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This companion to Volume I presents individually authored papers covering the history, economics, and sociology of women's work and the computer revolution. Topics include the implications for equal employment opportunity in light of new technologies; a case study of the insurance industry and of women in computer-related occupations; a study of temporary, part-time, and at-home employment; and education and retraining opportunities.
Introduction: Mediated America: Americana as Hollywoodiana / Jan Olsson, Kingsley Bolton -- Italian marionettes meet cinematic modernity / Jan Olsson -- "A red-blooded romance"; or Americanizing early multi-reel feature cinema: the case of The spoilers / Joel Frykholm -- Song of the sonic body: noise, the audience, and early American moving picture culture / Meredith C. Ward -- Constructing the global vernacular: American English and the media / Kingsley Bolton -- You only live once: repetitions of crime as desire in the films of Sylvia Sidney, 1930-1937 / Esther Sonnet -- Punks! Topicality and the 1950s gangster bio-pic cycle / Peter Stanfield -- Importing evil: the American gangster, Swedish cinema, and anti-American propaganda / Ann-Kristin Wallengren -- Sun Yu and the early Americanization of Chinese cinema / Corrado Neri -- If America were really China or how Christopher Columbus discovered Asia / Gregory Lee -- Civil rights on the screen / Michael Renov -- Goodbye rabbit ears: visualizing and mapping the U.S. Digital TV transition / Lisa Parks -- Archival transitions: some digital propositions / Pelle Snickars -- Are Americans human? / Evelyn Ch'ien -- Afterword: Rethinking the American century / William Uricchio.
“Explains Pickford’s roles as not only a talented actress, but also as a philanthropist and industry leader who managed to end up her own producer.” —Time Out In the early days of cinema, when actors were unbilled and unmentioned in credits, audiences immediately noticed Mary Pickford. Moviegoers everywhere were riveted by her magnetic talent and appeal as she rose to become cinema’s first great star. In this engaging collection, co-published with the Library of Congress, an eminent group of film historians sheds new light on this icon’s incredible life and legacy. Pickford emerges from the pages in vivid detail, revealed as a gifted actress, a philanthropist, and a savvy industry leader who fought for creative control of her films and ultimately became her own producer. With extensive photos and illustrations, this book paints a fascinating portrait of a key figure in American cinematic history. Includes over 200 photos, illustrations, and stills from the collections of the Library of Congress and Academy of Motion Picture Arts and Sciences
The classic geological study of the Grand Canyon, commissioned by the fledgling U.S. Geological Survey, is admired today as much for its literary qualities as for its scientific value.
"Much has been written about the Mexican war, but this . . . is the best military history of that conflict. . . . Leading personalities, civilian and military, Mexican and American, are given incisive and fair evaluations. The coming of war is seen as unavoidable, given American expansion and Mexican resistance to loss of territory, compounded by the fact that neither side understood the other. The events that led to war are described with reference to military strengths and weaknesses, and every military campaign and engagement is explained in clear detail and illustrated with good maps. . . . Problems of large numbers of untrained volunteers, discipline and desertion, logistics, diseases and sanitation, relations with Mexican civilians in occupied territory, and Mexican guerrilla operations are all explained, as are the negotiations which led to war's end and the Mexican cession. . . . This is an outstanding contribution to military history and a model of writing which will be admired and emulated."-Journal of American History. K. Jack Bauer was also the author of Zachary Taylor: Soldier, Planter, Statesman of the Old Southwest (1985) and Other Works. Robert W. Johannsen, who introduces this Bison Books edition of The Mexican War, is a professor of history at the University of Illinois, Urbana, and the author of To the Halls of Montezumas: The Mexican War in the American Imagination (1985).
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The War of the Worlds is a science fiction novel by English author H. G. Wells, first serialised in 1897 by Pearson's Magazine in the UK and by Cosmopolitan magazine in the US. The novel's first appearance in hardcover was in 1898 from publisher William Heinemann of London. Written between 1895 and 1897, it is one of the earliest stories to detail a conflict between mankind and an extraterrestrial race. The novel is the first-person narrative of both an unnamed protagonist in Surrey and of his younger brother in London as southern England is invaded by Martians. The novel is one of the most commented-on works in the science fiction canon.