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Seventh-day Adventist editors from all parts of the world met in Washington, D.C., in August, 1939, to participate in a general editorial council, the first to be held. As a source of inspiration and guidance to this group, the leaders of the denomination arranged to have placed in their hands the E.G. White instruction which had been directed to our writers and editors through the years, drawn from both published sources and manuscripts, in the form of a little paper-bound work entitled Counsels to Editors. Five hundred copies of this little work were printed, and the stock was soon exhausted. It seems appropriate to make this volume of counsels generally available through a new edition, which is now issued as a permanent publication. - The Object of Our Publications. The Character of Periodical Articles. The Foundations, Pillars, and Landmarks. Attitude to New Light. Investigation of New Light. Integrity of the Message. How to Meet Opposition. Words of CautionAttitude to Civil Authorities. On Publishing Conflicting Views. Counsels to Writers. Counsels to Editors. Our Church Paper. The Missionary Periodicals. The Educational Journal. Our Health Journals. Periodical Circulation. Newspaper Publicity. Kind of Books Needed. Duplicating Books, and New Editions. Independent Publishing. The Book Committee. The Author's Stewardship. Illustrating Our Literature. Literature in the Closing Work
Veteran editor Don McNair lays out an easy-to-follow and systematic method for clearing up foggy writing--writing that's full of extra, misused, and overused words--in this guide to producing sparkling copy that attracts readers, agents, editors, and sales. McNair explains the common mistakes made by most writers and shows how eliminating unnecessary words strengthens action, shorten sentences, and makes writing crackle with life. Containing 21 simple, straightforward principles, ""Editor-Proof Your Writing"" teaches how to edit weak verb forms, strip away author intrusions, ban redundancies, eliminate foggy phrases, correct passive-voice sentences, slash misused and overused words, and fix other writing mistakes. A superb addition to any writer's toolkit, this book will not only make writing clearer and more grammatical, it will also make it more concise, entertaining, and appealing to publishers.
Do you have a pressing need to know about technical writing but don't know whom to ask or where to look? The Technical Writer's and Editor's Handbook provides a quick and easy way to answer your questions. Author Tom Wetzel draws from actual experiences of a successful technical writing career to explain the differences in various technical writing professions and the practical tools of the working technical writer's trade and their applications. Short, quickly digestible, and illustrated chapters support the development of technical proposals, training literature, magazine articles, technical advertisements, and press releases, as well as technical manuals and users' guides among other technical documentation. A practical day-to-day working tool, this guide and reference is an essential for the personal library of all practicing technical writers and other technical professionals including: a centsLogisticians a centsTechnicians a centsEngineers a centsManagers a centsStudents"
“A sprawling account of New York lives under the long shadow of AIDS, it deals beautifully with the drugs that save us and the drugs that don’t.”—The Guardian (Best Books of the Year) In this vivid and compelling novel, Tim Murphy follows a diverse set of characters whose fates intertwine in an iconic building in Manhattan’s East Village, the Christodora. The Christodora is home to Milly and Jared, a privileged young couple with artistic ambitions. Their neighbor, Hector, a Puerto Rican gay man who was once a celebrated AIDS activist but is now a lonely addict, becomes connected to Milly and Jared’s lives in ways none of them can anticipate. Meanwhile, Milly and Jared’s adopted son Mateo grows to see the opportunity for both self-realization and oblivion that New York offers. As the junkies and protestors of the 1980s give way to the hipsters of the 2000s and they, in turn, to the wealthy residents of the crowded, glass-towered city of the 2020s, enormous changes rock the personal lives of Milly and Jared and the constellation of people around them. Moving kaleidoscopically from the Tompkins Square Riots and attempts by activists to galvanize a true response to the AIDS epidemic, to the New York City of the future, Christodora recounts the heartbreak wrought by AIDS, illustrates the allure and destructive power of hard drugs, and brings to life the ever-changing city itself. “A rich and complicated New York saga . . . Christodora has the scope of other New York epics, such as Bonfire of the Vanities, The Goldfinch and City on Fire.”—Newsday
Packed with customizable editing tools—this practical, up-to-date reference includes the latest on writing and editing online The McGraw-Hill Desk Reference for Editors, Writers, and Proofreaders is an indispensable resource for writers, editors, proofreaders, and virtually everyone responsible for crafting clear, polished writing. Ideal for professionals and novices alike, it guides you through the entire proofreading and editing process and features more than 25 downloadable interactive tools and checklists. This all-in-one package offers style sheet templates, a list of editor’s symbols, comprehensive editing and proofreading checklists, and guides to commonly misspelled and confused words. It also presents advice on electronically editing and proofreading for the Web.
To Have and Have Not is the dramatic, brutal story of Harry Morgan, an honest boat owner who is forced into running contraband between Cuba and Key West as a means of keeping his crumbling family financially afloat. His adventures lead him into the world of the wealthy and dissipated yachtsmen who swarm the region, and involve him in a strange and unlikely love affair. In this harshly realistic, yet oddly tender and wise novel, Hemingway perceptively delineates the personal struggles of both the “haves” and the “have nots” and creates one of the most subtle and moving portraits of a love affair in his oeuvre. In turn funny and tragic, lively and poetic, remarkable in its emotional impact, To Have and Have Not takes literary high adventure to a new level. As the Times Literary Supplement observed, “Hemingway's gift for dialogue, for effective understatement, and for communicating such emotions the tough allow themselves, has never been more conspicuous.”