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Collected Studies CS1070 The present book collects 31 articles that Jacques van der Vliet, a leading scholar in the field of Coptic Studies (Leiden University / Radboud University, Nijmegen), has published since 1999 on Christian inscriptions from Egypt and Nubia. These inscriptions are dated between the third/fourth and the fourteenth centuries, and are often written in Coptic and/or Greek, once in Latin, and sometimes (partly) in Arabic, Syriac or Old Nubian. They include inscriptions on tomb stones, walls of religious buildings, tools, vessels, furniture, amulets and even texts on luxury garments. Whereas earlier scholars in the field of Coptic Studies often focused on either Coptic or Greek, Van der Vliet argues that inscriptions in different languages that appear in the same space or on the same kind of objects should be examined together. In addition, he aims to combine the information from documentary texts, archaeological remains and inscriptions, in order to reconstruct the economic, social and religious life of monastic or civil communities. He practiced this methodology in his studies on the Fayum, Wadi al-Natrun, Sohag, Western Thebes and the region of Aswan and Northern Nubia, which are all included in this book.
Christianity and monasticism have flourished along the Nile Valley in the Aswan region of Upper Egypt and in what was once Nubia, from as early as the fourth century until the present day. The contributors to this volume, international specialists in Coptology from around the world, examine various aspects of Coptic civilization in Aswan and Nubia over the past centuries. The complexity of Christian identity in Nubia, as distinct from Egypt, is examined in the context of church ritual and architecture. Many of the studies explore Coptic material culture: inscriptions, art, architecture, and archaeology; and language and literature. The archaeological and artistic heritage of monastic sites in Edfu, Aswan, Makuria, and Kom Ombo are highlighted, attesting to their important legacies in the region.
The book reproduces the cleaned paintings for the first time. It also describes and analyzes their amalgam of Coptic (Egyptian Christian), Byzantine, and Arab styles and motifs as well as the religious culture to which they belong. In 1996, funded by the United States Agency for International Development and at the request of the Monastery of St. Antony, the Antiquities Development Project of the American Research Center in Egypt began the conservation of the paintings in the church. The paintings revealed by the conservators are of extremely high quality, both stylistically and conceptually. While rooted in the Christian tradition of Egypt, they also reveal explicit connections with Byzantine and Islamic art of the twelfth and thirteenth centuries. Some newly discovered paintings can even be dated back to the sixth or seventh century.
Fully illustrated in colour and black and white, Images of the Mother of God complements the successful exhibition catalogue of the 'Mother of God' exhibition at the Benaki Museum in Athens. It brings together the work of leading international authorities and younger scholars to provide a wide-ranging survey of how the Theotokos was perceived in the Byzantine world. It embraces the disciplines of art historians, archaeologists, traditional and feminist historians, as well as theologians, philologists and social anthropologists. Images of the Mother of God will appeal not just to those interested in Byzantine art and culture, but also to scholars of Western Europe in the Middle Ages who are looking for comparative materials in their own work.
This is the first comprehensive survey of Christian architecture in Egypt from the fourth century up to early modern times, covering not only church architecture, but also and extensively the building art of pilgrimage centers, monasteries, cemeteries, defence structures and private houses. Special attention is given to building technique, arrangement of the interior, and liturgical (local) conditions. With a descriptive catalogue of urban and monastic churches.
The present volumes is the result of an international collaboration of researchers who are excellent within their respective fields: interpretation of texts, studies of rites, archaeology, architecture, history of art, and cultural anthropology. They met for two conferences to discuss the significance of rites of ablution, initiation, and baptism and their interpretation in Late Antiquity, Early Judaism, and Early Christianity. The volume establishes a new international standard of research within these fields of scholarship.