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During World War Two both German and Allied reconnaissance aircraft took countless air photos of places of tactical and strategic interest in Europe. These photos are prime evidence for the investigation of the Holocaust. Air photos of locations like Auschwitz, Majdanek, Treblinka, Babi Yar etc. permit an insight into what did or did not happen there. This then can be compared with what witnesses claim happened there. The present book is full of air photo reproductions and schematic drawings explaining them. According to the author, these images refute many of the atrocity claims made by witnesses in connection with events in the German sphere of influence. Auschwitz Witnesses have claimed that, in the spring and summer 1944, the chimneys of the four crematories at Auschwitz-Birkenau were constantly smoking profusely and that thousands were incinerated on pyres in huge outdoor pits. The air photos presented here show whether they are right. An analysis of these photos further reveals that someone tampered with copies of them in an attempt to add into the pictures what should be there but isn't ... Babi Yar After German units captured the Ukrainian capital Kiev, they are said to have shot some 33,000 Jews and tossed them into the Babi Yar ravine. In the summer of 1943, shortly before their retreat, the Germans are said to have exhumed the bodies and burned them for weeks on huge stakes. What do air photos from before and immediately after the event show? Belzec, Sobibor, Treblinka Witnesses claim that in these camps altogether more than 1.5 million Jews were killed and initially buried in gargantuan mass graves. Later on they are said to have been disinterred and burned on huge pyres. Do the air photos show any evidence for this to be true, like remnants of huge mass graves, charred earth from huge fires? Majdanek This was the first major German concentration camp "liberated" by the Red Army toward the end of World War II. Initially it was claimed that up to 1.7 million inmates were killed here by various means, but that number has decreased over the past seven decades to just under 80,000. Also decreased is the number of officially alleged gas chambers used for these claimed murders: from seven to currently two. The air photos presented here give some clues as to why these mass murder claims have been untenable from the start. 6th, corrected edition.
Internationally renowned and award-winning historian Dr. Robert Jan van Pelt's The Evidence Room is a chilling exploration of the role architecture played in constructing Auschwitz - arguably the Nazis' most horrifying facility. The Evidence Room is both a companion piece to, and an elaboration of, an exhibit at the 2016 Venice Architecture Biennale, based on van Pelt's authoritative testimony against Holocaust denial in a 2000 libel suit argued before the Royal Courts of Justice in London.
What do we mean by ‘visual evidence’? How should we interpret visual texts, and what can they tell us? Why is ‘visual literacy’ so important and what benefits does it offer? Visual evidence encompasses a diverse range of media, from painting, cartoons and photography, to film, television and documentary. The central argument of this book is that visual evidence is a key to understanding both history and the present day and should not be relegated to a supporting role as merely illustrating the written word. The book shows students, scholars and researchers how to read the visual media to elicit meaning. As primary sources, visual texts can be studied not only for what is directly depicted in the painting or film but also for what it tells us about the people, cultures and societies that made them. Each chapter features fascinating case studies and examples which situate theory in real life. A major appeal of the book is the wealth of illustrations and photographs of visual texts which are included throughout. The authors make detailed reference to these examples to illustrate the theory surrounding visual evidence. An intriguing case study of an unknown girl’s photo album is just one of many examples offered, showing how we can analyze and learn from the visual text. This comprehensive and insightful edited collection brings together international media and cultural theorists, historians and art historians to demonstrate the value of visual evidence not only to media and cultural studies, but also to history, the general humanities and the social sciences.
"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.
Both the techniques and the scope of air-photography made great advances during the twentieth century. As a result, a mass of material is available to the archaeologist and the local historian. First published in 1982, this was the first comprehensive textbook to explain in detail how to identify archaeological and historical sites from the air. Unavailable for more than ten years, this new edition will be widely welcomed - not least for the addition of a section of colour photographs. Accurate interpretation requires an understanding of the whole landscape. Archaeological sites are not always easily distinguished from geological features or from those produced by agriculture or by industrial, modern military or sporting activities. A wide selection of both archaeological and non-archaeological material is therefore illustrated in the book's 150 air-photographs. Close attention is paid to the nature of the physical remains in the ground and to the processes whereby they can appear on air-photographs. This requires an understanding of these processes - from the turning of the soil to the printing of the photograph. Throughout, the perils of misidentification receive as much consideration as the principles of correct interpretation. The types of site covered in the book are those of the British Isles but the techniques are applicable throughout continental Europe and beyond.
