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First multi-year cumulation covers six years: 1965-70.
Medicine.
The figure of Dietrich Bonhoeffer (1906–1945) has become a clay puppet in modern American politics. Secular, radical, liberal, and evangelical interpreters variously shape and mold the martyr’s legacy to suit their own pet agendas. Stephen Haynes offers an incisive and clarifying perspective. A recognized Bonhoeffer expert, Haynes examines “populist” readings of Bonhoeffer, including the acclaimed biography by Eric Metaxas, Bonhoeffer: Pastor, Martyr, Prophet, Spy. In his analysis Haynes treats, among other things, the November 2016 election of Donald Trump and the “Bonhoeffer moment” announced by evangelicals in response to the US Supreme Court’s 2015 decision to legalize same-sex marriage. The Battle for Bonhoeffer includes an open letter from Haynes pointedly addressing Christians who still support Trump. Bonhoeffer’s legacy matters. Haynes redeems the life and the man.
Through a series of carefully chosen vignettes, Stephen E. Frantzich portrays citizens from every walk of life-rich and poor, old and young, black and white, male and female, left and right, famous and obscure engaged in extraordinary civic activity. Their causes run the gamut from civil rights to flag burning, from the Internet to the environment-but their common cause is the fact that they creatively entered the arena of national public policy making and made a difference.
Groundbreaking research based on a national database of over 200,000 churches shows that the overall United States population is growing faster than the church. The director of the American Church Research Project, Dave Olson, has worked to analyze church attendance, showing that it is virtually unchanged from fifteen years ago while our population has grown by fifty-two million people.What does this mean for you, your church, and the future of Christianity in North America? The American Church in Crisis offers unprecedented access to data that helps you understand the state of the church today. “We live in a world that is post-Christian, postmodern, and multiethnic, whether we realize it or not,” says the author. This book not only gives a realistic picture that confirms hunches and explodes myths, but it provides insight into how the church must change to reach a new and changed world with the hope of the gospel.Readers will find a richly textured mosaic with optimistic and challenging stories. Charts, diagrams, and worksheets provide church leaders and motivated church members with a stimulating read that will provoke much discussion. Questions for discussion accompany the chapters.
Photoplay editions were usually hardcover reprints of novels that had been made into movies, illustrated with photographs from the film productions. Sometimes, instead, they were "fictionized" versions of film scripts, rewritten in narrative form. Here is an annotated checklist of more than 500 horror and mystery photoplay novels and magazine fictionizations, collected over a period of four decades. Photo-illustrated stories that are not strictly in the horror or mystery genres are included if they are linked to films with such stars as Lon Chaney, Boris Karloff, Bela Lugosi, or other genre figures. Mysteries are generally defined as novels or stories featuring a detective as the central character, although in some cases melodramas, thrillers, and film noir books having crime as a plot element are included. Science fiction and fantasy works, and others having outre aspects, are also within scope. With a few exceptions, the cut-off date for inclusion in the catalog is the year 1970. In an entertaining introductory essay the author reflects on the attractions of assembling such a collection, analyzes aspects of the social significance and aesthetic content of its books, and draws many surprising inferences from their advertisements, illustrations, and marks of previous ownership. The subsequent catalog is the first survey in the field to extend bibliographical coverage beyond books to movie tie-in magazine stories. Included in an appendix is the complete text of "The Gorilla," a short story version of a lost First National Film, reprinted from a rare issue of Moving Picture Stories from 1927.