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...why should the black child lose his direction in life? Could it be traced to his inability to uncover the secrets of his environment and history, or probably out of the broken legacies of his predecessors? The most crucial question for the black child now is no longer how, where, when and why........but who? "Agony of the Black Child" is a novel that represents nothing but the death and the rebirth of the true black consciousness.....!
This book deals with the multidimensional problems of children in general and disadvantaged children in particular around the world, with special reference to India.
Life, Alice McKinley feels, is just one big embarrassment. Here she is, about to be a teenager and she doesn't know how. It's worse for her than for anyone else, she believes, because she has no role model. Her mother has been dead for years. Help and advice can only come from her father, manager of a music store, and her nineteen-year-old brother, who is a slob. What do they know about being a teen age girl? What she needs, Alice decides, is a gorgeous woman who does everything right, as a roadmap, so to speak. If only she finds herself, when school begins, in the classroom of the beautiful sixth-grade teacher, Miss Cole, her troubles will be over. Unfortunately, she draws the homely, pear-shaped Mrs. Plotkin. One of Mrs. Plotkin's first assignments is for each member of the class to keep a journal of their thoughts and feelings. Alice calls hers "The Agony of Alice," and in it she records all the embarrassing things that happen to her. Through the school year, Alice has lots to record. She also comes to know the lovely Miss Cole, as well as Mrs. Plotkin. And she meets an aunt and a female cousin whom she has not really known before. Out of all this, to her amazement, comes a role model -- one that she would never have accepted before she made a few very important discoveries on her own, things no roadmap could have shown her. Alice moves on, ready to be a wise teenager.
“[An] exploration of the black experience from a woman’s perspective, anticipating fiction by writers like Toni Morrison and Alice Walker.”—The New York Times Originally published in 1969 to broad critical acclaim, This Child’s Gonna Live is an unsurpassed testament to human endurance in the face of poverty, racism, and despair. Set in a fishing village on Maryland’s Eastern Shore in the 1930s, this story has as its main character the unforgettable Mariah Upshur, a hard-working, sensual, resilient woman, full of hope, and determination despite living in a society that conspires to keep her down. In her mind, she carries on a conversation with Jesus, who, like Mariah herself, is passionate and compassionate, at times funny and resolutely resilient to fatalism. Often compared to Zora Neale Hurston for her lyrical and sure-handed use of local dialect, Wright, like Hurston, powerfully depicts the predicament of poor African American women, who confront the multiple oppressions of class, race, and gender. “In every respect, an impressive achievement. The canon of American folk-epic is enriched by this small masterpiece.”—The New York Times Book Review “It has always been my contention that the Black woman in America will write the greatest of the American novels. For it is the Black woman, forced to survive at the bottom rung of American society . . . who is compelled to survey, by the very extremity of her existence, the depths of the American soul. In reading Sarah Wright’s searing novel, I am convinced that my assessment was correct.”—Rosa Guy, author of The Friends
Black Separatism and Social Reality: Rhetoric and Reason deals with the contemporary debate over black separatism in America. It brings together for the first time many of the perspectives, ideas, orientations, and ideologies that all directly or indirectly address the question of black separatism — pro and con — from the vantage point of their own realities. It raises fundamental issues that have recurred throughout the last century and continue unabated today, such as whether black Americans should seek their political destiny apart from white Americans, or whether economic growth within the black community can eventually lead to true ""black power."" This book is comprised of 31 chapters and begins with a historical overview and social reality of black separatism in America, how and why black separatist movements emerge and why separatism appeals to some individuals and not to others. The next section explores the similarities of white racist assumptions and black separatism as well as the arguments for and against separatism. The prospects of black separatism are analyzed, along with Pan-Africanism and black studies. A comprehensive review of the history of separatist thought and a bibliography concerning the relation of Afro-Americans with Africa are presented. The possibility of a violent confrontation between whites and blacks is also considered. Finally, the book ponders the question of whether there is a need for a distinct, ""black"" social science. This monograph will appeal to sociologists, social scientists, political scientists, politicians, blacks, and scholars of black studies.
"In this absorbing book, Bruce Ronda examines the representations of Brown chronologically, ranging from Thoreau's "Plea for Captain John Brown" - with its ardent defense of Brown as a patriot, Transcendentalist, and true New Englander - through treatments by anonymous southern writers and well-known authors such as John Greenleaf Whittier, Herman Melville, Richard Henry Dana, Frederick Douglass, William Dean Howells, and E. A. Robinson. Ronda then considers the major treatments of Brown in the early to mid-twentieth century by W. E. B. DuBois, Stephen Vincent Benet, and Robert Penn Warren. Of particular interest are discussions of a 1930s poem by Muriel Rukeyser, Truman Nelson's 1960 novel The Surveyor, and artwork by Jacob Lawrence. He concludes with studies of novels by three contemporary authors: Russell Banks, Michelle Cliff, and Bruce Olds."--BOOK JACKET.
In the age of global capitalism, vaporwave celebrates and undermines the electronic ghosts haunting the nostalgia industry. Ours is a time of ghosts in machines, killing meaning and exposing the gaps inherent in the electronic media that pervade our lives. Vaporwave is an infant musical micro-genre that foregrounds the horror of electronic media's ability to appear - as media theorist Jeffrey Sconce terms it - "haunted." Experimental musicians such as INTERNET CLUB and MACINTOSH PLUS manipulate Muzak and commercial music to undermine the commodification of nostalgia in the age of global capitalism while accentuating the uncanny properties of electronic music production. Babbling Corpse reveals vaporwave's many intersections with politics, media theory, and our present fascination with uncanny, co(s)mic horror. The book is aimed at those interested in global capitalism's effect on art, musical raids on mainstream "indie" and popular music, and anyone intrigued by the changing relationship between art and commerce.
A brilliant analysis of the foundations of racist policing in America: the day-to-day brutalities, largely hidden from public view, endured by Black youth growing up under constant police surveillance and the persistent threat of physical and psychological abuse "Storytelling that can make people understand the racial inequities of the legal system, and...restore the humanity this system has cruelly stripped from its victims.” —New York Times Book Review Drawing upon twenty-five years of experience rep­resenting Black youth in Washington, D.C.’s juve­nile courts, Kristin Henning confronts America’s irrational, manufactured fears of these young peo­ple and makes a powerfully compelling case that the crisis in racist American policing begins with its relationship to Black children. Henning explains how discriminatory and aggressive policing has socialized a generation of Black teenagers to fear, resent, and resist the police, and she details the long-term consequences of rac­ism that they experience at the hands of the police and their vigilante surrogates. She makes clear that unlike White youth, who are afforded the freedom to test boundaries, experiment with sex and drugs, and figure out who they are and who they want to be, Black youth are seen as a threat to White Amer­ica and are denied healthy adolescent development. She examines the criminalization of Black adoles­cent play and sexuality, and of Black fashion, hair, and music. She limns the effects of police presence in schools and the depth of police-induced trauma in Black adolescents. Especially in the wake of the recent unprece­dented, worldwide outrage at racial injustice and inequality, The Rage of Innocence is an essential book for our moment.
The only wizard in the Chicago phone book, Harry is given the task of investigating rumors of black magic in the Windy City, while, at the same time, searching for some malevolent entities that feed on fear who have been set loose on Chicago.