Small Format Aerial Photography and UAS Imagery: Principles, Techniques and Geoscience Applications, Second Edition, provides basic and advanced principles and techniques for Small Format Aerial Photography (SFAP), focusing on manned and unmanned aerial systems, including drones, kites, blimps, powered paragliders, and fixed wing and copter SFAP. The authors focus on everything from digital image processing and interpretation of data, to travel and setup for the best result, making this a comprehensive guide for any user. Nine case studies in a variety of environments, including gullies, high altitudes, wetlands and recreational architecture are included to enhance learning. This new edition includes small unmanned aerial systems (UAS) and discusses changes in legal practices across the globe. In addition, the book presents the history of SFAP, providing background and context for new developments. - Provides background and context for new developments in SFAP - Covers the legal implications for small format aerial systems in different countries - Discusses unmanned aerial systems (drones) and their applications - Features new case studies for different applications, including vineyard monitoring and impacts of wind energy
Crime Scene Photography is a book wrought from years of experience, with material carefully selected for ease of use and effectiveness in training, and field tested by the author in his role as a Forensic Services Supervisor for the Baltimore County Police Department.While there are many books on non-forensic photography, none of them adequately adapt standard image-taking to crime scene photography. The forensic photographer, or more specifically the crime scene photographer, must know how to create an acceptable image that is capable of withstanding challenges in court. This book blends the practical functions of crime scene processing with theories of photography to guide the reader in acquiring the skills, knowledge and ability to render reliable evidence. - Required reading by the IAI Crime Scene Certification Board for all levels of certification - Contains over 500 photographs - Covers the concepts and principles of photography as well as the "how to" of creating a final product - Includes end-of-chapter exercises
Airphoto interpretation is an effective method of obtaining unique flood susceptibility information. Through perceptive interpretation of the available aerial photographs of an area, the extent, nature, and relative frequency of floods can be determined. It is not necessary to acquire special photography during flooding or subsequent to a major flood to obtain these results. The method described and future refinements should provide a useful tool in complementing the techniques currently employed in the advanced countries in flood-plain studies.
In recent years, a little-known research group named Forensic Architecture began using novel research methods to undertake a series of investigations into human rights abuses. Today, the group provides crucial evidence for international courts and works with a wide range of activist groups, NGOs, Amnesty International, and the UN. Beyond shedding new light on human rights violations and state crimes across the globe, Forensic Architecture has also created a new form of investigative practice that bears its name. The group uses architecture as an optical device to investigate armed conflicts and environmental destruction, as well as to cross-reference a variety of evidence sources, such as new media, remote sensing, material analysis, witness testimony, and crowd-sourcing. In Forensic Architecture, Eyal Weizman, the group’s founder, provides, for the first time, an in-depth introduction to the history, practice, assumptions, potentials, and double binds of this practice. The book includes an extensive array of images, maps, and detailed documentation that records the intricate work the group has performed. Included in this volume are case studies that traverse multiple scales and durations, ranging from the analysis of the shrapnel fragments in a room struck by drones in Pakistan, the reconstruction of a contested shooting in the West Bank, the architectural recreation of a secret Syrian detention center from the memory of its survivors, a blow-by-blow account of a day-long battle in Gaza, and an investigation of environmental violence and climate change in the Guatemalan highlands and elsewhere. Weizman’s Forensic Architecture, stunning and shocking in its critical narrative, powerful images, and daring investigations, presents a new form of public truth, technologically, architecturally, and aesthetically produced. Their practice calls for a transformative politics in which architecture as a field of knowledge and a mode of interpretation exposes and confronts ever-new forms of state violence and secrecy.