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Pain—it is a feeling that haunts people often. Pain—it has no bounds or duration as to when it can be fathomed. It can however, be understood by the world when they are strung through poems, embracing a person’s agony. Agonies Inside is a collection of poems that reveals the pain and feelings inside the author. It voices the profound anguishes she underwent, the hardships she fought, a promise she made never to break down with the hope for a blissful tomorrow. She also speaks about the inspirations she drew from her beloved ones.
Jesus: His Story in Stone is a reflection on still-existing stone objects that Jesus would have known, seen, or even touched. Each of the seventy short chapters is accompanied by a photograph taken on location in Israel. Arranged chronologically, the one-page meditations compose a portrait of Christ as seen through the significant stones in His life, from the cave where He was born to the rock of Calvary. While packed with historical and archaeological detail, the book’s main thrust is devotional, leading the reader both spiritually and physically closer to Jesus.
The central question for both the victors and the vanquished of World War II was just how widely the stain of guilt would spread over Germany. Political leaders and intellectuals on both sides of the conflict debated whether support for National Socialism tainted Germany's entire population and thus discredited the nation's history and culture. The tremendous challenge that Allied officials and German thinkers faced as the war closed, then, was how to limn a postwar German identity that accounted for National Socialism without irrevocably damning the idea and character of Germany as a whole. In the House of the Hangman chronicles this delicate process, exploring key debates about the Nazi past and German future during the later years of World War II and its aftermath. What did British and American leaders think had given rise to National Socialism, and how did these beliefs shape their intentions for occupation? What rhetorical and symbolic tools did Germans develop for handling the insidious legacy of Nazism? Considering these and other questions, Jeffrey K. Olick explores the processes of accommodation and rejection that Allied plans for a new German state inspired among the German intelligentsia. He also examines heated struggles over the value of Germany's institutional and political heritage. Along the way, he demonstrates how the moral and political vocabulary for coming to terms with National Socialism in Germany has been of enduring significance—as a crucible not only of German identity but also of contemporary thinking about memory and social justice more generally. Given the current war in Iraq, the issues contested during Germany's abjection and reinvention—how to treat a defeated enemy, how to place episodes within wider historical trajectories, how to distinguish varieties of victimhood—are as urgent today as they were sixty years ago, and In the House of the Hangman offers readers an invaluable historical perspective on these critical questions.
ENJOY THE ECSTASY OF AGONY. Amy and Jordan are just like us: hoping for the best, even when things go from bad to worse. They are menaced by bears, beheaded by ghosts, and hunted by the cops, but still they struggle on, bickering and reconciling, scraping together the rent and trying to find a decent movie. It’s the perfect solace for anxious modern minds, courtesy of one of the great innovators of American comics. Now if only Amy’s skin would grow back ... This NYRC edition features a recreation of the original, pocket-size, slipcovered, paperback, designed by Art Spiegelman and Francoise Mouly.
A companion volume to Contradictory characters, this book analyzes the juxtaposition of the tragic and the comic in modern drama.
As Cosmopolitan's professional agony aunt for the last forty years, Irma Kurtz has had to deal with the most intimate problems of successive generations of readers, while having to keep up with the changing mores and attitudes in British and American society. In these memoirs, she looks back on the seismic transformations that have taken place over the last four decades, as well as her own hectic and often difficult life as a single mum from America living in London.Warm, funny and perceptive, brimming with wisdom and insight, My Life in Agony is a meditation on the subjects that tend to concern and confuse us the most - from mother-daughter relationships through to eating disorders, office politics and those perennial areas of interest: love and sex.
What really happened at the crucifixion? How can one who is immortal die? How can eternity be compressed into six hours? What really held Jesus' body to the cross? Chuck explores the hyper-dimensional aspects of a love letter written in blood on a wooden cross erected in Judea almost two thousand years ago. Dr. Mark Eastman highlights the medical and forensic aspects of the crucifixion.
In this brilliant and compelling defense of the Christian faith, Ravi Zacharias shows how affirming the reality of God's existence matters urgently in our everyday lives. According to Zacharias, how you answer the questions of God's existence will impact your relationship with others, your commitment to integrity, your attitude toward morality, and your perception of truth.
An argument that love requires the courage to accept self-negation for the sake of discovering the Other. Byung-Chul Han is one of the most widely read philosophers in Europe today, a member of the new generation of German thinkers that includes Markus Gabriel and Armen Avanessian. In The Agony of Eros, a bestseller in Germany, Han considers the threat to love and desire in today's society. For Han, love requires the courage to accept self-negation for the sake of discovering the Other. In a world of fetishized individualism and technologically mediated social interaction, it is the Other that is eradicated, not the self. In today's increasingly narcissistic society, we have come to look for love and desire within the “inferno of the same.” Han offers a survey of the threats to Eros, drawing on a wide range of sources—Lars von Trier's film Melancholia, Wagner's Tristan und Isolde, Fifty Shades of Grey, Michel Foucault (providing a scathing critique of Foucault's valorization of power), Martin Buber, Hegel, Baudrillard, Flaubert, Barthes, Plato, and others. Han considers the “pornographication” of society, and shows how pornography profanes eros; addresses capitalism's leveling of essential differences; and discusses the politics of eros in today's “burnout society.” To be dead to love, Han argues, is to be dead to thought itself. Concise in its expression but unsparing in its insight, The Agony of Eros is an important and provocative entry in Han's ongoing analysis of contemporary society. This remarkable essay, an intellectual experience of the first order, affords one of the best ways to gain full awareness of and join in one of the most pressing struggles of the day: the defense, that is to say—as Rimbaud desired it—the “reinvention” of love. —from the foreword by Alain Badiou