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Aggie is an eccentric grandma who has a strange talent for wooing chickens into her barn and then encouraging them to dance. As Aggie trades her apron to become a dance teacher, she and the chickens generate excitement in the neighborhood. But when some grouchy guests show up to make trouble, Aggie is both surprised and delighted when the guests and the chickens do something completely unexpected! In this rhythmic story for children, a talented grandma woos hens into her barn where she invites them to dance the night away.
The Chicken Dance
Determined to win tickets to an Elvis Poultry concert, hens Marge and Lola enter the Barnyard Talent Show, then, while the ducks who usually win the contest jeer, they test out their abilities.
Thanks to the classic Dolly Parton film The Best Little Whorehouse in Texas and ZZ Top's ode "La Grange," many people think they know the story of the infamous Chicken Ranch. The reality is more complex, lying somewhere between heartbreaking and absurd. For more than a century, dirt farmers and big-cigar politicians alike rubbed shoulders at the Chicken Ranch, operated openly under the sheriff's watchful eye. Madam Edna Milton and her girls ran a tight, discreet ship that the God-fearing people of La Grange tolerated if not outright embraced. That is, until a secret conspiracy enlisted an opportunistic reporter to bring it all crashing down on primetime television. Drawn from exclusive interviews and expanded with newly uncovered information, Jayme Lynn Blaschke's revelatory exposition of the Ranch illuminates the truth and lies surrounding this iconic brothel.
Der 11-jährige Don gewinnt als jüngster Teilnehmer den ersten Preis beim Hühner-Wissens-Wettbewerb seiner Heimatstadt in Horse Island. Dadurch wird er zum berühmtesten und beliebtesten Jungen im Ort, dessen Leben total auf den Kopf gestellt wird. Aber da entdeckt Don ein Familiengeheimnis. Ab 14.
Let me introduce you to a chicken, who lives on a farm and his name is Cooper. Now, unlike, all the other chickens on the farm. Cooper, is the only chicken who doesn't know how to dance. It's not a sad ending though, with all the help that's available he finally learns the dance. Hopefully you will too!
1951. Josie O'Conner travels to San Francisco to locate her gay brother, a private detective investigating a blackmail ring targeting lesbians and gay men. Jimmy's friends claim that just before he disappeared he became a rat, informing the cops on the bar community's nascent resistance in raids and brutality. Josie adopts Jimmy's trousers as well as his investigation, battling to clear his name and exact justice for the mounting number of Queer corpses. Set in legendary locations, Blackmail, My Love is a neo-noir novel distilling history and fiction into one package.
"As the play begins, an old hobo named Poppy by his avid companion, young Davey Quinn, is telling a tall tale. It is the early 1890s and itinerant story tellers like Poppy are the voices of the prairie. Years later, Davey is discovered by a radio entrepreneur while he is telling stories about Poppy and Frankie, a blind girl he rescued from a cruel father. Quinn becomes famous on radio as the Voice of the Prairie. Frankie reenters his life and the FCC threatens them all for broadcasting without a license."--
"Everything is Choreography: The Musical Theater of Tommy Tune is the first full-scale analysis of the work of Tommy Tune, and his place in a lineage of Broadway's great director-choreographers. The decade of the 1980s was considered a low point for the American musical. Tune's predecessors in the art of complete musical staging like Jerome Robbins, Bob Fosse, Gower Champion, and Michael Bennett were either dead or withdrawn from the Broadway arena. Yet it was the period of Tune's greatest success. The book examines how he adapted to an increasingly corporatized, high-stakes producing and funding environment. It considers how Tune kept the American musical a thriving, creative enterprise at a time when Broadway was dominated by British imports. It investigates Tune's work of the last twenty-five years, when he shifted his attentions to touring and regional productions, far from the glare of Broadway. Unlike his fellow director-choreographers, Tune also maintained a successful performing career, and the book details the deft balancing act that kept him working as a popular singer-dancer-actor while directing a series of striking and influential Broadway musicals"--