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A “soul-stirring debut,” Boys of Alabama tells the “bewitching” (Michelle Hart, O, The Oprah Magazine) tale of sixteen-year-old Max’s first year in America. “Daring, unusual . . . and startlingly fresh” (Don Noble, Alabama Public Radio), Boys of Alabama announced Genevieve Hudson’s place in the canon of the southern gothic alongside Donna Tartt and Harper Lee. Newly arrived in Alabama, Max falls in love, questions his faith, and navigates a strange power. Although his German parents don’t know what to make of a South pining for the past, shy Max thrives after being taken in by the football team. But when he meets fishnet-wearing Pan in physics class, they embark on a quixotic, consuming relationship. Writing in “prose that is always imaginative and sensual” (Sarah Neilson, Believer), Hudson offers a complex portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.
The Newspaper Boy is a remarkable collection of memories and personal reflections of the deep emotional conflicts a young newspaper delivery boy, Chervis Isom, encountered while growing up in Birmingham, Alabama, in a time of racial strife and discord in the 1950s and early '60s.
It was good to be white then. The year was 1946. Surviving American soldiers, sailors, and airmen returned victorious from the terror and dangers of WWII. White soldiers found parades in their honor, jobs, eager women, and an adoring country. Black soldiers, who had suffered and performed in the same manner as their white counterparts, came back to a country which still insisted on their subservience. This was especially true in the South, where the god Segregation ruled with an iron hand. Yet Rosa Parks, the Reverend Martin Luther King, the University of Mississippi, and JFK were right around the corner. Into this cauldron comes a young black soldier, a hero of the war, who wants nothing more than the opportunity to buy land, acquire a wife, and raise a family. In a powerful story of faith, character, perseverance, and romance, he faces crushing prejudice, unfair obstacles, and the threat of death. In the end, he meets his greatest enemy and discovers his greatest love.
A charming, humorous, and colorful coming-of-age memoir Bay Boy is a collection of essays by award-winning young adult author Watt Key, chronicling his boyhood in Point Clear, Alabama. During his childhood, Point Clear was not the tony enclave of today with its spas, art galleries, and multimillion dollar waterfront properties. Rather, it was a sleepy resort community, practically deserted in the winter, with a considerable population of working-class residents. As Key notes in his introduction, “Life in Point Clear is really about being outside. . . . I have never found a place so perfectly suited to exercise a young boy’s imagination.” Key and his brother filled their days collecting driftwood to make forts, scooting around the bay in a sturdy Stauter boat, and making art and writing stories when it rained. In a tone that is simple and direct, punctuated by truly hilarious moments. Key writes about Gulf Coast traditions including Mardi Gras, shrimping, fishing, dove hunting, jubilees, camping out, and bracing for hurricanes. These stories are full of colorful characters— Nasty Bill Dickson, a curmudgeonly tow-truck driver; I’llNeeda, a middle-aged homeless woman encamped in a shack across the road; and the Ghost of Zundel’s Wharf, “the restless soul of a long-dead construction worker.” The stories are illustrated by charming and evocative artwork by the author’s brother Murray Key.
In this compelling, action-packed book, Watt Key gives us the thrilling coming-of-age story of the unique and extremely appealing Alabama Moon, the basis for the film of the same name starring Jimmy Bennett and John Goodman. For as long as ten-year-old Moon can remember, he has lived out in the forest in a shelter with his father. They keep to themselves, their only contact with other human beings an occasional trip to the nearest general store. When Moon's father dies, Moon follows his father's last instructions: to travel to Alaska to find others like themselves. But Moon is soon caught and entangled in a world he doesn't know or understand; he's become property of the government he has been avoiding all his life. As the spirited and resourceful Moon encounters constables, jails, institutions, lawyers, true friends, and true enemies, he adapts his wilderness survival skills and learns to survive in the outside world, and even, perhaps, make his home there. This title has Common Core connections. Alabama Moon is a 2007 Bank Street - Best Children's Book of the Year.
