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History of The Urhobo People of Niger Delta is the most comprehensive compilation and study of various aspects of the history of the Urhobo people of Nigeria's Niger Delta. It begins with an examination of the prehistory of the region, with particular focus on the Urhobo and their close ethnic neighbour, the Isoko. The book then embarks on a close assessment of the advent of British imperialism in the Western Niger Delta. History of The Urhobo People of Niger Delta also probes the arrival and impact of Western Christian missions in Urhoboland. