probes the question, What did time really mean for the ancient Maya in terms of their mythology, religious thought, worldview, and everyday life? In his analysis of key Maya texts and computations, he reveals one of the most elaborate attempts of the human mind to penetrate the secrets of existence.
Winner, Association for Latin American Art Book Award, 2010 The Maya of Mexico and Central America have performed ritual dances for more than two millennia. Dance is still an essential component of religious experience today, serving as a medium for communication with the supernatural. During the Late Classic period (AD 600-900), dance assumed additional importance in Maya royal courts through an association with feasting and gift exchange. These performances allowed rulers to forge political alliances and demonstrate their control of trade in luxury goods. The aesthetic values embodied in these performances were closely tied to Maya social structure, expressing notions of gender, rank, and status. Dance was thus not simply entertainment, but was fundamental to ancient Maya notions of social, religious, and political identity. Using an innovative interdisciplinary approach, Matthew Looper examines several types of data relevant to ancient Maya dance, including hieroglyphic texts, pictorial images in diverse media, and architecture. A series of case studies illustrates the application of various analytical methodologies and offers interpretations of the form, meaning, and social significance of dance performance. Although the nuances of movement in Maya dances are impossible to recover, Looper demonstrates that a wealth of other data survives which allows a detailed consideration of many aspects of performance. To Be Like Gods thus provides the first comprehensive interpretation of the role of dance in ancient Maya society and also serves as a model for comparative research in the archaeology of performance.
This book examines medical systems and institutions in three K'iche' Maya communities to reveal the conflicts between indigenous medical care and the Guatemalan biomedical system. It shows the necessity of cultural understanding if poor people are to have access to medicine that combines the best of both local tradition and international biomedicine.
Two leading Maya scholars tell this story of the rediscovery of the queen of Maya cities--Palenque--deep in the forest-clad mountains of southeastern Mexico. 150 illustrations.
From the NEW HORIZONS series of pocket-sized information books, a look at the ancient Mayan cities, their civilisation and the lives of their inhabitants. With foldouts and double-page spreads.
Famous for its majestic ruins, Mexico has gone to great lengths to preserve and display the remains of its pre-Hispanic past. The Pursuit of Ruins argues that the government effort to take control of the ancient remains took off in the late nineteenth century during the dictatorship of Porfirio Díaz. Under Díaz Mexico acquired an official history more firmly rooted in Indian antiquity. This prestigious pedigree served to counter Mexico’s image as a backward, peripheral nation. The government claimed symbolic links with the great civilizations of pre-Hispanic times as it hauled statues to the National Museum and reconstructed Teotihuacán. Christina Bueno explores the different facets of the Porfirian archaeological project and underscores the contradictory place of indigenous identity in modern Mexico. While the making of Mexico’s official past was thought to bind the nation together, it was an exclusionary process, one that celebrated the civilizations of bygone times while disparaging contemporary Indians.
As complex societies emerged in the Maya lowlands during the first millennium BCE, so did stable communities focused around public squares and the worship of a divine ruler tied to a Maize God cult. “E Groups,” central to many of these settlements, are architectural complexes: typically, a long platform supporting three struc¬tures and facing a western pyramid across a formal plaza. Aligned with the movements of the sun, E Groups have long been interpreted as giant calendrical devices crucial to the rise of Maya civilization. This volume presents new archaeological data to reveal that E Groups were constructed earlier than previously thought. In fact, they are the earliest identifiable architectural plan at many Maya settlements. More than just astronomical observatories or calendars, E Groups were a key element of community organization, urbanism, and identity in the heart of the Maya lowlands. They served as gathering places for emerging communities and centers of ritual; they were the very first civic-religious public architecture in the Maya lowlands. Investigating a wide variety of E Group sites—including some of the most famous like the Mundo Perdido in Tikal and the hitherto little known complex at Chan, as well as others in Ceibal, El Palmar, Cival, Calakmul, Caracol, Xunantunich, Yaxnohcah, Yaxuná, and San Bartolo—this volume pieces together the development of social and political complexity in ancient Maya civilization. James Aimers | Anthony F. Aveni | Jamie J. Awe | Boris Beltran | M. Kathryn Brown | Arlen F. Chase | Diane Z. Chase | Anne S. Dowd | James Doyle | Francisco Estrada-Belli | David A. Freidel | Julie A. Hoggarth | Takeshi Inomata | Patricia A. Mcanany | Susan Milbrath | Jerry Murdock | Kathryn Reese-Taylor | Prudence M. Rice | Cynthia Robin | Franco D. Rossi | Jeremy A. Sabloff | William A. Saturno | Travis W. Stanton A volume in the series Maya Studies, edited by Diane Z. Chase and Arlen F. Chase
An up-to-date overview of Mesoamerican cultures from early prehistoric times through the fall of the Aztec Empire, Prehistoric Mesoamerica, Third Edition will be useful and appealing to readers interested in Mesoamerican art, society, politics, and intellectual achievement.
The life and work of the adventurous Victorian gentlewoman who became internationally recognized for her paintings of Pre-Columbian sites and images.