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JOHN DONNE: AIR AND ANGELS: SELECTED POEMS A selection of the finest poems by British poet John Donne. John Donne was, Robert Graves said, a 'Muse poet', a poetwho wrote passionately of the Muse. It is easy to see Donne asa love poet, in the tradition of love poets such as Bernard deVentadour, Dante Alighieri, Francesco Petrarch and Torquato Tasso. Donne has written his fair share of lovepoems. There are the bawdy allusions to the phallus in 'TheFlea', while 'The Comparison' parodies the adoration poem, with references to the 'sweat drops of my mistress' breast'. Like William Shakespeare in his parody sonnet 'my mistress' eyes are nothing like the sun', Donne sends up the Petrarchan and courtly love genre with gross comparisons ('Like spermatic issue of ripe menstruous boils'). In 'The Bait', there is the archetypal Renaissance opening line 'Come live with me, and be my love', as used by Christopher Marlowe and William Shakespeare, among others. And there is the complex, ambivalent eroticism of 'The Extasie', a much celebrated love poem, and the 19th 'Elegy', where features Donne's famous couplet: Licence my roving hands, and let them go Before, behind, between, above, below. The Songs and Sonnets of John Donne celebrate the many emotions of love, feelings that are so familiar in love poetry from Sappho to Adrienne Rich. Donne does not quite cover every emotion of love, but a good deal of them. In 'The Canonization', we find the age-old Neo-platonic belief that two can become as one ('we two being one', or 'we shall/ Be one', he writes in 'Lovers' Infiniteness'), a common belief in love poetry. John Donne's love poetry, like (nearly) all love poetry, self-reflexive. Although he would 'ne'er parted be', as he writes in 'Song: Sweetest love, I do not go', he knows that love poetry comes out of loss. The beloved woman is not there, so art takes her place. The Songs and Sonnets arise from loss, loss of love; they take the place of love. For, if he were clasping his beloved in those feverish embraces as described in 'The Extasie' and 'Elegy', he would not, obviously, bother with poetry. Love poetry has this ambivalent, difficult relationship with love. The poem is not love, and is no real substitute for it. And writing of love exacerbates the pain and the insecurity of the experience of love. With an introduction and bibliography. Illustrated, with new pictures. The text has been revised for this edition. Also available in an E-book edition. www.crmoon.com. "
The heavy pages of this book feature die-cut, full-color angel figures to punch out for creating hanging angel mobiles. Gold thread for hanging is included. The enormous appeal of angels has captivated America. Now, anyone can create a little corner of heaven to grace babies' cribs, Christmas trees, and family gatherings. 30,000 one-time-only print run.
Do you believe in angels? When Xaviere is tasked with transcribing taped interviews her deceased friend Daphne left to her in her will, she begins to piece together the story of the photographer Irene Guernsey, a moderately well known but elusive photographer Daphne was interviewing. Irene's mysterious images captivate Xaviere as they had Daphne. Irene had never given interviews or talked about her work publicly, but near the end of her life, she reveals the magic hidden in plain sight in her mysterious and ethereal photographs and her attempt to capture angel wings on film.?And once the angels appear, the reader is taken on a journey that spans decades and changes the lives of multiple women along the way. Everything Affects Everyone, /em> is a novel about listening, about how women speak to one another, and about the power of the question.
