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Alan Munde has long been a major artist in the 5-string banjo world. Here for the first time, is the book/cd combination of Alan's unaccompanied playing from his popular Solo Banjo project. the book contains entire as- played-by versions with many variations of 12 bluegrass standards and 3 Munde originals including the popular Peaches and Cream in harmony!
(Banjo). Explore the repertoire of the Great American Songbook with this 70-song colletion, masterfully arranged by Alan Munde and Beth Mead-Sullivan for 3-finger, Scruggs-style 5-string banjo. Rhythm tab, right hand fingerings and chord diagrams are included for each of these beloved melodies. Songs include: Ain't She Sweet * Blue Skies * Cheek to Cheek * Home on the Range * Honeysuckle Rose * It Had to Be You * Little Rock Getaway * Over the Rainbow * Sweet Georgia Brown * and more.
Arranging Tunes for Solo Banjo is designed to help players develop a solid understanding of arranging fundamentals for five-string solo banjo. In particular, this book takes an in-depth look at chord melody playing. Examples include popular melodies from the American song book in the keys of C, G and D. Thebook presents tools and techniques to help you create beautiful and intricate arrangements, with lessons on diatonic chords, altered chords, cyclingtechniques, and rhythmic variations. This introduction to arranging for the banjo will expand your knowledge of this instrument and its capabilities. The book comes with accompanying audio available for download online.
The Getting Into Bluegrass Banjo book and CD by Alan Munde is the accumulation of successful teaching concepts developed in his 40 plus years as a professional bluegrass musician and teacher. Munde presents a straight-forward and well-founded course of bluegrass banjo essentials. Designed for those who have never played a stringed instrument to those taking up bluegrass banjo as a second instrument.
This book is a "hands-on" approach to music theory with lots of playing examples for the banjo. Music theory does not have to be mysterious or difficult. In fact, taken a little bit at a time, it’s easy and fun! Each of the approximately 50 lessons in this book has a limited scope, but by the time you complete them, you will have a thorough understanding of the basics of music theory as applied to the banjo. While a single book can't cover everything in so vast a subject, the author has tried to choose topics that will address the needs of most beginning banjo players. These include: scale theory, reading tablature and standard notation, key signatures, accidentals, transposition, time signatures and note values, intervals and chord construction, the three kinds of minor scales, pentatonic scales, and more. In addition, each chapter features playing examples and review questions to both test and clarify understanding of the materials presented. Rather than proceeding from chapter to chapter, as each individual banjo player is likely at a different point in their musical journey, the reader is encouraged to “jump around and spend more time in those areas that interest you most.” The important thing about the journey is to begin. Includes access to online audio and video.
Tony Trischka presents his groundbreaking guide to the melodic (chromatic) Banjo style, made famous by the great Bill Keith. The technique allows the Banjo player to create complex note-for-note renditions of Bluegrass fiddle tunes, as well as ornamenting solos with melodic fragments and motives. Along with a full step-by-step guide to developing the skills of the melodic style, this book also featuresBill Keith's personal explanation of how he developed his formidable technique, in his own words and music.37 tunes in tablature, including a section of fiddle tunes.Interviews with the stars of te melodic style including Bobby Thompson, Eric Weissberg, Ben Eldridge and Alan Munde.
In this first biography of legendary banjoist J. D. Crowe, Marty Godbey charts the life and career of one of bluegrass's most important innovators. Born and raised in Lexington, Kentucky, Crowe picked up the banjo when he was thirteen years old, inspired by a Flatt & Scruggs performance at the Kentucky Barn Dance. Godbey relates the long, distinguished career that followed, as Crowe performed and recorded both solo and as part of such varied ensembles as Jimmy Martin's Sunny Mountain Boys, the all-acoustic Kentucky Mountain Boys, and the revolutionary New South, who created an adventurously eclectic brand of bluegrass by merging rock and country music influences with traditional forms. Over the decades, this highly influential group launched the careers of many other fresh talents such as Keith Whitley, Ricky Skaggs, Tony Rice, Jerry Douglas, and Doyle Lawson. With a selective discography and drawing from more than twenty interviews with Crowe and dozens more with the players who know him best, Crowe on the Banjo: The Music Life of J. D. Crowe is the definitive music biography of a true bluegrass original.
Wade Ward Clawhammer Banjo Master is a collection of clawhammer banjo tablature as played by Wade Ward, with modern interpretations by Bob Carlin and Dan Levenson. This book is the second in a series of transcriptions of tunes from the old masters-in this case, Wade Ward-who gave definition to our style of old time clawhammer banjo playing. the repertoire, presented in tablature, is intended to be a starting point for your journey through the old time music world. As such, each piece is presented in multiple arrangements, but on the page and on the accompanying audio CD. the recordings are for the most part played at a learning tempo and are close to the written notation but not exact in all cases.
Long-time banjo picking ace Alan Munde brings his considerable banjo arranging skills to some of the most played songs in the bluegrass tradition. In these stylistic revealing arrangements, running from straightforward roll approach to the delicately beautiful melodic fingerings, Munde lets the melody of each piece stand out to its fullest. Great Picking Tunes for Banjo includes all-time winners Red Wing, Turkey in the Straw, Arkansas Traveler, Down Yonder, and Home Sweet Home, bluegrass favorites Blackberry Blossom, Cumberland Gap, Black Mountain Rag, John Hardy, and Bury Me Beneath the Willow, fiddle favorites Whiskey Before Breakfast, Flop-Eared Mule, Boston Boy, St. Anne's Reel, and 8th of January, plus a host of other jam session standards. In tablature only.
Music tablature and notation on "What's That" and G string Boogie" by Mark Switzer.