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What does it mean to be a child in Africa? In the detached Western media, narratives of penury, wickedness and death have dominated portrayals of African childhood. The hegemonic lens of the West has failed to take into account the intricacies of not only what it means to be an African child in local and culturally specific contexts, but also African childhood in general. Challenging colonial discourses, this edited volume guides the reader through different comprehensions and perspectives of childhood in Africa. Using a blend of theory, empiricism and history, the contributors to this volume offer studies from a range of fields including African literature, Afro-centric psychology and sociology. Importantly, in its eclectic geographical coverage of Africa, this book unashamedly presents the good, the bad and the ugly of African childhood. The resilience, creativity, pains and triumphs of African childhood are skilfully woven together to present the myriad of lived experiences and aspirations of children from across Africa. As an important contribution to African childhood studies, this book has the potential to be used by policymakers to shape, sustain or change socio-cultural, economic and education systems that accommodate African childhood dynamics and experiences at different levels.
Set in a country where being gay is punishable by law, These Letters End in Tears is the heart-wrenching forbidden love story of a Christian girl with a rebellious heart and a Muslim girl leading a double life Bessem notices Fatima for the first time on the soccer field—muscular and focused, she’s the only woman playing and seems completely at ease. When Fatima chases a rogue ball in her direction, Bessem freezes, mesmerized by the athlete’s charm and beauty. One playful wink from Fatima, and Bessem knows her life will never be the same. In Cameroon, a country where same-sex relationships are punishable by law, the odds are stacked against Bessem and Fatima from the start. And when Fatima’s older brother, a staunch Muslim, finds out about their affair, he intervenes by physically assaulting them, an incident that precedes a police raid at the only gay bar in town. After spending days in jail, Fatima goes missing without a trace, and Bessem is left with only rumors of her whereabouts. Has Fatima been sentenced to an unknown prison? Has she been banished from her community, or married off, as some have suggested? Or something even more sinister? Thirteen years later, Bessem is now a university professor leading a relatively quiet life, occasionally and secretly dating other women. However, she has never forgotten Fatima. After spotting a mutual friend for the first time in years—the last person who may have seen Fatima—Bessem embarks on a winding search for her lost love.
Ajebota is the confessions of little bleeding lamb, babbling milk out of her wound, still reaching for the warmth of the sun. Ajebota is Precious Okoyomon's debut chap and is completely representative of her unique writing style. Okoyomon's poems are sexual, healthy, and full; or moreso an exploration of what it means to be all of these things. Precious Okoyomon's poetry is an exploration of both the body and pure emotion.
Nigeria is potentially one of the giants of Africa and indeed the world. Myopia and acrebral waste by functional semi-illiterate military dictators in khaki has ruined Nigeria and continues to ruin the country. The instinct of the military is akin to those of armed robbers, as they operate by force of arms over unarmed and defenceless civilians. Military rule imposed by force of arms against unarmed and defenceless civilians is government of the people, not by the people, and not for the people. Civilian rule is not always democratic rule. Civilian rule imposed upon the people by vote-rigging machines called political parties are as effective as guns as an instrument of oppression of the people and looting of the treasury. Civilian government of the people, not by the people, and not for the people, is exactly the same as military government, as they are the masters of the people. The people did not appoint them, and the people cannot sack them. Nigeria should be governed with the best interests of children at the forefront of all that is done. Their anticipated future needs must be the pillar of every plan. Nigerians are the country’s most important natural resource, and will last far longer than its gas and oil reserves. Treat the people well and the country will respond in kind. Above all, give the poor and their children the “tool” they need to fly Nigeria above the dark clouds that cover it.
Window 20 is a collection of short stories and poems.
