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Tenderly, hauntingly, and without fear, the thirteen sections in Thirties chronicle Andrews’ journey through a decade rife with both beauty and brutality. Each song-inspired vignette is further enlivened by thoughtfully curated photos, revealing experiences that are at once both universal and intimate In this visual storytelling companion to her upcoming album release of the same name, Andrews explores the isolation and the joy of motherhood, the loss of a lover and partner, and the experience of growing older in a world that expects you to stay young forever. Thirties resists contemplating the big, loud questions of the world, and rather, invites readers to find rest in knowing and loving themselves.
This warm, perceptive, and dryly humorous romance novel from the acclaimed Isla Dewar is a wonderful, richly textured story focusing on several generations of one family through a year in their lives.
With alphabetical indexes of firms and trade specialties.
This beautifully illustrated study recaptures the rich history of women photographers and image collectors in nineteenth-century England. Situating the practice of collecting, exchanging and displaying photographs and other images in the context of feminine sociability, Patrizia Di Bello shows that albums express Victorian women's experience of modernity. The albums of individual women, and the broader feminine culture of collecting and displaying imagesare examined, uncovering the cross-references and fertilizations between women's albums and illustrated periodicals, and demonstrating the way albums and photography, itself, were represented in women's magazines, fashion plates, and popular novels. Bringing a sophisticated eye to overlooked images such as the family photograph, Di Bello not only illustrates their significance as historical documents but elucidates the visual rhetorics at play. In doing so, she identifies the connections between Victorian album-making and the work of modern-day amateurs and artists who use digital techniques to compile and decorate albums with Victorian-style borders and patterns. At a time when photographic album-making is being re-vitalised by digital technologies, this book rewrites the history of photographic albums, placing the female collector at its centre and offering an alternative history of photography focused on its uses rather than on its aesthetic or artistic considerations. It is remarkable in elegantly connecting the history of photography with the fields of material culture and women's studies.
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