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In this challening book, Firdous Azim, provides a feminist critique of orthodox accounts of the `rise of the novel' and exposes the underlying orientalist assumptions of the early English novel. Whereas previous studies have emphasized the universality of the coherent and consistent subject which found expression in the novels of the eighteenth century, Azim demonstrtes how certain categories: women and people of colour, were silenced and excluded. The Colonial Rise of the Novel makes an important and provocative contribution to post-colonial and feminist criticism. It will be essential reading for all teachers and students of English literature, women's studies, and post-colonial criticism.
The Complete Works of the Brontë Family (Anne, Charlotte, Emily, Branwell, and Patrick Brontë) encompasses a remarkable range of literary styles and themes, presenting a unique opportunity to immerse in the genius of the Brontës' collective oeuvre. From the moorland romances of Wuthering Heights and Jane Eyre to the nuanced social critiques in Agnes Grey and the less-known but equally poignant works of Branwell and Patrick, this anthology showcases the diversity and depth of the Brontë familys literary contributions. The varying styles, from Gothic to realist, form a comprehensive landscape of Victorian literature, underscoring the enduring significance of these works in the canon of English literature. The contributors, siblings hailing from a secluded Yorkshire parsonage, have each left an indelible mark on literary history. Despite their varied themes and stylistic approaches, a shared undercurrent of passion, social commentary, and a deep understanding of human nature and emotion connects their works. The Brontës, operating against the backdrop of the Victorian era, contributed significantly to the literary and feminist movements of their time, with each authors distinctive voice enriching the tapestry of 19th-century literature. This anthology not only celebrates their individual legacies but also highlights the collaborative spirit of the Brontë family. Readers are invited to explore The Complete Works of the Brontë Family as a testament to the enduring power of literature to convey the complexities of human experience. This collection offers a unique lens through which to view the world, bridging historical and cultural divides through the universal themes of love, conflict, and resilience. Engaging with this anthology promises not just a deepened appreciation for the Brontës' literary achievements but also a profound connection to the voices that together have shaped the contours of English literature.
How does Victorian fiction represent personality? How does it express emotion and how does it imagine the mind? These questions stand at the centre of Eros and Psyche, first published in 1984. In examining how three authors – Charlotte Brontë, Charles Dickens and George Eliot – depict the mind and organise emotion, Chase approaches their works as expressive structures, and analyses their struggle to accommodate rival imperatives in depicting personality: desire and duty, guilt and innocence, love and autonomy. The title begins with Brontë’s early Angrian tales, which introduce the problem that unifies the book: the attempt of Victorian fiction to escape the constraints of the romance mode, while assimilating its energies. There follow readings of The Pickwick Papers, Jane Eyre, Bleak House, and Middlemarch, in the light of such problems as confinement and exposure in Brontë, tragic doubt in Dickens, and the image of the moral mind in George Eliot.
This collection brings together key writings which convey the breadth of what is understood to be Gothic, and the ways in which it has produced, reinforced, and undermined received ideas about literature and culture. In addition to its interests in the late eighteenth-century origins of the form, this collection anthologizes path-breaking essays on most aspects of gothic production, including some of its nineteenth, twentieth and twenty-first century manifestations across a broad range of cultural media.
In this new edition the writings of the young Brontës - Charlotte, Emily, Anne, and Branwell - are presented together for the first time in a single volume. The fantasy worlds of Glass Town, Angria, and Gondal, experiments in romance and realism, provided a rich source for their later work and offer an insight into their developing creativity.
Home and Away: The Place of the Child Writer is an important contribution to the fast-growing and rapidly evolving field of literary juvenilia studies. This collection of essays by fifteen scholars is the first in this area to be published in the past decade. To reflect recent developments, Home and Away both theorises the current state of this richly interdisciplinary academic field and exemplifies juvenilia studies in action. An authoritative review of the origins and future of literary juvenilia studies is followed by a collection of essays on individual authors. Wide-ranging in literary periods covered, geographical regions represented, and methodological approaches employed, the collection is organized around the basic tenet that the familiar world of home and the as–yet–untravelled territory of adulthood are both important to the imaginations of juvenile authors. The relationships and values of the parental home, the topography of the home place, the literature and lives that first fired their imaginations as children, find expression in young writers’ works. So too do the unfamiliar or extra-familiar connections, lifestyles, landscapes, and literature that the child writer anticipates, imagines, or invents, whether as a means of temporary escape while still at home, or as a process of preparing for adulthood and artistic maturity.