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Ain t Got No Home: America's Great Migrations and the Making of an Interracial Left"
Woodrow Wilson Guthrie has had an immense impact on popular culture throughout the world. His folk music brought traditional song from the rural communities of the American southwest to the urban American listener and beyond. But Guthrie's music was only one aspect of his multifaceted life. As well as penning hundreds of songs, Guthrie was also a prolific writer of non-sung prose, an artist and a poet. This collection provides an examination of Guthrie's cultural significance and an evaluation of his impact on American culture and international folk-culture.
When Walt Whitman published Leaves of Grass in 1855, he dreamed of inspiring a "race of singers" who would celebrate the working class and realize the promise of American democracy. By examining how singers such as Woody Guthrie, Bob Dylan, and Bruce Springsteen both embraced and reconfigured Whitman's vision, Bryan Garman shows that Whitman succeeded. In doing so, Garman celebrates the triumphs yet also exposes the limitations of Whitman's legacy. While Whitman's verse propounded notions of sexual freedom and renounced the competitiveness of capitalism, it also safeguarded the interests of the white workingman, often at the expense of women and people of color. Garman describes how each of Whitman's successors adopted the mantle of the working-class hero while adapting the role to his own generation's concerns: Guthrie condemned racism in the 1930s, Dylan addressed race and war in the 1960s, and Springsteen explored sexism, racism, and homophobia in the 1980s and 1990s. But as Garman points out, even the Boss, like his forebears, tends to represent solidarity in terms of white male bonding and homosocial allegiance. We can hear America singing in the voices of these artists, Garman says, but it is still the song of a white, male America.
Discover the Music that Changed Everything Embark on a complex and inspiring journey through the last 101 years as told through some of the most memorable hits and the artists behind them. Noah Lefevre, creator of Polyphonic, explores how our favorite music does more than entertain. From Aretha Franklin carving out her own space in what had been considered a man’s world by reworking the chauvinistic lyrics to the 1967’s hit “Respect,” to Doja Cat’s successful backlash against toxic fans of the digital age; from a broken amplifier on “Rocket 88” ushering in the distorted sounds of rock n’ roll, to Kendrick Lamar’s release of “Alright,” which became the unofficial anthem to the BLM protests—each song mirrors the strife, change and progress of our country’s narrative. In this rich and engrossing guide for music lovers everywhere, you’ll discover how a single song can make history.
This is an edited volume of original essays which explore the meaning of bodies of water in creative narratives by African Americans. The contributors explore the representations of still and moving waterbodies across several genres of literature, film, and music. They also deploy socio-historical and environmental theories, in addition to close-reading interpretive strategies, all acknowledging and developing traditional ways of thinking about water in relation to African American experience and culture. The writers gathered here showcase insightful and vigorous research in various art forms, and, together, embody provocative, innovative and refreshing ways to contemplate water in Black American artistic expressivity.
Five Days of the Hawk begins where The Boys of the Hawk Club ended last. So it continues the story of the struggles they have to face in Slovannah, Georgia nut also goes on to tell of Nikki Starborne's attempt to help Stroke and the boys of Quest fulfill their dreams of becoming a financially successful survival rock band. And as Nikki and Sledge(hammer) make their way back to Slovannah, Georgia for the Saint Patrick's day celebration they have an unfortunate encounter when they meet up with Robert E, super agent, who is on a mission to deliver 15.7 million dollars in diamonds, diamonds which are to be used to fund a revolution. Well, that's when the dangerous fun begins.
This collection of contemporary scenes provides the student actor, as well as professional and untrained performers, with material from some of the best plays ever written. Each selection contains critical information on characters, setting, and background to give a clear sense of what the play is about. Contemporary Scenes for Student Actors accommodates a wide variety of acting styles, from naturalistic to poetic to highly stylized, spanning a range of ages and a variety of locales, and incorporating excerpts of various lengths. Includes scenes from plays by · Woody Allen · Maxwell Anderson · Jean Anouilh · Simon Gray · John Guare · Lillian Hellman · Albert Innaurato · David Mamet · Mark Medoff · Arthur Miller · Miguel Pinero · David Rabe · Sam Shepard · Tennessee Williams · And many more!