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"Twenty-seven contributors--artists, cultural professionals, scholars, a journalist, grantmakers--were asked this question: 'Are the arts essential?' In response, they offer deep and challenging answers applying the lenses of the arts, and those of the sciences, the humanities, public policy, and philanthropy. Playing so many parts, situated in so many places, these writers illustrate the ubiquity of the arts and culture in the United States. They draw from the performing arts and the visual arts, from poetry and literature, and from culture in our everyday lived experiences. The arts, they remind readers, are everywhere, and--in one way and another--touch everyone"--
With its dramatic landscapes and rugged beauty, Alberta's Bow River valley has inspired generations of artists. The Painted Valley : Artists Along Alberta's Bow River, 1845-2000 brings together a collection of works by local and visiting artists from 1845 to 2000 that captures the many moods of the river and its valley from its source high in the Rocky Mountains down to the city of Calgary and eastward across the open prairie.Christopher Armstrong and H.V. Nelles have selected works from a number of Alberta museums and national collections, which depict the Bow River and its valley, representing a broad array of historical periods, artistic styles, and points of view. From European topographers and military artists to painters commissioned by the Canadian Pacific Railway, from the Group of Seven to modernism and abstraction, these pictures of the Bow valley tell us much about changing attitudes toward nature and the environment as well as the evolution of an artistic community in western Canada.
A Delicate Arthighlights the paintings and photography of six artists in Alberta who with passion and long moments of observation have made an inspired contribution to wildflower art. Covering a period of one hundred years to the present, the story behind these creators Mary Schäffer Warren, Mary Vaux Walcott, William Copeland McCalla, Annora Brown, Robert Sinclair and Carole Harmon is also told. A blend of biography, botanical and regional art history and commentary by the artists themselves about their treasured subject, A Delicate Artis intended for the lay reader and is accompanied by sumptuous reproductions of the artwork and an alluring overall design that will appeal to anyone interested in art, mountain-life and gardening.
Canada: A Poetic Landscape is a well-considered, joy-filled journey into the vast splendour of the Canadian landscape, its history and heritage, crafted through the lens of an artist turned poet. Experience every province and territory, the book imparts lesser-known information about Canada through colourful, detailed, and whimsical paintings alongside culturally themed stories expressed in verse. From totem poles and inukshuks to the fur trade and the gold rush, from cottage country and maple syrup to high tides and sculptured rocks, from a long history of war to the land cradled on the waves, this book is rich with the uniqueness of each province and territory. Canada: A Poetic Landscape offers an alternative or addition to the map-colouring and memorization of provinces taught in most schools, and provides a more comprehensive understanding of geography and history. Written primarily for children aged ten years and older, this book will inspire readers, young and old, to want to learn more about and experience more of Canada.
For kids who love to draw and create, this captivating picture book fosters an appreciation for nature and features craft ideas to inspire young artists. Kids will be inspired to create: Fingerprint bumblebees Sculptures made of sand Rainbow colored jars And more! Nature is an Artist explores different art forms that kids can find in the natural world. In the book, a group of children follow Nature—the most inspiring of teachers—as they discover the world’s greatest art show hidden in plain sight. As they witness beautiful landscapes, stunning vistas, and unusual creatures, each child is inspired to recreate their own fine work of art. With charming, rhythmic text from Jennifer Lavalee and vivid, eye-catching illustrations from Natalia Colombo, Nature is an Artist celebrates nature’s beauty and variety, and instills kids with: The confidence to see themselves as artists! Respect and appreciation for nature. After reading, kids will appreciate the art in their own outdoor surroundings.
