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In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, History of Science, Art History) explore the fascinating early modern discourses on animals in science, literature and the visual arts.
Focusing on the ways his art and persona were valued and criticized by writers, collectors, and artists subsequent to his death, this book examines the reception of the works of Albrecht D?rer. Andrea Bubenik's analysis highlights the intensive and international interest in D?rer's art and personality, and his developing role as a paragon in art historiography, in conjunction with the proliferation of portraits after his likeness. The author traces carefully how D?rer's paintings, prints, drawings and theoretical writings traveled widely, and were appropriated into new contexts and charged with different meanings. Drawing on inventories and correspondences and taking collecting practices into account, Bubenik establishes who owned what by D?rer in the 16th and 17th centuries, and characterizes the key locations where interest in D?rer peaked (especially the courts of Maximilian I in Munich, and Rudolf II in Prague). Bubenik treats the emergent artistic appropriations of D?rer-borrowings from or transformations of his originals-in conjunction with contemporary sources on art theory. The volume includes illustrations of numerous imitative works after D?rer. As well as being the first book to fully address the early reception of the most important of German Renaissance artists, Reframing Albrecht D?rer shows how appropriation is a crucial concept for understanding artistic practice during the early modern period.
"Durer's drawings and watercolours show the artist at his most accessible, revealing his techniques and the masterly use of his media. No woodcut engravers, printers or apprentices come between Durer and the viewer. This contributes to the particular fascination of such sheets as The Large Piece of Turf or Hare. The introductory essay, portraying Durer as a passionate observer of his surroundings and an exceptionally gifted artist, is followed by thirty-five, high-quality reproductions of his most popular drawings and watercolours."--Jaquette
Albrecht Dürer (1471-1528), perhaps the most famous of all German artists, embodies the modern ideal of the Renaissance man—he was a remarkable painter, printmaker, draftsman, designer, theoretician, and even a poet. More is known about his thoughts and his life than about any other Northern European master of his time, since he wrote extensively about himself, his family's history, his travels, and his friends. His woodcuts and engravings were avidly collected and copied across Europe, and they quickly established his reputation as a master. Praised in life and elegized in death by such thinkers as Martin Luther and Erasmus, he served Emperor Maximilian and other leading church and secular princes in the Holy Roman Empire. Although there is a vast specialized literature on the Nuremberg master, The Essential Dürer fills the need for a foundational book that covers the major aspects of his career. The essays included in this book, written by leading scholars from the United States and Germany, provide an accessible, up-to-date examination of Dürer's art and person as well as his posthumous fame. The essays address an array of topics, from separate and detailed studies of his paintings, drawings, printmaking, and sculpture, to broader concerns such as his visits to and interactions with Venice and the Netherlands, his personal relationships, and his relationships with other artists. Collectively these stimulating essays explore the brilliance of Dürer's creativity and the impact he had on his world, exposing him as an artist fully engaged with the tumultuous intellectual and religious challenges of his time.
The new definition of the animal is one of the fascinating features of the intellectual life of the early modern period. The sixteenth century saw the invention of the new science of zoology. This went hand in hand with the (re)discovery of anatomy, physiology and – in the seventeenth century – the invention of the microscope. The discovery of the new world confronted intellectuals with hitherto unknown species, which found their way into courtly menageries, curiosity cabinets and academic collections. Artistic progress in painting and drawing brought about a new precision of animal illustrations. In this volume, specialists from various disciplines (Neo-Latin, French, German, Dutch, History, history of science, art history) explore the fascinating early modern discourses on animals in science, literature and the visual arts. The volume is of interest for all students of the history of science and intellectual life, of literature and art history of the early modern period. Contributors include Rebecca Parker Brienen, Paulette Choné, Sarah Cohen, Pia Cuneo, Louise Hill Curth, Florike Egmond, Karl A.E. Enenkel, Susanne Hehenberger, Annemarie Jordan-Gschwendt, Erik Jorink, Johan Koppenol, Almudena Perez de Tudela, Vibeke Roggen, Franziska Schnoor, Paul J. Smith, Thea Vignau-Wilberg, and Suzanne J. Walker.
An exploration of the life and works of German artist Albrecht Dürer and his self-obsession. The Italian Renaissance birthed the modern sense of self, and no artist from the period compares with Albrecht Dürer (1471–1528) in terms of the almost obsessive interest he displayed in his own life. Dürer’s works are filled with personal details from his day-to-day, his dreams, and his escapades. In this brief biography, David Ekserdjian explores Dürer’s life and times—his studies, travels, and influences—as well as his paintings, drawings, and prints. This book is essential reading for anyone interested in Renaissance or Northern European art.
Through an examination of material and institutional circumstances, through the study of work shop practices and of technical and aesthetic experimentation, this book seeks to give an account of the ways in which Renaissance prints were realized, distributed, acquired, and handled by their public.
In parts of Korea and China, moon bears, black but for the crescent-shaped patch of white on their chests, are captured in the wild and brought to "bear farms" where they are imprisoned in squeeze cages, and a steel catheter is inserted into their gall bladders. The dripping bile is collected as a cure for ailments ranging from an upset stomach to skin burns. The bear may live as long as fifteen years in this state. Rhinos are being illegally poached for their horns, as are tigers for their bones, thought to improve virility. Booming economies and growing wealth in parts of Asia are increasing demand for these precious medicinals. Already endangered species are being sacrificed for temporary treatments for nausea and erectile dysfunction. Richard Ellis, one of the world's foremost experts in wildlife extinction, brings his alarm to the pages of Tiger Bone & Rhino Horn, in the hope that through an exposure of this drug trade, something can be done to save the animals most direly threatened. Trade in animal parts for traditional Chinese medicine is a leading cause of species endangerment in Asia, and poaching is increasing at an alarming rate. Most of traditional Chinese medicine relies on herbs and other plants, and is not a cause for concern. Ellis illuminates those aspects of traditional medicine, but as wildlife habitats are shrinking for the hunted large species, the situation is becoming ever more critical. One hundred years ago, there were probably 100,000 tigers in India, South China, Sumatra, Bali, Java, and the Russian Far East. The South Chinese, Caspian, Balinese, and Javan species are extinct. There are now fewer than 5,000 tigers in all of India, and the numbers are dropping fast. There are five species of rhinoceros--three in Asia and two in Africa--and all have been hunted to near extinction so their horns can be ground into powder, not for aphrodisiacs, as commonly thought, but for ailments ranging from arthritis to depression. In 1930, there were 80,000 black rhinos in Africa. Now there are fewer than 2,500. Tigers, bears, and rhinos are not the only animals pursued for the sake of alleviating human ills--the list includes musk deer, sharks, saiga antelope, seahorses, porcupines, monkeys, beavers, and sea lions--but the dwindling numbers of those rare species call us to attention. Ellis tells us what has been done successfully, and contemplates what can and must be done to save these animals or, sadly, our children will witness the extinction of tigers, rhinos, and moon bears in their lifetime.
"The early years of the seventeenth century saw a great flourishing of Dutch culture. In the arts, this was the era of Vermeer and Rembrandt, as well as the development of a local art market. Commerce extended around the world, with state-sponsored trading companies importing foreign goods. Politically, the Netherlands became the first nation-state in Europe, in 1648. In this book, Claudia Swan considers all these aspects together, examining the material culture of the period-the designed, manufactured, and hand-crafted materials and wares-to show how the Dutch encounter with so-called "exotic" goods played a fundamental role in the country's political formation"--