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"John Donald Wade of Marshallville, Georgia, and Donald Davidson of Nashville, Tennessee, were lifelong friends and colleagues, dedicated to a common, passionate goal - to further the beauty and ideals of their beloved South. To that end, they participated with ten other like minds in the landmark symposium "I'll Take My Stand": The South and the Agrarian Tradition, published in 1930, just as the Great Depression was settling hard on the American experience. In this book, they took their stand against the evils of Progress, viewing the Depression as a product of its minions. Wade, who was director of graduate studies in American Literature at Vanderbilt, was introduced by Davidson, already on the faculty there, to others of the Nashville Agrarians, as the twelve Southerners were soon to be called. Later, when the campus building was burned in which Davidson and his family lodged, Wade rented to him the little "green house" in Marshallville which was adjacent to Wade's home. In the little town, Davidson spent a year that he never forget. In the environs of Marshallville, he found the true agrarian experience, human values, less hectic lifestyles, and a palpable history."--BOOK JACKET. Book jacket.
With a few exceptions, historiography has paid little attention to the impact of French economic thought during the American Revolution, focusing instead on the Revolution’s links with Britain. This book outlines how, from the mid-eighteenth to the early-nineteenth century, the political and social dimension of French economic thought, and particularly of Physiocracy, spurred American Republicans to a radical shaping of American agrarian ideology. Such a perspective allows for a reconsideration of several questions that lie at the heart of contemporary historiographic debate: the connection between politics and economics; the meaning of republicanism; the foundations of representation; the role of Europe in the Atlantic world; and the interaction between national histories and global context. In particular, the research methodology adopted here makes it possible to reconstruct how American national identity, conceived as an expression of society in economic terms, emerged through a cosmopolitan way of thinking focused on the uniqueness of the new state.
Scarlett O'Hara munched on a radish and vowed never to go hungry again. Vardaman Bundren ate bananas in Faulkner's Jefferson, and the Invisible Man dined on a sweet potato in Harlem. Although food and stories may be two of the most prominent cultural products associated with the South, the connections between them have not been thoroughly explored until now. Southern food has become the subject of increasingly self-conscious intellectual consideration. The Southern Foodways Alliance, the Southern Food and Beverage Museum, food-themed issues of Oxford American and Southern Cultures, and a spate of new scholarly and popular books demonstrate this interest. Writing in the Kitchen explores the relationship between food and literature and makes a major contribution to the study of both southern literature and of southern foodways and culture more widely. This collection examines food writing in a range of literary expressions, including cookbooks, agricultural journals, novels, stories, and poems. Contributors interpret how authors use food to explore the changing South, considering the ways race, ethnicity, class, gender, and region affect how and what people eat. They describe foods from specific southern places such as New Orleans and Appalachia, engage both the historical and contemporary South, and study the food traditions of ethnicities as they manifest through the written word.
Written by an emigrant French aristocrat turned farmer, the Letters from an American Farmer (1782) posed the famous question: "What, then, is the American, this new man?", as a new nation took shape before the eyes of the world. Addressing some of American literature's most pressing concerns and identity issues, these Letters celebrate personal determination, freedom from institutional oppression, and the largeness and fertility of the land. They also address darker and more symbolic elements, particularly slavery. This book is the only critical edition available of what is seen by many as the first-ever work of American literature.
Reidy has produced one of the most thoughtful treatments to date of a critical moment in southern history, placing the social transformation of the South in the context of 'the age of capital' and the changes in the markets, ideologies, etc. of the Atlantic world system. Better than anyone perhaps, Reidy has elaborated both the large and small narratives of this development, connecting global forces with the initiatives and reactions of ordinary southerners, black and white.--Thomas C. Holt, University of Chicago "Joseph Reidy's detailed analysis of social and economic developments in central Georgia during and after slavery will take its place among the standard works on these subjects. Its discussions of the expansion of the cotton kingdom and of the changes after emancipation make it necessary reading for all concerned with southern and African-American history.--Stanley Engerman, University of Rochester "Successfully places the experience of one region's people into the larger theoretical context of world capitalist development and in the process challenges other scholars to do the same.--Rural Sociology