Download Free Alex Miller The Ruin Of Time Book in PDF and EPUB Free Download. You can read online Alex Miller The Ruin Of Time and write the review.

Alex Miller: The Ruin of Time is the first sole-authored critical survey of the respected Australian novelist's eleven novels. While these books are immediately accessible to the general reading public, they are manifestly works of high literary seriousness - substantial, technically masterful and assured, intricately interconnected, and of great imaginative, intellectual and ethical weight. Among his many prizes and awards, Alex Miller has twice won the Miles Franklin Literary Award, for The Ancestor Game in 1993, and Journey to the Stone Country in 2003; the Commonwealth Writers' prize, also for The Ancestor Game in 1993; and the New South Wales Premier's Literary Awards Christina Stead Prize, for Conditions of Faith in 2001 and Lovesong in 2011. He received a Centenary Medal in 2001 and the Melbourne Prize for Literature in 2012. In 2011 he was elected a Fellow of the Australian Academy of the Humanities. Having published his eleventh novel, Coal Creek, in 2013 - which won the Victorian Premier's Fiction Award in 2014 - Miller is currently writing an autobiographical memoir with the working title 'Horizons'.
One of Australia's most respected novelists, Alex Miller's writing is both popular and critically well-received. He is twice winner of Australia's premier literary prize, the Miles Franklin Award. He has said that writing is his way of 'locating connections' and his work is known for its deeply empathic engagement with relationships and cultures. This collection explores his early and later works, including Miller's best-known novels, The Ancestor Game, Journey to the Stone Country, Lovesong and Autumn Laing. Contributors examine his intricately constructed plots, his interest in the nature of home and migration, the representation in his work of Australian history and culture, and key recurring themes including art and Aboriginal issues. Also included is a memoir, illustrated by photographs from his personal collection, in which Alex Miller reflects on his writing life. With contributions from leading critics including Raimond Gaita, Peter Pierce, Ronald A. Sharp, Brenda Walker, Elizabeth Webby and Geordie Williamson, this collection is the first substantial critical analysis of Alex Miller's work. It is an invaluable resource for anyone teaching and studying contemporary Australian literature.
Time, Tide and History: Eleanor Dark’s Fiction is the first book-length edited collection of scholarly essays to treat the full span of Eleanor Dark’s fiction, advancing a recent revival of critical and scholarly interest in Dark’s writing. This volume not only establishes a new view of Dark’s fiction as a whole, but also reflects on the ways in which her fiction speaks to our present moment, in the context of a globally fraught, post-pandemic, Anthropocene era. Above all, the revisiting of Dark’s fiction is mandated by a desire to recognise the ways in which it anticipates vital debates in Australian literary and national culture today, about settler colonialism and its legacies, and with regard to the histories, condition and status of Australia’s First Nations people. This volume interweaves varied topical themes, from formal debates about modernism, historical realism and melodrama, to questions about modernity’s time and space, about gender and cultural difference, and about the specifics of built and natural environments. Time, Tide and History intentionally loosens the conventions of literary scholarship by including other kinds of work alongside critical and scholarly readings: a written dialogue between two contemporary historians about Dark’s legacy, and a biographical piece on the life and role of Eleanor Dark’s husband, Eric Payten Dark. Bringing together the interwar fiction’s feminist and modernist dimensions with the historical turn of The Timeless Land trilogy, the essays in Time, Tide and History collectively pursue ethical and political questions while teasing out the distinctive thematic, formal and aesthetic features of Dark’s fiction.
