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This text gives an overview of Egyptian society during the eighteenth and nineteenth centuries. It covers key political developments, including various power struggles and the French occupation.
This book is an Arab view of a turning point in modern history. Napoleon's conquest of Egypt in 1798 was the first contact between a Western power with imperial goals and an ancien regime of an African society. Sheik Al-Jabarti's chronicle is a unique combination of historical narration and reflection combined with daily observations about the atmosphere in Cairo and the mood among the local population. The French view of these events is described by Napoleon's secretary; Edward W. Said, Columbia University, provides a stinging critique of French preoccupation with Egypt and the resulting cultural 'Orientalism.'
In this vivid and timely history, Juan Cole tells the story of Napoleon's invasion of Egypt. Revealing the young general's reasons for leading the expedition against Egypt in 1798 and showcasing his fascinating views of the Orient, Cole delves into the psychology of the military titan and his entourage. He paints a multi-faceted portrait of the daily travails of the soldiers in Napoleon's army, including how they imagined Egypt, how their expectations differed from what they found, and how they grappled with military challenges in a foreign land. Cole ultimately reveals how Napoleon's invasion, the first modern attempt to invade the Arab world, invented and crystallized the rhetoric of liberal imperialism.
First study to cover the whole of this period and focus on both social change and cultural/religious life The period is crucial to understanding modern Egyptian consciousness Author uses primary sources, not available anywhere else
WINNER OF THE SAIF GHOBASH BANIPAL PRIZE FOR ARABIC LITERARY TRANSLATION LONGLISTED FOR THE 2022 DUBLIN LITERARY AWARD LONGLISTED FOR THE INTERNATIONAL PRIZE FOR ARABIC FICTION The lives of two women living centuries apart are connected by an enigmatic painting in this mesmerizing debut based on historical events Art historian, Yasmine, is restoring an unsigned portrait of a strikingly beautiful girl from the Napoleonic Era, when she discovers that the artist has embedded a lock of hair into the painting, something highly unusual. The mysterious painting came into the museum’s possession without record, and Yasmine becomes consumed by the secret concealed within this captivating work. Meanwhile, at the close of the French Campaign in Egypt, sixteen-year-old Zeinab, the daughter of a prominent sheikh, is drawn into French high society when Napoleon himself requests her presence. Enamored by the foreign customs of the Europeans, she finds herself on a dangerous path, one that may ostracize her from her family and culture. Seamlessly merging fiction with history, art, and politics, modern day Cairo with its opulent past, this compelling story of two women caught between worlds and entangled in matters of the heart launches an entrancing new literary voice.
This collection of essays discusses the rich and varied tradition of history writing in mediaeval and early modern Egypt, providing new insights into the works and the lives and outlooks of their authors.
In 1798, Napoleon Bonaparte, only twenty-eight, set sail for Egypt with 335 ships, 40,000 soldiers, and a collection of scholars, artists, and scientists to establish an eastern empire. He saw himself as a liberator, freeing the Egyptians from oppression. But Napoleon wasn’t the first—nor the last—who tragically misunderstood Muslim culture. Marching across seemingly endless deserts in the shadow of the pyramids, pushed to the limits of human endurance, his men would be plagued by mirages, suicides, and the constant threat of ambush. A crusade begun in honor would degenerate into chaos. And yet his grand failure also yielded a treasure trove of knowledge that paved the way for modern Egyptology—and it tempered the complex leader who believed himself destined to conquer the world.
In a lucidly argued revisionist study of Ottoman Egypt, first published in 1996, Jane Hathaway challenges the traditional view that Egypt's military elite constituted a revival of the institutions of the Mamluk sultanate. The author contends that the framework within which this elite operated was the household, a conglomerate of patron-client ties that took various forms. In this respect, she argues, Egypt's elite represented a provincial variation on an empire-wide, household-based political culture. The study focuses on the Qazdagli household. Originally, a largely Anatolian contingent within Egypt's Janissary regiment, the Qazdaglis dominated Egypt by the late eighteenth century. Using Turkish and Arabic archival sources, Jane Hathaway sheds light on the manner in which the Qazdaglis exploited the Janissary rank hierarchy, while forming strategic alliances through marriage, commercial partnerships and the patronage of palace eunuchs.
Extending deconstructive theory to historical and political analysis, Timothy Mitchell examines the peculiarity of Western conceptions of order and truth through a re-reading of Europe's colonial encounter with nineteenth-century Egypt.