The stories in this work are an assortment of bildungsroman, most of them recalling childhood experiences in Nigeria. They have been written bearing in mind the generation of young Africans born to Africans in the United States. Most of these individuals have spent little or no time on the continent, and are therefore unaware of the experiences and backgrounds from which their parents come. This collection regales the reader with tales of intrigue, fun and good humor as some of their parents knew them, at the same time providing them with another source of cultural entertainment. The stories narrated by the women reveal many cultural dilemmas encountered by some African women in America, who find themselves crushed by the cumbersome burden of their gender in a country that has no use for their complicated lifestyle. Although African Studies is far entrenched in the curricular of many universities, very few books are available to cover all the cultural aspects of such a large study area. Hopefully, this collection would serve as another perspective for enhancing multicultural understanding.
When a criminal lawyer meets a beautiful Nigerian immigrant, his life starts to spiral out of control. Disillusioned with his marriage and the path his life has taken, Richard finds respite in Abayomi’s exotic and sensual world. But, as his involvement in Cape Town’s refugee community deepens, he is drawn into a murky underworld of deception, brutality and corruption. Not even his professional dealings with a notorious Russian ganglord have prepared him for the dangers that await. Provocative, shocking and unflinchingly honest, Refuge explores the plight of refugees in South Africa, the entanglements of the criminal justice system and the pervasiveness of organised crime. With this gripping tale of prejudice, desire and betrayal, award-winning author Andrew Brown has again produced an intelligent page-turner. .
Although the past few decades have witnessed growing interest in varieties of English around the world, no study of the Nigerian variety intended for the international market has yet been published. Making use of well-known paradigms, the book will relate Nigerian English, as a ‘Second Language’ variety, to other World Englishes. Its chief overall concern, however, is to provide a detailed descriptive account of the variety, seeking to show what is distinctive about it and also, in this perspective, distinguishing between more educated and less educated usage. After giving a sociolinguistic profile of Nigeria, where English today enjoys a more prominent role than ever before, it will examine in turn the phonology, morpho-syntax, and lexico-semantics of Nigerian English, with samples of written texts from the eighteenth century to the present. It will also give a comprehensive summary of academic research carried out in the field over the past fifty years. In this way the book will provide an introduction to the subject for the benefit of scholars and students in universities in many countries, and will serve as a useful companion to other books in De Gruyter Mouton's Dialects of English series.
The book is a collection of nine letters addressed to former high school classmates. It uses these letters as mirrors into the nostalgic past of a 'grammar school' (high school) experience at the onset of the postcolonial era in Nigeria. The aim of the book is to show the routine antics of classmates as 'informal' education and that this, in conjunction with 'formal' education, make a total high school experience. The first part of the book, the introduction, shows the process of recalling the experiences contained in the letters. The second part is the individual letters, among them are: 'A letter to Aranmsko, ' which shows adventure as a form of learning and the trepidation of the 'curse' he receives from a religious studies teacher. 'A letter to Sosorakota' portrays the controversial topic of sex during the teenage years. The third part of the book, the conclusion, asserts that the Letters reveal aspects of human character such as kindness, trust, hope, and fear
This book is a collection of stories, poems and articles about life and certain lessons gleaned from experiencing all it has to offer. Living as a disabled person presents all sorts of challenges and opportunities. The research is backed by reputable sources and is an in-depth exploration of the interesting perspectives offered by someone who has lived on both sides of the disability spectrum (PWDs). "I am unable to fathom how I would think, feel and live if rendered immobile and wheelchair-bound for the rest of my life from my mid-twenties. The mental storeroom of childhood years of going around and about with parents, siblings, friends, schoolmates, and teen years of secondary school and university life with such variety of social activities and physical interactions, and more, will be running riot when just bludgeoned by one incident into numberless, numbing could-have-beens or what-now-possible reflections and scenarios. What we have in this forthrightly brilliant and surreal collection of thoughts and facts include winged wheels of those inflicted, rolling through life with ruminations, a glimpse of the world through their eyes, some tales by sunlight and various verses which speak of them and on their behalf." - Professor Dafe Otobo, DPhil (Oxford), Lagos, Nigeria