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Papers presented to the Society for Ancient Greek Philosophy since its beginnings in the 1950's.
Essays in Ancient Greek Philosophy, Volume Two, reflects the refinements in scholarship and philosophical analysis that have impacted classical philosophy in recent years. It is a selection of the best papers presented at the annual meetings of the Society for Ancient Greek Philosophy during the last decade. The papers presented indicate a shift in accent from a predominant preference for the application of linguistic methods in the study of texts to a more intensified concern for contextual examinations of philosophical concepts. The works of both younger scholars and senior authors show a more liberal, yet controlled, use of historical and cultural elements in interpretation. The papers also reflect advances in scholarship in adjacent fields of Greek studies. From pre-Socratic to post-Aristotelian philosophers, the papers in this volume are intended to stimulate interest in the major accomplishments of classical philosophers. This work augments its companion volume Essays in Ancient Greek Philosophy.
Examination of the theories of the ancient philosophers, from the materialism of the Presocratics and Hellenists to the dualism of Plato and Plotinus, reveals that psychology had become an established discipline long before Descartes.
"Usually, such a work becomes at some point too scholarly to be read by . . . amateurs. This is not the case here. It's an admirable accomplishment."—David K. Glidden, University of California Riverside
Dalzell presents three of the major didactic poems in the classical canon: the De rerum natura of Lucretius, the Georgics of Virgil, and the Ars amatoria of Ovid, considering what tools are available for their understanding.
A broad range of epistemological views, from the extreme relativism of Protagoras to the skepticism of the Pyrrhonists, is explored in critical essays that span sixth century B.C. to the second and third centuries A.D.
Dramaturgy, in its many forms, is a fundamental and indispensable element of contemporary theatre. In its earliest definition, the word itself means a comprehensive theory of "play making." Although it initially grew out of theatre, contemporary dramaturgy has made enormous advances in recent years, and it now permeates all kinds of narrative forms and structures: from opera to performance art; from dance and multimedia to filmmaking and robotics. In our global, mediated context of multinational group collaborations that dissolve traditional divisions of roles as well as unbend previously intransigent rules of time and space, the dramaturg is also the ultimate globalist: intercultural mediator, information and research manager, media content analyst, interdisciplinary negotiator, social media strategist. This collection focuses on contemporary dramaturgical practice, bringing together contributions not only from academics but also from prominent working dramaturgs. The inclusion of both means a strong level of engagement with current issues in dramaturgy, from the impact of social media to the ongoing centrality of interdisciplinary and intermedial processes. The contributions survey the field through eight main lenses: world dramaturgy and global perspective dramaturgy as function, verb and skill dramaturgical leadership and season planning production dramaturgy in translation adaptation and new play development interdisciplinary dramaturgy play analysis in postdramatic and new media dramaturgy social media and audience outreach. Magda Romanska is Visiting Associate Professor of Slavic Languages and Literatures at Harvard University, Associate Professor of Theatre and Dramaturgy at Emerson College, and Dramaturg for Boston Lyric Opera. Her books include The Post-Traumatic Theatre of Grotowski and Kantor (2012), Boguslaw Schaeffer: An Anthology (2012), and Comedy: An Anthology of Theory and Criticism (2014).
A new reconstruction and text of the Placita of Aëtius (ca. 50 CE), accompanied by a full commentary and an extensive collection of related texts. This compendium, arguably the most important doxographical text to survive from antiquity, is known through the intensive use made of it by authors in later antiquity and beyond. Covering the entire field of natural philosophy, it has long been mined as a source of information about ancient philosophers and their views. It now receives a thorough analysis as a remarkable work in its own right. This volume is the culmination of a five-volume set of studies on Aëtius (1996–2020): Aëtiana I (ISBN: 9789004105805, 1996), II (Parts 1&2; set ISBN 9789004172067; 2008), III (ISBN 9789004180413; 2009), IV (ISBN: 9789004361454, 2018), and V (Parts 1-4). It uses an innovative methodology to replace the seminal edition of Hermann Diels (1879).