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A Tell-All Memoir Exposes a Hidden Life and Hard-learned Lessons Southern. Black. Gay. Fatherless. Air Force Veteran. Ordained Methodist Minister. Master of hiding in plain sight. Cedrick Bridgeforth knows what it means to hold, hide, and wrestle with all of these identities. For years Cedrick had taken great pains to shield his full truth from the world. Then one day, at the height of his career, his entire universe came crashing down. Equal parts preacher, poet, confessor, and consummate storyteller, Alabama Grandson chronicles Cedrick's hard-fought journey to come to terms with the hidden and sometimes conflicting parts of himself. Bookended by poignant letters to his grandmother, Cedrick vulnerably depicts the suffering caused by denying his truth: You were the most influential person in my life. Yet as much as I admired and appreciated you, I did not trust you enough to say to you: "I am gay." Written over three decades after his grandmother's death and at the height of the COVID-19 pandemic and rise of the Black Lives Matter movement, Alabama Grandson asks as many questions as it answers. This memoir will bring you along for a compelling and multidirectional journey into the past in order to point the way forward. All the while, Cedrick elegantly models that there are different paths to living a fully authentic life and different ways of being a leader and agent of change in today's world.
Vol. for 1903 contains a list of Constitution conventions of Alabama, 1819-1901 with bibliography of each convention.
The writer brings alive the story of an inner circle of friends who are sworn to protect an American girl of Mexican and Italian descent after losing her mother at the age of twelve years old. It is a story of how rape sucks the life out of its victims, a heart-thumping drama of how the suspects are held to an innocent plea over a period of twenty-five years, until DNA evidence proves otherwise. It is a story of how the grandfather’s sanity is pushed to its limit, but the bonds of friendship within the inner circle of friends are not broken. The writer weighs in on the cruel burden of becoming pregnant after a rape, and allowing the child to be born while experiencing the painful future and mental destruction of the victim’s recovery. Just trying to stay alive after the tragedy is difficult. It is a story of how revenge becomes a resourceful tactic to win back the dignity of a rape victim in the shadow of a painful situation, and how an eighty year old ex-police officer and grandfather becomes a smart criminal mastermind by casting revenge on the accusers. The accusers painfully discover it was the greatest mistake of their past when they raped a college student just before her graduation ceremony. A valuable pledge of loyalty to the victim becomes a painful lesson to the accusers.
An illustrated study that tells the story of Georgia's folk pottery tradition, the forces that shaped it, and the families and artisans who continue to keep it alive provides a new preface that summarizes the past decade of southern folk pottery. Reprint.
Providing detailed tales and anecdotes from the players and coaches responsible for some of the school’s greatest victories, Glory Days focuses on pivotal moments in Crimson Tide history. From the 1969 game against Ole Miss to the 1979 Sugar Bowl victory over Penn State during the team’s perfect season, up through the 2012 BCS national championship game, this book takes the reader on a journey through the last forty-plus years of the Alabama football team in all its glory. With stories covering everyone from legendary coach Paul “Bear” Bryant, to the Miami Dolphins’ two-time Player of the Year Don McNeal, to current NFL phenomenon Julio Jones, and many more, columnist Tommy Hicks builds on the insight from Alabama players and coaches alike to provide the color and emotion surrounding the best games. Crimson Days is sure to captivate and enlighten Crimson Tide football fans past and present.
Beginning with the challenges of how his White father and Black mother met, with their desire "to run away and start fresh and new"-resulting in a sometimes "pretend family"-to a near-archetypal description of his grandfather having just cut the grass as the author watches with a swollen lip and a black eye, to incessant moments in which different expressions of masculinity get inculcated, Davon Loeb frequently captures the disturbing poesy of life growing up. With painstaking detail, this work is in the vein of James McBride's 'The Color of Water', Justin Torres's 'We the Animals', and Jamaica Kincaid's 'Annie John', 'The In-Betweens' is a meditation on bruise and healing. Loeb's struggles become snapshots of how transformation occurs even where shards have been piled, where one waits "for something to happen, like flashes of red and blue sirens pulsing." A truly extraordinary new voice! Roy G. Guzmán, author of 'Restored Mural for Orlando'
Decades after his death, the life and career of Supreme Court Justice Hugo L. Black continue to be studied and discussed. This definitive study of Black’s origins and early influences has been 25 years in the making and offers fresh insights into the justice’s character, thought processes, and instincts. Black came out of hardscrabble Alabama hill country, and he never forgot his origins. He was further shaped in the early 20th-century politics of Birmingham, where he set up a law practice and began his political career, eventually rising to the U.S. Senate, from which he was selected by FDR for the high court. Black’s nomination was opposed partly on the grounds that he had been a member of the Ku Klux Klan. One of the book’s conclusions that is sure to be controversial is that in the context of Birmingham in the early 1920s, Black’s joining of the KKK was a progressive act. This startling assertion is supported by an examination of the conflict that was then raging in Birmingham between the Big Mule industrialists and the blue-collar labor unions. Black of course went on to become a staunch judicial advocate of free speech and civil rights, thus making him one of the figures most vilified by the KKK and other white supremacists in the 1950s and 1960s.