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This book is a biography, Ajit Khan. a legend of Indian cinema. He was associated with the Indian Film Industry from 1946 to 1996. He started his career with Shah-e-Misr in 1946. Beqasoor, Nastik, Anandmath and Bada Bhai were some of his hit films in the 1950s where he starred in a lead role. His role as Durjan Singh, the Rajput lord in Moghul-e-Azam, brought him many accolades. In the late sixties he switched over to negative roles. His portrayal of Teja in Zanjeer, Shakal in Yadon Ki Baraat, Lion in Kalicharan are some of his most memorable roles. His style of dialogue delivery made him a favorite amongst the film fans and used extensively by many stand-up comedians. This book also commemorates his 100th birth anniversary (2022). It is an interesting book with many nostalgic photographs and anecdotes.
Known to generations of cinema-lovers as the evergreen hero of blockbuster hits like Dil Ek Mandir, Ayee Milan ki Bela, Arzoo and Sangam, Rajendra Kumar Tuli was truly the ‘Jubilee Star’ of Hindi cinema in the 1960s. Jubilee Kumar is the so-far-untold story of the man behind the superstar – one who went from riches to rags early in life, but whose determination, prudence and humility saw him surmount countless hurdles, and win the affection and admiration of colleagues and fans alike. A dispossessed refugee following Partition, Kumar’s struggles intensified as he travelled from Sialkot to Bombay to try his luck in films, suffering homelessness and hunger before he got a break as an assistant director. Overcoming both prejudice in the industry and his own insecurities, he eventually rose to unimaginable fame and popularity as a leading man in films and a respected producer. Touching candidly upon his life both on-screen and off it, this intimate account reveals Kumar – often through his own reminiscences and the recollections of others – as a hard-headed businessman, a generous and empathetic senior colleague, a gallant co-star to his female leads, a good-natured rival to peers and, above all, an upright and principled family man who rose above the many temptations of life in the Indian film industry. A riveting tale of struggle and stardom, fame and disillusionment, love, heartbreak and loss, Jubilee Kumar unwraps the many layers of an icon whose achievements and charisma few of his rivals or successors have been able to match.
A goddess who defeated the box-office gods. An emperor who was defeated by a slave girl. A child who became an adult too soon. An adult who went the other way. An alcoholic. A teetotaller. A millionaire. A tramp. The Bollywood Pocketbook of Iconic Characters showcases 50 legendary characters that have become icons of Hindi cinema. Characters we have wanted to become. Characters we have loved, hated, lusted after, and even worshipped. Characters with whom we have laughed, for whom we have cried, and whose lives became inspirations for the stories of our own lives. Whether you're a trivia buff or a die hard Bollywood fan, or on your way to converting detractors into becoming one, this must-have book will have you declaring 'Unka naam toh suna hoga!'
Rich in detail and peppered with anecdotes, it is a fascinating look at the life and work of the actor that begins in a small household in Rajasthan and culminates in his face gazing down from billboards in Hollywood.
He immortalized movies on celluloid… An authentic, heartfelt, insightful and comprehensive account of one of India’s most respected and eminent filmmakers, who was an institution in himself… V. Shantaram (1901–90) stands out as a colossus in Indian cinema. As one of the pioneers in this field, he honed his skills not only as a producer and director but also as an actor, writer, cameraman, technician and editor. He effectively used the medium of cinema as a vehicle for creating awareness about numerous social problems (such as communalism, dowry and the cycle of debt and poverty) and tried to bring about a change in society. This riveting biography – penned by his daughter – brings alive the life and times of Shantaram and his contemporaries, while simultaneously throwing light on a bygone era of Indian cinema marked by struggles, uncertainties and difficulties but yet infused with hope, perseverance and determination. Among Shantaram’s prominent creations in Hindi are Ayodhya Ka Raja (1932), Sairandhari (1933; India’s first colour film), Amrit Manthan (1934), Duniya Na Maane (1937), Aadmi (1939), Padosi (1941), Dr Kotnis Ki Amar Kahani (1946), Dahej (1950), Janak Janak Pyal Baaje (1955), Do Aankhen Barah Haath (1957), Navrang (1959), Sehra (1963), Geet Gaya Pattharon Ne (1964) and Pinjra (1972)
Mehboob Khan rose from the ranks of a junior artiste to be one of Hindi cinema's all-time greats. His impressive body of work included such films as Humayun, Andaaz, Aan, Amar and Mother India. While the path-breaking Andaaz (1949) was way ahead of its time in theme and treatment, Mother India, which has achieved cult status, was the only Indian film to come closest to winning the coveted Oscar. The book traces the fascinating story of a 16-year old who ran away from his home in a tiny village, Sarar, in Gujarat to become an actor and who ended up being one of India's greatest filmmakers, often referred to as India's Cecil B. DeMille.
Guru Dutt’s filmography has some names which have long been considered as some of the best films to have ever been made in India. His masterpiece Pyaasa (1957) was featured in TIME magazine's All-Time 100 Movies list in 2005. His films are still celebrated and revered by viewers, critics and students of cinema the world over, not only for their technical brilliance but also for the eternal romanticism and their profound take on the emptiness of life and the shallowness of material success. He was Indian cinema’s Don Juan and Nietzsche rolled into one. But while much has been said and written on the film-maker and his art, little is known about his life behind the screens. This richly layered account takes a deep dive into the journey of a lonesome, troubled genius who was endlessly being pulled in contrary directions throughout his life. A child prodigy, who actually began as a dancer learning from the great Uday Shankar, an unconventional film-maker who desired commercial success without ever compromising on artistic satisfaction, a self-made entrepreneur who hated numbers yet single-handedly ran a film studio juggling the roles of a producer, director, actor, financier — all this while struggling silently with a deeply troubled personal life, at the centre of which was his tumultuous marriage with Geeta Dutt. Guru had it all — love, family, money, fame and validation from his audience. His untimely death by suicide, that too after multiple failed attempts, had shocked the entire film industry. But what led to that fateful night when he tipped his hat and said his final goodbye? Best-selling Bollywood biographer Yasser Usman explores the man and the myth Guru Dutt in this definitive biography of a nonconformist star, uncovering the extraordinary lives of the rich and the famous as well the incredible toll it takes on the emotional and mental health of a human being. With cameos from close friends and colleagues Dev Anand, Waheeda Rehman, Johnny Walker, S.D. Burman and most significantly Dutt’s sister, noted painter Lalitha Lajmi, a short but compassionate, ambitious and ultimately tragic life reveals itself in the pages of this book. This is a gripping, meticulously researched and moving portrait of an unfinished life — a tale of unrequited love, unresolved relationships and unmatched cinematic talent.
Shyam Benegal is the best known and most prolific contemporary film-maker from India's arthouse or 'New Cinema' tradition. This work traces a career with its beginnings in political cinema and a realist aesthetic. Sangeeta Datta demonstrates how the struggles of women and the dispossessed and marginalised in Indian society have found an eloquent expression in films as diverse as Nishant, Bhumika, Mandi, Suraj Ka Satwan Ghoda and Kalyug. The book also traces Benegal's work with his protégés and collaborators including many of the biggest names in Indian Cinema - Shabana Azmi, Smita Patil, Naseeruddin Shah, Karishma Kapoor and A.R. Rahman.