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The fascinating life and work of an artist who captured some of the first photographs of the Far East are presented in this gorgeous volume.
When Japan opened its doors to the West in the 1860s, delicately hand-tinted photographic prints of Japanese people and landscapes were among its earliest and most popular exports. David Odo studies the collection of Japanese photographs at Harvard’s Peabody Museum and the ways they were produced, acquired, and circulated in the nineteenth century.
How the colonial photograph revolutionized the very nature of perception
A fantastic insight into Colonial India through vintage photographyAt the beginning of the 1850s, photography had gained acceptance in Colonial India. With its magnificent architecture, exotic landscapes and many different cultures, India could offer fantastic photographic scenes. In this splendid photobook, which is also the catalogue for an exhibition at The David Collection in Copenhagen, the author has collected photos by English and some Indian photographers. Their images represent India's architecture in all its glory - outstanding palaces and monuments, including Taj Mahal - as well as portraits of princes, maharajas, ministers and warriors in all their splendour.There are also photos of the typical Indian craftsmen - stone- and woodcarvers, carpenters and colourists - as well as photos of elephants, people bathing in the Ganges river, people harvesting hay and working in gardens, acrobats, snake charmers, dancers, musicians and religious processions. All photos are accompanied by descriptive captions while a map of India creates overview of which locations the photos were taken.
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.
A Career of Japan is the first study of one of the major photographers and personalities of nineteenth-century Japan. Baron Raimund von Stillfried was the most important foreign-born photographer of the Meiji era and one of the first globally active photographers of his generation. Based on extensive new primary sources and unpublished documents from archives around the world, this book examines von Stillfried’s significance as a cultural mediator between Japan and Central Europe. Awarded the 2nd Professor Josef Kreiner Hosei University Award for International Japanese Studies.
Accompanies an exhibition held at the J. Paul Getty Museum, 8 February-1 May 2011.
Featuring a broad selection of photographs from Musée du Quai Branly – Jacques Chirac and other French partner museums, the exhibition catalogue explores the circumstances in which photography was introduced in Europe since 1839 and then practiced around the world, including the Middle East, Africa, Asia and the Americas by leading photographers like Jacques-Philippe Potteau, Isidore van Kinsbergen, Auguste Bartholdi, Désiré Charnay, Muhammad Sadiq Bey, Lala Deen Dayal, Abdullah Brothers and Timothy O’Sullivan. It also features a selection of historical texts on photography by prominent theologian and philosopher, the Emir Abd el-Kader.