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The names 'Gog' and 'Magog' are found in the Old Testament, in the Pseud-Epigrapha and the Qumran-writings, in the Targums and in other Jewish texts, in the New Testament, in the wirtings of the Church Fathers, and even in the Koran. In most aof these texts Gog and Magog are persons or nations opposing God's people in the endtime-tribulations.Sverre Boe focuses on John's use of various Gog and Magog traditions in Revelation 19,17-20,10. He assembles all these traditions and also refers to several hundreds of scholarly works on these many texts. He further contributes to the ongoing discussions about the inter-textual relationship between Revelation and the Old Testament. He argues that John used Ezekiel 38-39 extensively, and that there are structural analogies beween Rev. 19,11-22,5 and Ezek. 36-48. Although Sverre Boe does not raise the fundamental questions about the co-called millennium in Rev. 20 as such, he givesmany implications for that issue also. Finally he concludes that Revelation does not see Gog and Magog as Israel's enemies in an ethnic sense, since John seems to universalize his pre-texts to fit the New Testament notion of God's people as comprising Christians of all nations.
In the ancient Greek-speaking world, writing about the past meant balancing the reporting of facts with shaping and guiding the political interests and behaviours of the present. Ancient Historiography on War and Empire shows the ways in which the literary genre of writing history developed to guide empires through their wars. Taking key events from the Achaemenid Persian, Athenian, Macedonian and Roman ‘empires’, the 17 essays collected here analyse the way events and the accounts of those events interact. Subjects include: how Greek historians assign nearly divine honours to the Persian King; the role of the tomb cult of Cyrus the Founder in historical narratives of conquest and empire from Herodotus to the Alexander historians; warfare and financial innovation in the age of Philip II and his son, Alexander the Great; the murders of Philip II, his last and seventh wife Kleopatra, and her guardian, Attalos; Alexander the Great’s combat use of eagle symbolism and divination; Plutarch’s juxtaposition of character in the Alexander-Caesar pairing as a commentary on political legitimacy and military prowess, and Roman Imperial historians using historical examples of good and bad rule to make meaningful challenges to current Roman authority. In some cases, the balance shifts more towards the ‘literary’ and in others more towards the ‘historical’, but what all of the essays have in common is both a critical attention to the genre and context of history-writing in the ancient world and its focus on war and empire.
In this book Kathleen Biddick investigates the fate of the enduring timelines fabricated by early Christians to distinguish themselves from their Jewish neighbors. Ranging widely across the history of text, technology, and book art, she relates three interwoven stories: the Christians' translation of circumcision into a graphic problem of writing on the heart; the temporal construction of Christian notions of history based on the binary supersession of an Old Testament past by the present of a new dispensation; and the traumatic repetition of the graphic cutting off of Christians from Jews in academic history and anthropology. Moving beyond well-studied theological polemics, Biddick works from the relatively unfamiliar vantage point of the graphic technologies used in medieval and early modern texts and print sources, from maps to trial transcripts to universal histories. Addressing current concerns about the posthuman condition by linking them to a deeper genealogy of disembodiment at the technological heart of imaginary fantasies, she argues that such supersessionary practices extend to contemporary psychoanalytic and postcolonial texts, even as they propose alternative ways of thinking about memory and temporality. Crucial to Biddick's study is the ethical challenge of unbinding the typological imaginary, not in order to disavow theological difference but rather to open up the encounter between Christian and Jew to less deadening teleological readings. Making a significant contribution to the large debate over the transition from "scriptural" to "scientific" culture in Europe, The Typological Imaginary also succeeds in shedding light on the centrality of Jews to medieval and Enlightenment history.