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Includes entries for maps and atlases.
This volume contains forty-eight vintage photographs and drawings of Palestine, Bethlehem, Nazareth, The Tombs of the Prophets, Jerusalem, The Temple, Tomb of David, Mount of Olives, Tomb of Joseph, Tombs of the Prophets, and many other places mentioned in the Bible. A trip to the Holy Land can be enhanced with this book, enabling the traveler to compare how it looks today against how it looked hundreds of years ago.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
This book traces the steps of David Roberts' eleven month journey, from 1838-1839, through the Holy Land. Each of his drawings, reproduced here as lithographs, is accompanied by an extract from Roberts' Journal. A modern photograph, showing the site of Roberts' picture as it is today, juxtaposes each plate.
The Holy Land has been an enduring magnet for visitors seeking to retrace the footsteps of biblical prophets, kings and saints and to glimpse the setting of events recorded in the Scriptures. This book offers a selection of over 350 early photographs, paintings, and drawings of the length and breadth of the Holy Land from the rich repository of images in the archives of the Palestine Exploration Fund. As these images were produced before modern development impacted on these landscapes they are an invaluable resource. The pictures are accompanied by 7 maps and plans showing the locations depicted and a commentary describing the biblical context, informed by up-to-date scholarship. The book is divided into five chapters; an introduction which includes a brief account of pilgrimage to the Holy Land through the ages, followed by a series of geographical 'tours' through Galilee, Samaria, and Judea and Philistia, before culminating with a focus on the two main sites of interest for the traveller: Bethlehem and Jerusalem. While often very beautiful in their own right, the pictures also reflect the interest and sensibilities of the photographers and those who collected them, and capture the opposing undercurrents of scientific enquiry and piety characteristic of 19th Century European society. In the case of the photographers engaged by the PEF, a striving for objectivity is strikingly evident in their work.
This authoritative catalogue of the Corcoran Gallery of Art's renowned collection of pre-1945 American paintings will greatly enhance scholarly and public understanding of one of the finest and most important collections of historic American art in the world. Composed of more than 600 objects dating from 1740 to 1945.