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From the legendary mystery author of Dead Men Don’t Ski. “One of the best recent publications of the fair-play puzzle at novel length.” —The New York Times Amazingly enough, Henry Tibbett is at work. Crime tends to catch him when he’s on vacation, but this time around Henry’s at a coppers’ conference, an international effort intended to stop drug-smuggling. The conference is in Switzerland (for a Scotland Yard detective, Henry does manage to get around.) and the always sensible Emmy has come along for the parties and the chocolate. It’s a glittering whirl of attractive folks in their best early-1960s attire until one of Henry’s colleagues winds up dead and Henry, of all people, becomes Suspect No. 1. A minor but real pleasure here? The reappearance of some characters from Dead Men Don’t Ski, widening both the Tibbetts’ social circle and the circle of suspects. “A complicated and clever story, with real detection.” —The Guardian Praise for Patricia Moyes “The author who put the ‘who’ back in whodunit.” —Chicago Daily News “A new queen of crime . . . her name can be mentioned in the same breath as Agatha Christie and Ngaio Marsh.” —Daily Herald “An excellent detective novel in the best British tradition. Superbly handled.” —Columbus Dispatch “Intricate plots, ingenious murders, and skillfully drawn, often hilarious, characters distinguish Patricia Moyes’ writing.” —Mystery Scene
When the only form of justice that counts is your own. For fans of suspense thrillers – a tense tale of murder, conspiracy and revenge. When a murder case lands on the desk of an experienced cop with an unblemished record, it looks like business as usual. But solving this one will test his principles right to the breaking point … One sunny summer morning in the City of London, an archaeological researcher just back from India is gunned down as he leaves a coffee shop. Who did it, and why? That’s the question facing DCI Nick Severance as he investigates his latest murder case. When the answers lead to a conspiracy that could endanger the lives of thousands of innocent people, Nick has his hands full. But when they also threaten to destroy the woman he loves, he makes a choice that changes his life forever. If you like your thrillers with an international setting and a touch of the exotic, then this one is for you.
When Columbo hit the airwaves in 1971, in quickly became the hottest TV detective series of the decade. Series creators Richard Levinson and William Link received an Emmy Award for their work; Peter Falk received three. The Columbo Phile offers fascinating behind-the-scenes information about the creation of the character, the writing of the devious mystery plots, and the altercations between perfectionist Peter Falk and the bottom-line concerns of Universal Studios. Originally published in 1989 and long out-of-print, this 30th Anniversary Edition of the essential Columbo book features a new preface by author Mark Dawidziak, an overview of post-1989 Columbo developments, including the twenty-four new ABC mysteries, and a personal remembrance of Peter Falk. It remains today the definitive guide to the rumpled Lieutenant Columbo and his career.
This multidisciplinary collection of essays by leading international scholars explores many pressing issues related to global crime. The book opens with essays that look across this diverse terrain and then moves on to consider specific areas including organised crime, cyber-crime, war-crimes, terrorism, state and private violence, riots and political protest, prisons, sport and crime and counterfeit goods. The book emphasises the centrality of crime to the contemporary global world and mobilises diverse disciplinary positions to help understand and address this.
In JUST ONE MORE THING, Peter Falk takes us on an acting journey that begins not in Hollywood but in Hartford, where he worked as a management analyst for the Connecticut State Budget Bureau. His time there was no more successful than an earlier attempt to find work with the Central Intelligence Agency. At loose ends, Falk turned to an old college interest: acting. He came to prominence as an actor in 1956 in the highly successful Off-Broadway revival of 'The Iceman Cometh' with Jason Robards. Although he worked continuously for the next three years, bouncing from one Off-Broadway theater to the next, a theatrical agent advised him not to expect much work in motion pictures because of his glass eye. Surgeons had removed his right eye, along with a malignant tumor, when he was three years old. But in 1958, the actor made the jump to Hollywood, where he landed his first movie, 'Murder Incorporated', and was nominated for an Oscar. Next came Frank Capra's 'A Pocketful of Miracles' starring Bette Davis, which garnered Falk his second Oscar nomination. Falk was a favorite among moviegoers during the 1960s, admired for his roles in classic comedies such as 'It's A Mad, Mad, Mad, Mad World' and 'The Great Race'. However, it was through his collaboration with filmmaker John Cassavetes that Falk entered into his most creative period in 1970. Motion pictures such as 'Husbands' and 'A Woman Under the Influence' helped launch the independent film movement. Nevertheless, Falk continued to act in light film comedies, including 'The In-Laws' and Neil Simon's 'The Cheap Detective' and 'Murder by Death', among others. Yet it was through television that Falk reached his widest audience. He has portrayed the beloved Lt. Columbo since the 1970s, winning four Emmys. The series was so successful that ten years after it's demise, 'Columbo' was re-launched, bringing Falk to a new generation of viewers. JUST ONE MORE THING also chronicles the author's more recent work, such as movie appearances in 'A Shark's Tale' and Paul Reiser's 'The Thing About My Folks', as well stories of growing up in New York, Hollywood and Broadway luminaries, and the author's accomplished passion for drawing and painting.
The riveting account of the landmark "Hit Man Case"--involving a man who hired a contract killer to execute his ex-wife, his severely brain-damaged son, and the boy's nurse--written by a noted First Amendment attorney who risked his reputation and career to take on the case.
Series numbering inferred from series title page.
Like the political novel, Charlie Wilson's War, (converted into a highly successful film), A Personal Agenda examines a contemporary phenomenon that is taking place beneath America's political veneer, but having broad socio-political implications. Set largely on Capitol Hill, A Personal Agenda explores the sources of intra-racial tensions among native black Americans and black immigrants to the United States, opening a window on a less well known prejudice among these groups and its insiduous effects. While long an open secret among native black Americans and black immigrants to the United States from Africa and the Caribbean, most Americans are unaware that similar tensions exist among these groups. These tensions and rivalries have been examined from a sociological/academic perspective, but A Personal Agenda is the first novel to place this phenomenon in a fictional context, where the issues are examined from the perspective of a black American immigrant in political America. The novel provides an authentic, behind-the-scenes view of how Capitol Hill and Washington movers and shakers wheel and deal. Like the recent debate debate among black Americans as to whether Presidential candidate, Barack Obama was black enough to represent them, the novel demonstrates that the issue of race and its variations remains a salient and controversial topic in the United States.
It's Spring 1909 and Lady Hardcastle and her maid Florence Armstrong are back for four more mysteries. The Farmer's Revenge - Our heroines resume their amateur sleuthing when a sudden death at the cattle market begins to look like murder. The Ghost of the Dog and Duck - Flo persuades Lady Hardcastle to attend a seance where a medium calls forth a ghost who begins to haunt the village pub. The Trophy Case Case - There's a burglary at the rugby club on the night of the end of season celebrations and Lady Hardcastle and Flo agree to help the village police find the thief. The Last Tram - There's sabotage, murder and kidnap in the city. Lady Hardcastle and Flo are called in to find out who's behind the chaos at the tram company but things go from bad to worse."