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Was she a selfless political activist? A feminist heroine? A gifted writer who rose from poverty to become a leading journalist and author of the cult classic Daughter of Earth? A spy for the Soviet Union? Or all of these things? Drawing on fifteen years of intensive research and unprecedented access to previously unpublished documents, this vibrant book brings to life one of the twentieth century's most fascinating women. Ruth Price traces Agnes Smedley's unlikely trajectory from a small Missouri town to the coal country of Colorado; to Berkeley and Greenwich Village; to Berlin, Moscow, and China. Fueled by a fury at injustice, Smedley threw herself headlong into the crucial issues of the time, from Indian independence to birth control, women's rights, and the revolution in China. Her friends included such figures as Margaret Sanger, Langston Hughes, Emma Goldman, Jawaharlal Nehru, Mao Zedong, and many others. Perhaps most important, Price uncovers an astonishing truth: Smedley, long thought to be the unfair target of a Cold War smear campaign, was indeed guilty of the espionage charges leveled against her by General Douglas MacArthur and others. Smedley worked to foment armed revolution in India and gathered intelligence for the Soviet Union, seeing it as a bulwark against fascism. Price argues that Smedley acted out of a passionate idealism and that she exhibited a courage and compassion worthy of a renewed, if more complicated, admiration today. Epic in scope, painstakingly researched, and unflinchingly honest, The Lives of Agnes Smedley offers a stunning reappraisal of one of America's most controversial Leftists and a new look at the troubled historical terrain of the first half of the twentieth century.
Agnes Smedley worked in and wrote about China from 1928 until 1941. Her journalism and fiction capture the massacre of short-haired feminists in the Canton commune, the lives of silk workers of Canton charged with being lesbians, and the story of Mother Tsai, a peasant who leads village women in smashing an opium den. The Village Voice praised the volume for having "captured brilliantly... the forces of the old and new China struggling in each person she describes."
Describes Smedley's work as a teacher, birth control pioneer, journalist, political activist, and writer and discusses her special interest in China
In the turbulent years after World War I, a transpacific community of American and Chinese writers and artists emerged to forge new ideas regarding aesthetics, democracy, internationalism, and the political possibilities of art. Breaking with preconceived notions of an "exotic" East, the Americans found in China and in the works of Chinese intellectuals inspiration for leftist and civil rights movements. Chinese writers and intellectuals looked to the American tradition of political democracy to inform an emerging Chinese liberalism. This interaction reflected an unprecedented integration of American and Chinese cultures and a remarkable synthesis of shared ideals and political goals. The transpacific community that came together during this time took advantage of new advances in technology and media, such as the telegraph and radio, to accelerate the exchange of ideas. It created a fast-paced, cross-cultural dialogue that transformed the terms by which the United States and China—or, more broadly, "West" and "East"—knew each other. Transpacific Community follows the left-wing journalist Agnes Smedley's campaign to free the author Ding Ling from prison; Pearl Buck's attempt to fuse Jeffersonian democracy with late Qing visions of equality in The Good Earth; Paul Robeson's collaboration with the musician Liu Liangmo, which drew on Chinese and African American traditions; and the writer Lin Yutang's attempt to create a typewriter for Chinese characters. Together, these individuals produced political projects that synthesized American and Chinese visions of equality and democracy and imagined a new course for East-West relations.
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About this novel, which focuses on two young women early in the 20th century, both victims of sexual abuse, as they struggle to gain for themselves and their children the rights and opportunities usually denied to poor women, Tillie Olsen said, "I love and am ineradicably grateful for this book, this writer, as I have been but to a few dozen others in my lifetime... Images, scenes, relationships, comprehensions portrayed here will never leave us. She is a writer of international stature and significance."
Yaddo is a rich account of America's premier artists' retreat, which has hosted some of the twentieth century's most renowned writers, composers, and visual artists. Hannah Arendt, James Baldwin, Saul Bellow, Leonard Bernstein, Elizabeth Bishop, Truman Capote, Flannery O'Connor, Aaron Copland, Langston Hughes, Carson McCullers, Sylvia Plath, Philip Roth, Clyfford Still, and William Carlos Williams all lived and worked at Yaddo. Richly illustrated with photographs, prints, intimate letters, papers, and ephemera from archives and collections at both Yaddo and TheNew York Public Library, this collection provides a window into the famously private institution, recounting the experiences of the artists who took advantage of a bucolic retreat to tap into--and mingle with--genius. With essays by Marcelle Clements, David Gates, Allan Gurganus, Tim Page, Ruth Price, Barry Werth, Karl Emil Willers, and Helen Vendler, and an overview by curator Micki McGee, Yaddo is a collaborative project that revisits the major moments of twentieth-century American culture and history.
This book is a cross-cultural critique on the problem of the liberal cosmopolitan in modern Chinese intellectuality in light of Lin Yutang’s literary and cultural practices across China and America. It points to the desirability of a middling Chinese modernity.
This critical, historical, and theoretical study looks at a little-known group of novels written during the 1930s by women who were literary radicals. Arguing that class consciousness was figured through metaphors of gender, Paula Rabinowitz challenges th
This comprehensive collection of fiction, poetry, and reportage lays to rest the charge that feminism disappeared after 1920. Among the 36 writers are Muriel Rukeyser, Margaret Walker, Josephine Herbst, Tillie Olsen, Tess Slesinger, Agnes Smedley, and Meridel Le Sueur. Others will be new to readers, including many working-class black and white women. Throughout, as Toni Morrison writes, the anthology is "peopled with questioning, caring, socially committed women writers." Library Journal says "This volume excavates the stories, poems, and reportage of women writers whose work originally appeared in now-defunct Left journals. This essential collection should inspire."