Bateman journeys across all seven regions of Canada, and his art reflects the intrinsically Canadian beauty of the country. The paintings celebrate the history, diversity, and natural wonder. In the introductory comments for each section, Bateman explains how the land has captivated him, as an artist and as a nature lover, for decades
The first compendium of writing and art to present the case for the role of sex in environmental and social justice. Sex Ecologies explores pleasure, affect, and the powers of the erotic in the human and more-than-human worlds. Arguing for the positive and constructive role of sex in ecology and art practice, these texts and artistic research projects attempt nothing short of reclaiming the sexual from Western erotophobia and heteronormative narratives of nature and reproduction. The artists and writers set out to examine queer ecology through the lens of environmental humanities, investigating the fluid boundaries between bodies (both human and nonhuman), between binary conceptions of nature as separate from culture, and between disciplines. In newly commissioned texts from such writers as Mel Y. Chen and Jack Halberstam and a selection of influential essays—including an annotated version of Audre Lorde’s “The Uses of the Erotic: The Erotic as Power”—as well as images and sketches from works in progress by a diverse group of artists, Sex Ecologies combines insights from the fields of art, environmental humanities, ecofeminism, gender studies, science, technology, political science, and indigenous studies. Sex Ecologies, which accompanies an exhibition of the same name at Kunsthall Trondheim, emerges from an arts-driven research project collaboratively developed between the art center and the Seed Box environmental humanities collaboratory. Conceived not as a result but as a seed arising from this transdisciplinary fertilization, the volume presents a case for the role of sex in environmental and social justice. Copublished with Kunsthall Trondheim (Norway) and the Seed Box (Sweden)
Steve Hanks is first and foremost a figure painter whose watercolor compositions are infused with emotion and a kind of poetry formed by light and shadow. Realistic figure painting in watercolor is technically demanding and Hanks is the premier artist working in this field today. His astonishing realism comes from his skillful control of washes, edges, and layers and from his knowledge of the properties of water and pigment. Hanks paints what he refers to as "moments of introspective solitude" with the deepest respect for the privacy of the individual lost in reflection. The paintings in this ample volume represent the most extensive collection of the artist's work in more than ten years, and his subjects include infants, children and families, beautiful women, and nudes. Every painting holds a mystery, and each is also a personal story about the artist as he discovers the expression of his own emotional unfolding through his art.
Attitudes toward the role of the Arts in society are as varied as they are numerous, ranging from 'the Arts are a (nice) diversion' to 'while many things may be necessary to make living possible, it is the Arts that make life worth living'. In the last few decades, research in the areas of psychology, neuroscience and sociology have underpinned the positive health benefits of the arts as well as artists' roles in encouraging innovative thinking and the development of novel persectives for the betterment of society. But, artists work within the existence of boundary conditions. For even the most subversive of artistic creations, the act of subversion is inherently referential to the condition that is being subverted. Furthermore, adaptation of "our modes of perception borrowed from the sensations" are hindered by the reality that "every word in the language refers to our ordinary perceptions" (Neils Bohrs, Nature Supplement, April 14, 1928), and is thus mediated by both the design capacities and limitations of the human form and the ways in which we express that experience. Hence, by examining multiple facets of the commonality of bodily experience Arts Biomechanics explores the human capacity to translate between the perspectives of self and other. Arts Biomechanics as a field of study uses the tools and methods of science to understanding the bodily experience within artistic creation. Desired aesthetic outcomes are influenced by: 1) how an artist might use metaphor or symbolism rooted in bodily experience, 2) how an artist might experience the act of creation, 3) how a performance of an artistic act may be better understood through analysis of physical skills necessary for that act, 4) how the act of challenging creative boundaries might challenge the capacity of the body, and 5) how representations and perception of the human condition are mediated by technology - "the medium is the message" (Marshal McCluhan, Undertanding Media: the Extensions of Man, 1964). In all of these areas Arts Biomechanics allows a deeper discourse, rooted in the commonality of bodily experience, exploring the relationships between modes of perception and communication of our individual experiences.Advances in Arts Biomechanics has twelve chapters covering music, dance, and the visual & media arts. It is organized in three parts. The first part, music research, has articles covering fundamental theory, proof of principles, musicians' health, motor control/learning and its application in practice. Many of these are meaningful for both pedagogy and performance. The second part, dance articles, examines the biomechanics of dancing, kinematics and kinetics, injury prevention, and biomechanical foundations of intercultural representations of gender roles. Finally, two visual & media arts articles discuss motion capture use in performance and artistic creation as well as its communication to an audience, linking bodily gesture to the performative act whether on stage or on canvas. These innovative articles represent advances in thinking regarding biomechanics and the arts. By their very nature, using the tools and methods of science to better understand the visual and performance arts, all are interdisciplinary. We hope that the included articles challenge and inspire researchers and artists in the pursuit of transdisciplinary ways of knowing and creating in the arts.