JOHN DONNE: SELECTED POEMS A selection of the finest poems by British poet John Donne. John Donne was, Robert Graves said, a Muse poet, a poet who wrote passionately of the Muse. It is easy to see Donne as a love poet, in the tradition of love poets such as Bernard de Ventadour, Dante Alighieri, Francesco Petrarch and Torquato Tasso. Donne has written his fair share of love poems. There are the bawdy allusions to the phallus in The Flea, while The Comparison parodies the adoration poem, with references to the sweat drops of my mistress breast . Like William Shakespeare in his parody sonnet my mistress eyes are nothing like the sun, Donne sends up the Petrarchan and courtly love genre with gross comparisons ( Like spermatic issue of ripe menstruous boils ). In The Bait, there is the archetypal Renaissance opening line Come live with me, and be my love, as used by Christopher Marlowe and William Shakespeare, among others. And there is the complex, ambivalent eroticism of The Extasie, a much celebrated love poem, and the 19th Elegy, where features Donne s famous couplet: Licence my roving hands, and let them go Before, behind, between, above, below. The Songs and Sonnets of John Donne celebrate the many emotions of love, feelings that are so familiar in love poetry from Sappho to Adrienne Rich. Donne does not quite cover every emotion of love, but a good deal of them. In The Canonization, we find the age-old Neo-platonic belief that two can become as one ( we two being one, or we shall/ Be one, he writes in Lovers Infiniteness ), a common belief in love poetry. John Donne s love poetry, like (nearly) all love poetry, self-reflexive. Although he would ne er parted be, as he writes in Song: Sweetest love, I do not go, he knows that love poetry comes out of loss. The beloved woman is not there, so art takes her place. The Songs and Sonnets arise from loss, loss of love; they take the place of love. For, if he were clasping his beloved in those feverish embraces as described in The Extasie and Elegy, he would not, obviously, bother with poetry. Love poetry has this ambivalent, difficult relationship with love. The poem is not love, and is no real substitute for it. And writing of love exacerbates the pain and the insecurity of the experience of love. "
An unsettling and absorbing tale from the bestselling author of The Woman in Black. Celibate, irreproachable and distinguished, Thomas Cavendish is in his mid-fifties and the obvious man to become Master of his college. But, walking by the river, Thomas sees a young girl standing on the bridge. It is an apocalyptic vision, one that alters Thomas's life irrevocably and tragically, but with the beauty and joy of a love never previously imagined. ‘As light as a feather but as powerful as flight’ Observer
A precise and passionate collection by a brave new voice in poetry.
The murder of a world-famous physicist raises fears that the Illuminati are operating again after centuries of silence, and religion professor Robert Langdon is called in to assist with the case.
Read the remarkable true story of a young boy's journey from civil war in east Africa to a refugee camp in Sudan, to a childhood on welfare in an affluent American suburb, and eventually to a full-tuition scholarship at Harvard University. Following his father's advice to "treat all people-even the most unsightly beetles-as though they were angels sent from heaven," Mawi overcomes the challenges of language barriers, cultural differences, racial prejudice, and financial disadvantage to build a fulfilling, successful life for himself in his new home. Of Beetles and Angels is at once a harrowing survival story and a compelling examination of the refugee experience. With hundreds of thousands of copies sold since its initial publication, and as a frequent selection as one book/one school/one community reads, this unforgettable memoir continues to touch and inspire readers. This special expanded fifteenth anniversary edition includes a new introduction and afterword from the author, a discussion guide, and more.
A dazzling new anthology of 180 contemporary poems, selected and introduced by America’s Poet Laureate, Billy Collins. Inspired by Billy Collins’s poem-a-day program with the Library of Congress, Poetry 180 is the perfect anthology for readers who appreciate engaging, thoughtful poems that are an immediate pleasure. A 180-degree turn implies a turning back—in this case, to poetry. A collection of 180 poems by the most exciting poets at work today, Poetry 180 represents the richness and diversity of the form, and is designed to beckon readers with a selection of poems that are impossible not to love at first glance. Open the anthology to any page and discover a new poem to cherish, or savor all the poems, one at a time, to feel the full measure of contemporary poetry’s vibrance and abundance. With poems by Catherine Bowman, Lucille Clifton, Billy Collins, Dana Gioia, Edward Hirsch, Galway Kinnell, Kenneth Koch, Philip Levine, Thomas Lux, William Matthews, Frances Mayes, Paul Muldoon, Naomi Shihab Nye, Sharon Olds, Katha Pollitt, Mary Jo Salter, Charles Simic, David Wojahn, Paul Zimmer, and many more.