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This book presents the making of Mexican Modernist architecture through five power structures – academic, social status, economic/political, gender, and postcolonial – and by interviews and analysis of 13 key Mexican architects. These include Luis Barragán, José Villagrán García, Juan O’Gorman, Pedro Ramírez Vázquez, Agustín Hernández, Abraham Zabludovsky, Carlos Mijares, Ricardo Legorreta, Juan José Díaz Infante, Enrique Norten, Alberto Kalach, Javier Sordo Madaleno and Clara de Buen. Although the five power structures framed what was built, the testimony of these Mexican architects helps us to recognize and discover subtleties and nuances. Their views thereby shed light on what contributed to making Mexican Modernist architecture so distinctive globally. Even if these architects were not always aware of the power structures, their projects nonetheless supported discrimination, marginalization and subjugation. In that sense the book also reveals the extent to which these power structures are still present today. The Making of Mexican Modernist Architecture’s uniqueness lies in uncovering the remarkable buildings that arose amid the five power structures while at the same time questioning their validity. It also voices the urgent need today for a new kind of architecture outside these boundaries. The book is essential reading for anyone studying Mexican and Latin American architecture.
Praxis, Agustín Hernández' is the fourth book in a series devoted to some of our favourite architects, the houses they build, and the stories behind them.0Born in 1924, Agusti?n Herna?ndez came of age as an architect in Mexico as modernist ideas coalesced with a renewed pride in the country?s past. He was a frontrunner in combining the symbols, myths, and urban planning principles of pre-Columbian civilisations to create imposing architectural monuments that even today retain their avant-garde nature?from the military academy he built as a modern-day Mayan ceremonial ground to the remote meditation centre commissioned by his sister, based on the symbolism of the snake, and the studio-home that he built for himself in 1975: Praxis, a geometric treehouse that still towers over the Bosques de las Lomas neighbourhood of Mexico City. Original photography by Ryan Lowry.
Tiburcio Vasquez is, next to Joaquin Murrieta, America's most infamous Hispanic bandit. After he was hanged as a murderer in 1875, the Chicago Tribune called him "the most noted desperado of modern times." Yet questions about him still linger. Why did he become a bandido? Why did so many Hispanics protect him and his band? Was he a common thief and heartless killer who got what he deserved, or was he a Mexican American Robin Hood who suffered at the hands of a racist government? In this engrossing biography, John Boessenecker provides definitive answers. Bandido pulls back the curtain on a life story shrouded in myth — a myth created by Vasquez himself and abetted by writers who saw a tale ripe for embellishment. Boessenecker traces his subject's life from his childhood in the seaside adobe village of Monterey, to his years as a young outlaw engaged in horse rustling and robbery. Two terms in San Quentin failed to tame Vasquez, and he instigated four bloody prison breaks that left twenty convicts dead. After his final release from prison, he led bandit raids throughout Central and Southern California. His dalliances with women were legion, and the last one led to his capture in the Hollywood Hills and his death on the gallows at the age of thirty-nine. From dusty court records, forgotten memoirs, and moldering newspaper archives, Boessenecker draws a story of violence, banditry, and retribution on the early California frontier that is as accurate as it is colorful. Enhanced by numerous photographs — many published here for the first time — Bandido also addresses important issues of racism and social justice that remain relevant to this day.
This book presents the proceedings of the 18th International Conference on Graphic Design in Architecture, EGA 2020, focusing on heritage – including architectural and graphic heritage as well as the graphics of heritage. This first volume gathers selected contributions covering theories, and new technologies and findings to help shed light on current questions related to heritage. It features original documentation studies on historical archives, 3D and solid representation of architectural objects, as well as virtual graphic representation and applications of augmented reality, all documenting and/or reconstructing the present, past and future of architectural objects. As such, this book offers extensive and timely information to architectural and graphic designers, urban designers and engineers, and industrial designers and historians.
This is the biographical story of an average person who grew up with a serious attention-and-concentration problem at a time when nobody knew what that was. In his dreams, he wanted to be a baseball player, pilot, soldier, and a hero. Despite his attention-defi cit / hyperactivity disorder, he was able to accomplish more than what he pictured in his wild dreams. The armies of the United States and South Vietnam commended him repeatedly. However, national corporate giants in the United States, involved in illegal imports, wished he never existed.
For abstracts see: Caribbean Abstracts, no. 11, 1999-2000 (2001); p. 111.