A moving novel about storytelling, about truths, and love, from twice Miles Franklin Award winner Alex Miller. 'More than one ghost haunts this tender novel about love in its many guises, condoned and illicit. In his deceptively simple, lucid prose, Alex Miller examines the emotional contradictions inherent in apparent opposites as his central character learns to draw strength and inspiration from unlikely places. Hauntingly beautiful, A Brief Affair will resonate long after its pages are closed.' Sylvia Martin, author of Ink in Her Veins: The Troubled Life of Aileen Palmer From the bustling streets of China, to the ominous Cell 16 in an old asylum building, to the familiar sounds and sight of galahs flying over a Victorian farm, A Brief Affair is a tender love story. On the face of it, Dr Frances Egan is a woman who has it all - a loving family and a fine career - until a brief, perfect affair reveals to her an imaginative dimension to her life that is wholly her own. Fran finds the courage and the inspiration to risk everything and change her direction at the age of forty-two. This newfound understanding of herself is fortified by the discovery of a long-forgotten diary from the asylum and the story it reveals. Written with humour, sensitivity and the wisdom for which Miller's work is famous, this exquisitely compassionate novel explores the interior life and the dangerous navigation of love in all its forms. '...richly satisfying and luminous' Emeritus Professor, Tom Griffiths
Australia has been seen as a land of both punishment and refuge. Australian literature has explored these controlling alternatives, and vividly rendered the landscape on which they transpire. Twentieth-century writers left Australia to see the world; now Australia’s distance no longer provides sanctuary. But today the global perspective has arrived with a vengeance. In Contemporary Australian Literature: A World Not Yet Dead, Nicholas Birns tells the story of how novelists, poets and critics, from Patrick White to Hannah Kent, from Alexis Wright to Christos Tsiolkas, responded to this condition. With rancour, concern and idealism, modern Australian literature conveys a tragic sense of the past yet an abiding vision of the way forward. Birns paints a vivid picture of a rich Australian literary voice – one not lost to the churning of global markets, but in fact given new life by it. Contrary to the despairing of the critics, Australian literary identity continues to flourish. And as Birns finds, it is not one thing, but many. "In this remarkable, bold and fearless book, Nicholas Birns contests how literary cultures are read, how they are constituted and what they stand for … In examining the nature of the barriers between public and private utterance, and looking outside the absurdity of the rules of genre, Birns has produced a redemptive analysis that leaves hope for revivifying a world not yet dead." - John Kinsella
‘Imagined Sound’ is a unique cartography of the artistic, historical and political forces that have informed the post-World War II representation of Australian landscapes. It is the first book to formulate the unique methodology of ‘imagined sound’, a new way to read and listen to literature and music that moves beyond the dominance of the visual, the colonial mode of knowing, controlling and imagining Australian space. Emphasising sound and listening, this approach draws out and re-examines the key narratives that shape and are shaped by Australian landscapes and histories, stories of first contact, frontier violence, the explorer journey, the convict experience, non-Indigenous belonging, Pacific identity and contemporary Indigenous Dreaming. ‘Imagined Sound’ offers a compelling analysis of how these narratives are reharmonised in key works of literature and music.
A powerful and perceptive novel from two-time Miles Franklin Award winner Alex Miller. 'Miller has created a body of writing that is now acknowledged as one of the great Australian literary achievements of the past half-century.' - Morag Fraser It's 1975, and at the threshold of his writing career Andy McPherson is navigating how to be fully present both for his partner, Jo, and their young daughter. When forced to take a part-time teaching job Andy meets Lang Tzu, a charismatic and intriguing man. Andy is drawn deeper into a dangerous relationship when Lang asks him to prove his friendship by brokering a risky deal for a much-desired piece of art. Andy finally consents despite Jo's opposition. In the process, Andy is in fact negotiating his own deal with himself as an artist and is compelled to face up to the conflict between his conception of art as a creative gift and the realities of the art market. Powerful and perceptive, Miller's profound and intimate depiction of Jo and her partnership with Andy, and his poignant portrait of Lang's troubled genius, form the beating heart of this beautiful novel. Praise for A Brief Affair by Alex Miller '… a moving study of the value of both writing and reading. In many ways it is a distillation of all of Miller's invaluable fiction.' - The Guardian 'There's a seductive, languid poetry to Alex Miller's writing that gently lulls the reader into his world and makes it a place you never want to leave. There, we are surrounded by a melange of sights, sounds, smells and most importantly characters, a place that is at once embracing and poignantly thought-provoking.' - Australian Women's Weekly
