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"Documents some 40 of the architects' urban projects, interiors, and theoretical projects with plans, renderings, and color photos and sketches. Includes interviews with the architects, biographies, and essays on architectural issues" -- Google Books.
In Architecture from Without Agrest explores the symbolic dimension of architecture from the perspective of the modern city through a remarkable range of subjects.
Student projects sponsored by Princeton, Hong Kong, and Tongji universities and reviewed by critics.
By adapting Freud's notion of "floating attention" to urban systems, Mario Gandelsonas applies a process of visual drift to the plan of Chicago. He uses mechanical eye of the computer in a "de­layering" process to read the plan of the city and to discover the system of urban notions that are specific to the American grid. Gandelsonas explores the spatial relationships between physical and abstract realities in the Chicago River area, the One-Mile Grid and its subdivisions. By high­lighting the anomalies and idiosyncrasies of the grid the moments where its regularity falters, he establishes a narrative of Chicago's urban text. In separate essays Catherine Ingraham, Joan Copjec, and John Whiteman explore the philosophical, psychoanalytic, and urbanistic dimension of this provocative analysis.
The book is a combined memoir and impressionistic history of the Institute for Architecture and Urban Studies. At first affiliated with New York's Museum of Modern Art and Cornell University, the Institute housed architects, artists and historians who worked on creative design and intellectual projects and would become world renown. Its creation and direction was in the hands of its able leader, Peter Eisenman. Besides a documentary study of the work that went on there, among an international clearing house, the book is laced with impressions of the author's experience there. It has been in the works for over 12 years and was originally financed by the Graham Foundation for the Study of the Fine Arts and has subsequently been aided by Dr. Jenny Kaufmann. The photographs of the Institute at the height of its activity are included and so does an original ground plan of its West 40th Street office done by Scott Brandi who also designed the book. It ends with 27 interviews of prominent members of the Institute who comment on it and their experiences. The book should appeal to architecture students and those interested in architecture and urbanism of the seventies when the government in the United States was more reasonable in economic and political equity.
Conversant in contemporary theory and architectural history, Stan Allen argues that concepts in architecture are not imported from other disciplines, but emerge through the materials and procedures of architectural practice itself. Drawing on his own experience as a working architect, he examines the ways in which the tools available to the architect affect the design and production of buildings. This second edition includes revised essays together with previously unpublished work. Allen’s seminal piece on Field Conditions is included in this reworked, revised and redesigned volume. A compelling read for student and practitioner alike.
In Diller Scofidio + Renfro: Architecture after Images, Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts in a dazzling array of projects, which include performances, art installations, and books, in addition to buildings and public spaces. At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture. Dimendberg provides an extensive overview of these concerns and the history of the studio, revealing how principals Elizabeth Diller, Ricardo Scofidio, and Charles Renfro continue to expand the definition of architecture, question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York’s High Line to Blur, an artificial cloud, and Facsimile, a video screen that moves around a building facade. Dimendberg also explores the relation of work by DS+R to that by earlier modernists such as Marcel Duchamp and John Hejduk. He reveals how the fascination of the architects with evolving forms of media, technology, and building materials has produced works that unsettle distinctions among architecture and other media. Based on interviews with the architects, their clients, and collaborators as well as unprecedented access to unpublished documents, sketchbook entries, and archival records, Diller Scofidio + Renfro is the most thorough consideration of DS+R in any language. Illustrated with many previously unpublished renderings in addition to photos from significant contemporary photographers, this book is an essential study of one of the most significant and creative architecture and design studios working today.
Here's a profound, stirring study of how the world's greatest architects influenced the work of others and why--told in the architect's own dramatic and awe-filled words. The contributors discuss the career-inspiring achievements of their mentors, designers of some of the most famous structures on earth. They delve into their own design philosophy, and how the genius of others affected their careers, their goals, as well as their lives. This candid personal testimony imparts the emotion, inspiration, and wonderment of architecture and vividly demonstrate the power of mentorshipand the potential it can unleash. Each original essay is beautifully illustrated with photographs (most in full color) of both the architect's work and that of his mentor, providing a visually stunning forum for comparison and learning. An ideal book for architecture aficionados, ARCHITECTS ON ARCHITECTS captures the soul, inspiration, and majesty of architecture.
Are you a do-it-yourselfer, or do you want to be? Are you looking to easily improve the decor of your home? If you're searching for inspiration, look no further! Material World takes you into the creative minds of 20 DESIGNERS from around the world to bring you unique home decor projects. Each fun project has a common thread -- THEY ALL USE FABRIC as a main ingredient! This beautifully illustrated book will take you on a journey from inspiration to materialization, with step-by-step instructions for projects to decorate and personalize every room in your habitat. It provides simple solutions for design dilemmas -- upholstering furniture, sewing slipcovers, window treatments, bed trimmings, light fixtures, floor coverings, pillows, room partitions -- even a bed for your dog! Perfect for a DIY novice or a seasoned professional, Material World covers a variety of exceptional SEW AND NO-SEW PROJECTS for terrific results. New York City architect, interior designer and co-host of DIY Network's "Material Girls", Cat Wei, curates a recipe book of project ideas (including many of her own designs) to beautify your home for better living.