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Offers information on Akhenaten's reign, including his efforts to impose upon his kingdom the worship of a single god, the political, social, and artistic facets of the Amarna era, the fate of his wife, Nefertiti, and the death of his heir, Tutankhamen.
Nicholas Reeves’s radical interpretation of a revolutionary king—now available in paperback. One of the most compelling and controversial figures in ancient Egyptian history, Akhenaten has captured the imagination like no other Egyptian pharaoh. Much has been written about this strange, persecuted figure, whose depiction in effigies is totally at odds with the traditional depiction of the Egyptian ruler-hero. Akhenaten sought to impose upon Egypt and its people the worship of a single god—the sun god—and in so doing changed the country in every way. In Akhenaten, Nicholas Reeves presents an entirely new perspective on the turbulent events of Akhenaten’s seventeen-year reign. Reeves argues that, far from being the idealistic founder of a new faith, the Egyptian ruler cynically used religion for political gain in a calculated attempt to reassert the authority of the king and concentrate all power in his hands. Backed by abundant archaeological and documentary evidence, Reeves’s narrative also provides many new insights into questions that have baffled scholars for generations—the puzzle of the body in Tomb 55 in the Valley of the Kings; the fate of Nefertiti, Akhenaten’s beautiful wife; the identity of his mysterious successor, Smenkhkare; and the theory that Tutankhamun, Akhenaten’s son and heir to the throne, was murdered.
Nicholas Reeves’s radical interpretation of a revolutionary king—now available in paperback. One of the most compelling and controversial figures in ancient Egyptian history, Akhenaten has captured the imagination like no other Egyptian pharaoh. Much has been written about this strange, persecuted figure, whose depiction in effigies is totally at odds with the traditional depiction of the Egyptian ruler-hero. Akhenaten sought to impose upon Egypt and its people the worship of a single god—the sun god—and in so doing changed the country in every way. In Akhenaten, Nicholas Reeves presents an entirely new perspective on the turbulent events of Akhenaten’s seventeen-year reign. Reeves argues that, far from being the idealistic founder of a new faith, the Egyptian ruler cynically used religion for political gain in a calculated attempt to reassert the authority of the king and concentrate all power in his hands. Backed by abundant archaeological and documentary evidence, Reeves’s narrative also provides many new insights into questions that have baffled scholars for generations—the puzzle of the body in Tomb 55 in the Valley of the Kings; the fate of Nefertiti, Akhenaten’s beautiful wife; the identity of his mysterious successor, Smenkhkare; and the theory that Tutankhamun, Akhenaten’s son and heir to the throne, was murdered.
Offers information on Akhenaten's reign, including his efforts to impose upon his kingdom the worship of a single god, the political, social, and artistic facets of the Amarna era, the fate of his wife, Nefertiti, and the death of his heir, Tutankhamen.
A groundbreaking historiography of the reign of Akhenaten More ink has probably been spilled on Akhenaten and his times (‘the Amarna Period’) than any other figure from ancient Egypt, with a vast range of interpretations and theories that can leave the uninitiated utterly bewildered. Against this background, Akhenaten: A Historian’s View examines what scholars have said over the years regarding key aspects of the period, to produce a ‘history of histories,’ exploring exactly how various chains of arguments were arrived at—and how houses of cards thus erected have subsequently come tumbling down. In particular, it teases out ideas based on solid documentation from those based on theory and fancy, and tracks ways in which new evidence became available, how it was interpreted, and how it fed—or didn't—into the big picture. This book thus fills a major gap in the literature of the Amarna Period and also contributes to the wider, and much neglected, field of the historiography of ancient Egypt.
First published in the 1940s and widely condemned as obscene, The Egyptian outsold every other American novel published that same year, and remains a classic; readers worldwide have testified to its life-changing power. It is a full-bodied re-creation of a largely forgotten era in the world’s history: an Egypt when pharaohs contended with the near-collapse of history’s greatest empire. This epic tale encompasses the whole of the then-known world, from Babylon to Crete, from Thebes to Jerusalem, while centering around one unforgettable figure: Sinuhe, a man of mysterious origins who rises from the depths of degradation to get close to the Pharoah...
The pharaoh Akhenaten, who ruled Egypt in the mid-fourteenth century BCE, has been the subject of more speculation than any other character in Egyptian history. This provocative new biography examines both the real Akhenaten and the myths that have been created around him. It scrutinises the history of the pharaoh and his reign, which has been continually written in Eurocentric terms inapplicable to ancient Egypt, and the archaeology of Akhenaten's capital city, Amarna. It goes on to explore the pharaoh's extraordinary cultural afterlife, and the way he has been invoked to validate everything from psychoanalysis to racial equality to Fascism.
Egypt's sun queen magnificently revealed in a new book by renowned Egyptologist, Aidan Dodson During the last half of the fourteenth century BC, Egypt was perhaps at the height of its prosperity. It was against this background that the “Amarna Revolution” occurred. Throughout, its instigator, King Akhenaten, had at his side his Great Wife, Nefertiti. When a painted bust of the queen found at Amarna in 1912 was first revealed to the public in the 1920s, it soon became one of the great artistic icons of the world. Nefertiti's name and face are perhaps the best known of any royal woman of ancient Egypt and one of the best recognized figures of antiquity, but her image has come in many ways to overshadow the woman herself. Nefertiti’s current world dominion as a cultural and artistic icon presents an interesting contrast with the way in which she was actively written out of history soon after her own death. This book explores what we can reconstruct of the life of the queen, tracing the way in which she and her image emerged in the wake of the first tentative decipherment of Egyptian hieroglyphs during the 1820s–1840s, and then took on the world over the next century and beyond. All indications are that her final fate was a tragic one, but although every effort was made to wipe out Nefertiti's memory after her death, modern archaeology has rescued the queen-pharaoh from obscurity and set her on the road to today’s international status.
The book consists of three essays and is an extension of Freud’s work on psychoanalytic theory as a means of generating hypotheses about historical events. Freud hypothesizes that Moses was not Hebrew, but actually born into Ancient Egyptian nobility and was probably a follower of Akhenaten, an ancient Egyptian monotheist. Freud contradicts the biblical story of Moses with his own retelling of events, claiming that Moses only led his close followers into freedom during an unstable period in Egyptian history after Akhenaten (ca. 1350 BCE) and that they subsequently killed Moses in rebellion and later combined with another monotheistic tribe in Midian based on a volcanic God, Jahweh. Freud explains that years after the murder of Moses, the rebels regretted their action, thus forming the concept of the Messiah as a hope for the return of Moses as the Saviour of the Israelites. Freud said that the guilt from the murder of Moses is inherited through the generations; this guilt then drives the Jews to religion to make them feel better.
This book follows the life story of Amenhotep III, one of the most important rulers of ancient Egypt, from his birth and into the afterlife. Amenhotep III ruled for thirty-eight years, from c.1391–1353 BC, during the apex of Egypt's international and artistic power. Arielle P. Kozloff situates Amenhotep in his time, chronicling not only his life but also the key political and military events that occurred during his lifetime and reign, as well as the evolution of religious rituals and the cult of the pharaoh. She further examines the art and culture of the court, including its palaces, villas, furnishings and fashions. Through the exploration of abundant evidence from the period, in the form of both textual and material culture, Kozloff richly re-creates all aspects of Egyptian civilization at the height of the Mediterranean Bronze Age.