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Ancient Greek athletics offer us a clear window on many important aspects of ancient culture, some of which have distinct parallels with modern sports and their place in our society. Ancient athletics were closely connected with religion, the formation of young men and women in their gender roles, and the construction of sexuality. Eros was, from one perspective, a major god of the gymnasium where homoerotic liaisons reinforced the traditional hierarchies of Greek culture. But Eros in the athletic sphere was also a symbol of life-affirming friendship and even of political freedom in the face of tyranny. Greek athletic culture was not so much a field of dreams as a field of desire, where fervent competition for honor was balanced by cooperation for common social goals. Eros and Greek Athletics is the first in-depth study of Greek body culture as manifest in its athletics, sexuality, and gender formation. In this comprehensive overview, Thomas F. Scanlon explores when and how athletics was linked with religion, upbringing, gender, sexuality, and social values in an evolution from Homer until the Roman period. Scanlon shows that males and females made different uses of the same contests, that pederasty and athletic nudity were fostered by an athletic revolution beginning in the late seventh century B.C., and that public athletic festivals may be seen as quasi-dramatic performances of the human tension between desire and death. Accessibly written and full of insights that will challenge long-held assumptions about ancient sport, Eros and Greek Athletics will appeal to readers interested in ancient and modern sports, religion, sexuality, and gender studies.
Vols. 1-8, 1880-87, plates published separately and numbered I-LXXXIII.
How did sport and festival affect the ancient Greek city? How did the values of athletics pervade Greek culture? This collection of fifteen new studies from an international cast took its inspiration from the exceptional Sydney Olympics of 2000. The focus here is on the ancient world, but additionally there is a sophisticated look at how Greek artefacts linked with sport can best be presented to the modern world.
Ancient sport made a huge if indirect contribution to the literature of ancient Greece, since some sixty poems by Pindar and Bacchylides ('epinikian odes'), written to commemorate victories, survive from the Classical period. This book is a collection of essays about that literature, and about the social and physical context for which it was written. The editors assembled an internationally distinguished team of speakers for the original 2002 seminar series held in London, and thesepapers form the backbone of the book. But to ensure coherence and comprehensive coverage, they have commissioned three further papers, and have themselves written a long thematic Introduction. The result is a stellar team of authors, and a book which looks at an important literary phenomenon inlight of the latest archaeological and sociological insights, as well as evaluating the poetry both as poetry and as a performance genre with distinctive characteristics.
This is a study of Hellenistic athletics from the perspective of the victors. By analyzing agonistic epigrams as poetry on commission, it investigates how successful athletes and horse owners and their sponsors wanted their victories to be understood. Based on the identification of recurring motifs that exceed the conventions of the genre, a multiplicity of agonistic cultures is detected on three different levels - those of the polis, the region and the empire. Kings and queens used athletics in order to legitimate their rule, cities tried to compensate for military defeats by agonistic successes, and victorious aristocrats created virtual halls of fame to emphasize their common regional identity. Without a doubt, athletic victories represented far more than just leisure activities of Hellenistic noblemen. They clearly mattered in terms of politics and social status.
An easy-to-use guide to the nature and stagecraft of ancient plays