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Over the course of sixty years, Alfred Kazin's writings confronted virtually all of our major imaginative writers, from Emerson to Emily Dickinson to James Wright and Joyce Carol Oates -- including such unexpected figures as Lincoln, William James, and Thorstein Veblen. This son of Russian Jews wrote out of the tensions of the outsider and the astute, outspoken leftist -- or, as he put it, "the bitter patriotism of loving what one knows." Editor Ted Solotaroff hasselected material from Kazin's three classic memoirs to accompany his critical writings. Alfred Kazin's America provides an ongoing example of the spiritual freedom, individualism, and democratic contentiousness that he regarded as his heritage and endeavored to pass on.
At the time of his death in 1998, Alfred Kazin was considered one of the most influential intellectuals of postwar America. What is less well known is that Kazin had been contributing almost daily to an extensive private journal, which arguably contains some of his best writing. These journals collectively tell the story of his journey from Brooklyn's Brownsville neighborhood to his position as a dominant figure in twentieth-century cultural life. To Kazin, the daily entry was a psychological and spiritual act. To read through these entries is to reexperience history as a series of daily discoveries by an alert, adventurous, if often mercurial intelligence. It is also to encounter an array of interesting and notable personalities. Sketches of friends, mistresses, family figures, and other intellectuals are woven in with commentary on Kazin's childhood, early religious interests, problems with parents, bouts of loneliness, dealings with publishers, and thoughts on the Holocaust. The journals also highlight his engagement with the political and cultural debates of the decades through which he lived. He wrestles with communism, cultural nationalism, liberalism, existentialism, Israel, modernism, and much more. Judiciously selected and edited by acclaimed Kazin biographer Richard Cook, this collection provides the public with access to these previously unavailable writings and, in doing so, offers a fascinating social, historical, literary, and cultural record.
Born in 1915 to barely literate Jewish immigrants in the Brownsville section of Brooklyn, Alfred Kazin rose from near poverty to become a dominant figure in twentieth-century literary criticism and one of Americas last great men of letters. Biographer Ri
In this study of the "crucial century" (1830-1930), Kazin views the major figures in American writing, beginning in the 1830s when Emerson founded a national literature, and ending with modernism--Eliot, Pound, Hemingway, Fitzgerald--and the revelation of those who had been modern before their time--Henry Adams, Melville, Whitman, Dickinson.
From Lionel Trilling to Irving Kristol, from Philip Rahv to Norman Podhoretz, this book offers a comprehensive look at New York intellectual life over the past half-century. Bloom traces the rise of the New York intellectuals from their origins--poor, Jewish, the children of immigrants--to their coming to prominence in our intellectual estalishment. It takes us through nearly all the crucial intellectual and political events of the last decades and behind the scenes at such important journals as Partisan Review, Commentary, and The Public Interest.
Uneasy Alliance illuminates the recent search in literary studies for a new interface between textual and contextual readings. Written in tribute to G.A.M. Janssens, the twenty-one essays in the volume exemplify a renewed awareness of the paradoxical nature of literary texts both as works of literary art and as documents embedded in and functioning within a writer’s life and culture. Together they offer fresh and often interdisciplinary perspectives on twentieth-century American writers of more or less established status (Henry James, Edna St. Vincent Millay, E.E. Cummings, Vladimir Nabokov, Flannery O’Connor, Saul Bellow, Michael Ondaatje, Toni Morrison and Sandra Cisneros) as well as on those who, for reasons of fashion, politics, ideology, or gender, have been unduly neglected (Booth Tarkington, Julia Peterkin, Robert Coates, Martha Gellhorn, Isabella Gardner, Karl Shapiro, the young Jewish-American writers, Julia Alvarez, and writers of popular crime and detective fiction). Exploring the fruitful interactions and uneasy alliance between literature and ethics, film, biography, gender studies, popular culture, avant-garde art, urban studies, anthropology and multicultural studies, together these essays testify to the ongoing pertinence of an approach to literature that is undogmatic, sensitive and sophisticated and that seeks to do justice to the complex interweavings of literature, culture and biography in twentieth-century American writing.
This book brings together a distinguished group of expert scholars from the Elie Wiesel Center for Judaic Studies at Boston University on the main areas of American Jewish life, from colonial Jewish experience to images of Jews in contemporary films. This volume represents the fruit of this collective reflection and interrogation.
The Enlightenment values of individual autonomy, democracy, and secularizing reason conflict with the religious traditions of community, authority, and traditional learning. Yet in American history the two heritages have been intertwined since the colonial era: the development of the Enlightenment has been influenced by community-based thinking and religious institutions have adopted to an extent critical methods and a democratic ethos even within their own walls. This volume unites the work of a distinguished group of theologians, historians, literary critics, and philosophers to explore the interaction between Enlightenment ideals and American religion. The Enlightenment's effect on the major religious traditions, including the Catholic Church, Evangelical Protestantism, and Judaism, is examined. Also highlighted is religion in the thinking of such representative figures as Edwards, Franklin, Emerson, Lincoln, Santayana, and the Pragmatists, Stevens and Eliot.
Twenty-eight selections from the writings of some of the best-known American-Jewish novelists, dramatists, critics, and historians span the social and cultural history of American Jews in the twentieth century. Often joyous, occasionally tragic, they provide a fascinating record—from immigration to assimilation, from life in the ghetto to the current movement by many to recapture their Jewish identity. At once personal and historical, the selections are poignant and moving testimonies to the perseverance of the American-Jewish people.
In 1925, F. Scott Fitzgerald produced his third novel, a slim work for which he had high expectations. Despite such hopes, the novel received mixed reviews and lackluster sales. Over the decades, however, the reputation of The Great Gatsby has grown and millions of copies have been sold. One of the bestselling novels of all time, it is also considered one of the most significant achievements in twentieth-century fiction. But what makes Gatsby great? Why do we still care about this book more than eighty-five years after it was published? And how does Gatsby help us make sense of our own lives and times? In Gatsby: The Cultural History of the Great American Novel, Bob Batchelor explores the birth, life, and enduring influence of The Great Gatsby—from the book’s publication in 1925 through today’s headlines filled with celebrity intrigue, corporate greed, and a roller-coaster economy. A cultural historian, Batchelor explains why and how the novel has become part of the fiber of the American ethos and an important tool in helping readers to better comprehend their lives and the broader world around them. A “biography” of F. Scott Fitzgerald’s masterpiece, this book examines The Great Gatsby’s evolution from a nearly-forgotten 1920s time capsule to a revered cultural touchstone. Batchelor explores how this embodiment of the American Dream has become an iconic part of our national folklore, how the central themes and ideas emerging from the book—from the fulfillment of the American Dream to the role of wealth in society—resonate with contemporary readers who struggle with similar uncertainties today. By exploring the timeless elements of reinvention, romanticism, and relentless pursuit of the unattainable, Batchelor confirms the novel’s status as “The Great American Novel” and, more importantly, explains to students, scholars, and fans alike what makes Gatsby so great.