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Alden's cyclopedia of universal literature, presenting biographical and critical notices and specimens from the writings of eminent authors of all ages and all nations - Vol. XVII is an unchanged, high-quality reprint of the original edition of 1892. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.
Excerpt from Alden's Cyclopedia of Universal Literature, Presenting Biographical and Critical Notices and Specimens From the Writings of Eminent Authors of All Ages and All Nations, Vol. 18 At last we arrived at the place of graves. It was an acclivity of the mountain a small field surrounded by a fence, in one corner of which were erected many wooden crosses; and a pile of sand, or rather of sandy, frozen clods, dug out with a pick-axe and cast upon the surrounding snow, indicated the spot of this new sepul ture. There was not a single marble erected, not a monument of brown stone; or epitaph; but the em blem ot' the cross denoted that it was the resting-place of the lowliest of the lowly - oi the poor sons of Erin, the hewers of wood and the drawers of water, who had, from time to time, in these distant regions, given up their lives to toil, to suffering, or to crime. But the mountain in which they were buried was itself a monu ment which, without any distinction, in a spot where all were equal, was erected equally for all. There is no memorial, even of the greatest, so good as the place in which they repose and when I looked upon the Sinai like peak which rose before as, I thought that these poor people had, in the depth of poverty, resorted to the very God of Nature to memorize their dead. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
World Literature is an increasingly influential subject in literary studies, which has led to the re-framing of contemporary ideas of ‘national literatures’, language and translation. World Literature: A Reader brings together thirty essential readings which display the theoretical foundations of the subject, as well as showing its conceptual development over a two hundred year period. The book features: an illuminating introduction to the subject, with suggested reading paths to help readers navigate through the materials texts exploring key themes such as globalization, cosmopolitanism, post/trans-nationalism, and translation and nationalism writings by major figures including J. W. Goethe, Karl Marx, Friedrich Engels, Longxi Zhao, David Damrosch, Gayatri Chakravorty Spivak, Pascale Casanova and Milan Kundera. The early explorations of the meaning of ‘Weltliteratur’ are introduced, while twenty-first century interpretations by leading scholars today show the latest critical developments in the field. The editors offer readers the ideal introduction to the theories and debates surrounding the impact of this crucial area on the modern literary landscape.
Over the course of the past twenty-five years, anthologies have shifted from playing a relatively minor role in academic culture to a position of dominance. The essays in this collection explore the significant intellectual, economic, political, pedagogical, and creative resonance of anthologies through all levels of academic life. They show that anthologies have consequences and are grounded in commitments. Striving to articulate these consequences and commitments is a priority in higher education today. Most of the contributors to this volume are editors of anthologies, and they draw on personal experiences to provide a rare glimpse into the economics and logic of anthology publication. Their essays illustrate the ways in which editing an anthology involves negotiation and compromise between intellectual ideal and realistic practice. On Anthologies includes discussion of a wide range of anthologies used and produced by teachers and scholars. Though the emphasis is on literature and theory anthologies, the insights in this volume speak to professionals in all areas of academic life. Collectively, these essays establish the foundation for continuing critical analysis of anthology production and consumption in all disciplines.