An Alabama boy’s innocence is shaken by murder and madness in the 1960s South in this novel by the New York Times–bestselling author of Swan Song. It’s 1964 in idyllic Zephyr, Alabama. People either work for the paper mill up the Tecumseh River, or for the local dairy. It’s a simple life, but it stirs the impressionable imagination of twelve-year-old aspiring writer Cory Mackenson. He’s certain he’s sensed spirits whispering in the churchyard. He’s heard of the weird bootleggers who lurk in the dark outside of town. He’s seen a flood leave Main Street crawling with snakes. Cory thrills to all of it as only a young boy can. Then one morning, while accompanying his father on his milk route, he sees a car careen off the road and slowly sink into fathomless Saxon’s Lake. His father dives into the icy water to rescue the driver, and finds a beaten corpse, naked and handcuffed to the steering wheel—a copper wire tightened around the stranger’s neck. In time, the townsfolk seem to forget all about the unsolved murder. But Cory and his father can’t. Their search for the truth is a journey into a world where innocence and evil collide. What lies before them is the stuff of fear and awe, magic and madness, fantasy and reality. As Cory wades into the deep end of Zephyr and all its mysteries, he’ll discover that while the pleasures of childish things fade away, growing up can be a strange and beautiful ride. “Strongly echoing the childhood-elegies of King and Bradbury, and every bit their equal,” Boy’s Life, a winner of both the Bram Stoker and World Fantasy Awards, represents a brilliant blend of mystery and rich atmosphere, the finest work of one of today’s most accomplished writers (Kirkus Reviews).
In this heartfelt tale about enduring hope amid the suffering of the Great Depression, Sean Dietrich—also known as Sean of the South—weaves together a tale featuring a cast of characters ranging from a child preacher, a teenage healer, and two migrant workers who give everything they have for their chosen family. When fifteen-year-old Marigold becomes pregnant during the Great Depression, she is rejected by her family and forced to fend for herself. She is arrested while trying to steal food and loses her baby in the forest, turning her whole world upside down. She’s even more distraught upon discovering she has an inexplicable power to heal, making her a sought-after local legend. Meanwhile, middle-aged migrant workers Vern and Paul discover a violet-eyed baby abandoned in the woods and take it upon themselves to care for her. The men continue their search for work and soon pair up with a poverty-stricken widow, plus her two children, and the misfit family begins taking care of each other. As survival brings this chosen family together, a young boy finds himself without a friend to his name as the dust storms rage across Kansas. Fourteen-year-old Coot, a child preacher, is on the run from his abusive tent-revival pastor father with thousands of stolen dollars—and the only thing he’s sure of is that Mobile, Alabama, is his destination. In a sweeping saga with a looming second world war, these stories intertwine in surprising ways, reminding us that when the dust clears, we can still see the stars. Stand-alone Southern historical fiction set during the Great Depression Book length: approximately 98,000 words Includes discussion questions for book clubs Also by Sean Dietrich: The Incredible Winston Browne
Joe Baxter Davis tells the story of his family who lived on a farm in Equality Alabama. Daddy worked in town as an auto body man and painter. Some of the time Mama taught school across the county and only was home only on the weekends. So my older brother Winston and my younger brother Michael and I did the farm work. We raised food to eat and to trade at the local store for things we could not raise. We took care of the animals, built fences, cut wood to heat the house, milked the cows and all the other chores. Even though we were young boys, we were farmers. Mama and Daddy depended on us. It may be hard to understand today what our farm life was like in the 1940s, but we all worked very hard to provide for our family, it was our way of life. When I was eight, I had to have surgery on my leg for osteomylitis, a bone disease. After a long time in the hospital I went back to the farm, but I was on crutches and could not do the farm work with my brothers. But guess what Mama and Daddy had a plan. They asked me to be the family cook. So in 1945 I became the full time cook. I was so happy. I had always loved to watch Mama cook but now it was my job. I would get up early in the morning and help build fi res in the fireplace and in the little kitchen stove, then I would make home made biscuits and cook bacon and sausage and eggs for the family. I was the full-time cook. I enjoyed cooking so much and my brothers and Mama and Daddy acted like they really enjoyed the food. Maybe they were just hungry. the Little Boy Cook is a collection of good old county recipes and memories from the past and recipes from family and friends.