An astonishing, moving tribute to Alex's friend, Max Blatt, that is at once a meditation on memory itself, on friendship and a reminder to the reader that history belongs to humanity. SHORTLISTED FOR THE NATIONAL BIOGRAPHY AWARD 'Max is haunted by devastating insights. Blatt told Miller that the hardest part of torture was the realisation that the torturer was also your brother. It is the same generosity that makes Max such a compelling argument against narrowness and division. Blatt's life has deep and wide ramifications. Miller's intelligent love has created a tale for the ages.' The Age 'This book so beautifully evokes the power of places in shaping our consciousness and perception As readers of Alex Miller, we feel ourselves to be in the presence of a great heart and a penetrating sensibility, and in the thrall of one of our nation's most beloved writers.' Tom Griffiths, Emeritus Professor of History, ANU 'Max tells of Alex Miller's search -- in turns fearful and elated -- for the elusive past of Max Blatt, a man he loves, who loved him and who taught him that he must write with love. Miller discovers that he is also searching for a defining part of himself, formed by his relation to Max Blatt, but whose significance will remain obscure until he finds Max, complete, in his history. With Max, Miller the novelist has written a wonderful work of non-fiction, as fine as the best of his novels. Always a truth-seeker, he has rendered himself vulnerable, unprotected by the liberties permitted to fiction. Max is perhaps his most moving book, a poignant expression of piety, true to his mentor's injunction to write with love.' Raimond Gaita, award-winning author of Romulus, My Father I began to see that whatever I might write about Max, discover about him, piece together with those old shards of memory, it would be his influence on the friendships of the living that would frame his story in the present. According to your 1939 Gestapo file, you adopted the cover names Landau and Maxim. The name your mother and father gave you was Moses. We knew you as Max. You had worked in secret. From an early age you concealed yourself - like the grey box beetle in the final country of your exile, maturing on its journey out of sight beneath the bark of the tree. You risked death every day. And when at last the struggle became hopeless, you escaped the hell and found a haven in China first, and then Australia, where you became one of those refugees who, in their final place of exile, chose not death but silence and obscurity. Alex Miller followed the faint trail of Max Blatt's early life for five years. Max's story unfolded, slowly at first, from the Melbourne Holocaust Centre's records then to Berlin's Federal Archives. From Berlin, Miller travelled to Max's old home town of Wroclaw in Poland. And finally in Israel with Max's niece, Liat Shoham, and her brother Yossi Blatt, at Liat's home in the moshav Shadmot Dvora in the Lower Galilee, the circle of friendship was closed and the mystery of Max's legendary silence was unmasked. Max is an astonishing and moving tribute to friendship, a meditation on memory itself, and a reminder to the reader that history belongs to humanity.
From one of Australia's greatest novelists comes this fine collection, a storyteller's journey. These short stories and essays, written over the last forty years, comprise an insightful and intelligent meditation on the life of the novelist and the culture of contemporary Australia. Personal and intimate as many of these pieces are, this collection forms a kind of assured autobiography, of the sort that only Alex Miller could write. Alex Miller's stories are told with a rare level of wisdom and profundity, engaging the intellect and the emotions simultaneously. Stories are, after all, in his blood.
Eleanor Dark (1901–85) is one of Australia’s most innovative 20th-century writers. Her extensive oeuvre includes ten novels published from the early 1930s to the late 1950s, and represents a significant engagement with global modernity from a unique position within settler culture. Yet Dark’s contribution to 20th-century literature has been undervalued in the fields of both Australian literary studies and world literature. Although two biographies have been written about her life, there has been no book-length critical study of her writing published since 1976. Middlebrow Modernism counters this neglect by providing the first full-length critical survey of Eleanor Dark’s writing to be published in over four decades. Focusing on the fiction that Dark produced during the interwar years and reading this in the context of her larger body of work, this book positions Dark’s writing as important to the study of Australian literature and global modernism. Melinda Cooper argues that Dark’s fiction exhibits a distinctive aesthetic of middlebrow modernism, which blends attributes of literary modernism with popular fiction. It seeks to mediate and reconcile apparent binaries: modernism and mass culture; liberal humanism and experimental aesthetics; settler society and international modernity. The term middlebrow modernism also captures the way Dark negotiated cosmopolitan commitments with more place-based attachments to nation and local community within the mid-20th century. Middlebrow Modernism posits that Dark’s fiction and the broader phenomenon of Australian modernism offer essential case studies for larger debates operating within global modernist and world literature studies, providing perspectives these fields might otherwise miss.