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This volume, Overturning Certainties in Near Eastern Archaeology, is a festschrift dedicated to Professor K. Aslıhan Yener in honor of over four decades of exemplary research, teaching, fieldwork, and publication. The thirty-five chapters presented by her colleagues includes a broad, interdisciplinary range of studies in archaeology, archaeometry, art history, and epigraphy of the Ancient Near East, especially reflecting Prof Yener’s interests in metallurgy, small finds, trade, Anatolia, and the site of Tell Atchana/Alalakh. "The richness of this volume inevitably emerges from those contributions on exchange and technology using philology and/or archaeology." - David A. Warburton, Institute for the History of Ancient Civilizations, Northeast Normal University, in: Bibliotheca Orientalis 76,1-2 (2019)
(BAR S132, 1982)
In this magisterial work the history of the peoples of Palestine from the earliest times to Alexander's conquest is thoroughly sifted and interpreted. All available source material-textural, epigraphic, and archeological-is considered, and the approach taken aims at a dispassionate reconstruction of the major epochs and events by the analysis of social, political, military, and economic phenomena. The book, chronologically structured, is indispensable for the study of the Hebrew Bible and of the ancient Near East.
This book investigates the founding and building of cities in the ancient Near East. The creation of new cities was imagined as an ideological project or a divine intervention in the political narratives and mythologies of Near Eastern cultures, often masking the complex processes behind the social production of urban space. During the Early Iron Age (c.1200–850 BCE), Assyrian and Syro-Hittite rulers developed a highly performative official discourse that revolved around constructing cities, cultivating landscapes, building watercourses, erecting monuments and initiating public festivals. This volume combs through archaeological, epigraphic, visual, architectural and environmental evidence to tell the story of a region from the perspective of its spatial practices, landscape history and architectural technologies. It argues that the cultural processes of the making of urban spaces shape collective memory and identity as well as sites of political performance and state spectacle.