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Two men, twenty miles apart, are killed in the same strange way on a quiet summer morning in the Florida Keys. Forensic photographer Alex Rutledge finds that he may be the only person interested in pursuing justice, especially when his brother becomes a key suspect.Alex connects the current-day murders to a thirty-year-old scam amidst revenge smoldering since the Nixon years. He races time to thwart a final killing and, if possible, to prove his brother's innocence.Tom Corcoran once again delivers a deftly plotted and gripping mystery with all of the flavor and intrigue that Key West can offer.
Sleuth and crime photographer Alex Rutledge of Key West searches for a friend, a financial investor abducted from a bar. A tale of murder, drugs and beautiful women.
Corcoran takes his critically acclaimed Key West mystery series to new heights in this fourth outing, in which Alex Rutledge must uncover the link between two high-profile murders and a 30-year-old land deal. Martin's Press.
A guide to series fiction lists popular series, identifies novels by character, and offers guidance on the order in which to read unnumbered series.
Although he prefers magazine work, freelance photographer Alex Rutledge won't turn down an occasional crime scene shoot for the City of Key West Police Department. But when a string of murders takes his viewfinder into strangely familiar territory, Alex's mellow island lifestyle shatters. One after another, someone is killing women who have intimately crossed Alex Rutledge's path. Maybe it's a coincidence. Maybe it's a conspiracy. Or maybe he's crazy. But the connection marks Alex as the prime suspect in a case so hot it's drawn in the county sheriff, the FBI, and the Bureau of Alcohol, Tobacco, and Firearms. In a desperate race to save his name and his life, Alex dives into a one-man search for the dark, sweltering truth beneath a case that's pounding toward meltdown, in The Mango Opera by Tom Corcoran.
A journey into the heart of Mexico, with all its conflicting cultures and its distinctive clash of the old and the new. The unifying themes of the book and Mexico's universal loves and hates, its underlying religious faith and superstition, its obsession with death and disguise, feelings of isolation and community, sense of outrage and betryal is its passion for fantasy, idolatry and fiesta, and its love of the land. Isabella visits some of the most intriguing regions of Mexico, from Juchitan, where mothers encourage their sons to be homosexual to avoid paying dowries, to Atotonilco, scene of Easter humiliations and to the Sierra Madre Occidental - home of the Peyote.
Now published for the first time as a trade paperback with a new introduction and the short story on which it was based. Williams wrote: “This is a play about love in its purest terms.” It is also Williams’s robust and persuasive plea for endurance and resistance in the face of human suffering. The earthy widow Maxine Faulk is proprietress of a rundown hotel at the edge of a Mexican cliff overlooking the Pacific Ocean where the defrocked Rev. Shannon, his tour group of ladies from a West Texas women’s college, the self-described New England spinster Hannah Jelkes and her ninety-seven-year-old grandfather, Jonathan Coffin (“the world’s oldest living and practicing poet”), a family of grotesque Nazi vacationers, and an iguana tied by its throat to the veranda, all find themselves assembled for a rainy and turbulent night. This is the first trade paperback edition of The Night of the Iguana and comes with an Introduction by award-winning playwright Doug Wright, the author’s original Foreword, the short story “The Night of the Iguana” which was the germ for the play, plus an essay by noted Tennessee Williams scholar, Kenneth Holditch. “I’m tired of conducting services in praise and worship of a senile delinquent—yeah, that’s what I said, I shouted! All your Western theologies, the whole mythology of them, are based on the concept of God as a senile delinquent and, by God, I will not and cannot continue to conduct services in praise and worship of this…this…this angry, petulant old man.” —The Rev. T. Lawrence Shannon, from The Night of the Iguana
Every 3rd issue is a quarterly cumulation.
Hilarity ensues when a slacker teen boy discovers he's gay, in this unforgettably funny YA debut.