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Susanne Sklar engages with the interpretive challenges of William Blake's illuminated epic poem Jerusalem by considering it as a piece of visionary theatre - an imaginative performance in which characters, settings, and imagery are not confined by mundane space and time - allowing readers to find coherence within its complexities.
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Jerusalem represents the culmination of Blake's artistic endeavor in poetry and picture. The author approaches Blake's masterpiece from within rather that without, in an attempt to find a clue to the poem's structure in the poetry itself.
Accompanying the first exhibition devoted to the subject, 'William Blake in Sussex' considers the collective significance of the English county to the life and work of the the celebrated artist and writer. 0The authors will examine the relationships formed by Blake in Sussex, particularly with the poet William Hayley, the sculptor John Flaxman, the 3rd Earl of Egremont at Petworth House and his estranged wife Elizabeth Ilive, who commissioned two of the three Blakes now in Petworth. Blake?s work for Hayley, often dismissed as illustrative and decorative, will be reappraised, and other projects he worked on in Sussex will be celebrated, including extraordinary biblical illustrations.0 0Exhibition: Petworth House, UK (13.01.-25.03.2018).
This fascinating book is the first volume in a projected cultural history of the United States, from the earliest English settlements to our own time. It is a history of American folkways as they have changed through time, and it argues a thesis about the importance for the United States of having been British in its cultural origins. While most people in the United States today have no British ancestors, they have assimilated regional cultures which were created by British colonists, even while preserving ethnic identities at the same time. In this sense, nearly all Americans are "Albion's Seed," no matter what their ethnicity may be. The concluding section of this remarkable book explores the ways that regional cultures have continued to dominate national politics from 1789 to 1988, and still help to shape attitudes toward education, government, gender, and violence, on which differences between American regions are greater than between European nations.
William Blake, overlooked in his time, remains an enigmatic figure to contemporary readers despite his near canonical status. Out of a wounding sense of alienation and dividedness he created a profoundly original symbolic language, in which words and images unite in a unique interpretation of self and society. He was a counterculture prophet whose art still challenges us to think afresh about almost every aspect of experience—social, political, philosophical, religious, erotic, and aesthetic. He believed that we live in the midst of Eternity here and now, and that if we could open our consciousness to the fullness of being, it would be like experiencing a sunrise that never ends. Following Blake’s life from beginning to end, acclaimed biographer Leo Damrosch draws extensively on Blake’s poems, his paintings, and his etchings and engravings to offer this generously illustrated account of Blake the man and his vision of our world. The author’s goal is to inspire the reader with the passion he has for his subject, achieving the imaginative response that Blake himself sought to excite. The book is an invitation to understanding and enjoyment, an invitation to appreciate Blake’s imaginative world and, in so doing, to open the doors of our perception.
Lionel de Rothschild's hard-fought entry into Parliament in 1858 marked the emancipation of Jews in Britain - the symbolic conclusion of Jews' campaign for equal rights and their inclusion as citizens after centuries of discrimination. Jewish life entered a new phase: the post-emancipation era. But what did this mean for the Jewish community and their interactions with wider society? And how did Britain's state and society react to its newest citizens? Emancipation was ambiguous. Acceptance carried expectations, as well as opportunities. Integrating into British society required changes to traditional Jewish identity, just as it also widened conceptions of Britishness. Many Jews willingly embraced their environment and fashioned a unique Jewish existence: mixing in all levels of society; experiencing economic success; and organising and translating its faith along Anglican grounds. However, unlike many other European Jews, Anglo-Jews stayed loyal to their faith. Conversion and outmarriage remained rare, and connections were maintained with foreign kin. The community was even willing at times to place its Jewish and English identity in conflict, as happened during the 1876-8 Eastern Crisis - which provoked the first episode of modern antisemitism in Britain. The nature of Jewish existence in Britain was unclear and developing in the post-emancipation era. Focusing upon inter-linked case studies of Anglo-Jewry's political activity, internal government, and religious development, Michael Clark explores the dilemmas of identity and inter-faith relations that confronted the minority in late nineteenth-century Britain. This was a crucial period in which the Anglo-Jewish community shaped the basis of its modern existence, whilst the British state explored the limits of its toleration.
This book argues that the destruction of Jerusalem is a key explanatory trope for early modern texts.
As well as the name of a virus, a corona is a crown, the pearly glow around the sun in certain astronomical conditions and a poetic form where interlinking lines connect a sequence. It is the perfect name therefore for this new collection of 150 poems by the bestselling poet Malcolm Guite, each one written in response to the Bible’s 150 psalms as they appear in William Coverdale’s timeless translation. The Psalms express every human emotion with disarming honesty, as anger and thankfulness alike are directed at God. All of life is here with its moments of beauty and its times of despair and shame. Like the Psalms themselves, the poems do not avoid the cursing and glorying over the downfall of your enemies, but wrestle honestly with them as we do when we come to say them.