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A historian, poet and autobiographer, A. L. Rowse (1903-1997) moved through the worlds of academia, politics and publishing; those he encountered upon the way came in for witty and vitriolic diatribes in his journals. On their first publication in 2003 these diaries were already widely anticipated - Rowse himself had suggested in his lifetime that there would be much to scandalise and entertain in them, and they didn't disappoint this prediction. Winston Churchill, G. M. Trevelyan, T. S. Eliot and John Betjeman are among the famous characters who came under his gaze, and whose conversations and opinions of one another he recorded. Compiled and edited by Richard Ollard, the diaries stretch from the 1920s - when Rowse first left his native Cornwall to study at Cambridge - to the 1960s, a fascinating and personal study of the most turbulent decades in recent history.
A leading historian probes into Shakespeare's background and creative genius in an attempt to create a portrait of the Elizabethan
Aemilia Lanyer was a Londoner of Jewish-Italian descent and the mistress of Queen Elizabeth's Lord Chamberlain. But in 1611 she did something extraordinary for a middle-class woman of the seventeenth century: she published a volume of original poems. Using standard genres to address distinctly feminine concerns, Lanyer's work is varied, subtle, provocative, and witty. Her religious poem "Salve Deus Rex Judaeorum" repeatedly projects a female subject for a female reader and casts the Passion in terms of gender conflict. Lanyer also carried this concern with gender into the very structure of the poem; whereas a work of praise usually held up the superiority of its patrons, the good women in Lanyer's poem exemplify worth women in general. The essays in this volume establish the facts of Lanyer's life and use her poetry to interrogate that of her male contemporaries, Donne, Jonson, and Shakespeare. Lanyer's work sheds light on views of gender and class identities in early modern society. By using Lanyer to look at the larger issues of women writers working within a patriarchal system, the authors go beyond the explication of Lanyer's writing to address the dynamics of canonization and the construction of literary history.
Erasmus, Leonardo da Vinci, King James I, Francis Bacon, Frederick the Great, Tchaikovsky, Diaghilev, Ernst Rohm, and E.M. Forster. The legacies they left to the world are as varied as their talents and temperaments, yet all shared a single predilection -- homosexuality. Now one of the most foremost historians of our time provides a thought provoking look at these and other homosexual men of genius in society, politics, literature and the arts in this first serious study of the problems and contributions of the homosexual through the ages.
He proclaimed himself a genius and raged against the slightest criticism from fellow scholars; he was a Marxist who despised the 'Idiot People'; he could be generous and affectionate yet hurled insults at his friends; he inveighed against Puritanism but was himself in many ways a Puritan: A. L. Rowse was a man of many contradictions. In this clear-sighted and absorbing biography, Richard Ollard examines the many sides of Rowse's Protean personality to reveal a man who, whatever he was responding to - public affairs, the arts, natural beauty or events in his personal life - did so with tremendous energy and passion. 'An urbane study of the celebrated historian.' Antonia Fraser, Daily Mail 'Strikes a perfect balance between the Jekyll Rowse and the Hyde Rowse.' Bevis Hillier, Spectator 'Excellent.' Katherine Duncan-Jones, TLS
"In this authoritative three-volume annotated edition, A. L. Rowse, the noted Elizabethan scholar, sets forth his extraordinary knowledge of William Shakespeare and his time. All Shakespeare's plays and poems are included. His comedies (Volume I), histories, sonnets and other poems (Volume II), and tragedies and romances (Volume III) are photographically reproduced from the highly praised Globe edition of 1904. Dr. Rowse has written a biography of Shakespeare, introductionsto each volume and each play, as well as supervised the annotations and the selection of the 4,200 illustrations. The introductions to the volumes describe the evolution of Shakespeare's art, his approach to comedy and tragedy, his themes and poetic impulse. The introductions to the plays place each in the perspective of the entire range of his work and his milieu. The annotations elucidate not only Shakespeare's language, but the biographical, historical, topical, literary, and symbolic aspects of the plays and poems themselves. The great merit of the annotations is that they help the reader, the actor, the producer, the student to understand and appreciate better the plays of Shakespeare, and to get new meaning and insight from them. The 4,200 illustrations make this also an incomparable visual edition of Shakespeare. They show actual scenes of the plays in photographs as well as in paintings by Delacroix, Gainsborough, Blake, and others, and pictures of historic figures such as Henry VI, Henry IV, and famous Shakespearean performers from the earliest days to the present. In addition, these volumes include set and costume designs, prints, facsimiles of title pages of first editions, and many other pertinent reproductions." -Publisher.
Man of the Century is the often surprising story of how Winston Churchill, in the last years of his life, carefully crafted his reputation for posterity, revealing him to be perhaps the twentieth century's first, and most gifted, "spin doctor." Ramsden draws on fresh material and extensive research on three continents to argue that the statesman's force of personality and romantic, imperial notion of Britain has contributed directly to many of the political debates of the last decades--including American involvement in Vietnam and the role of the Anglo-American alliance in promoting and protecting a certain vision of world order.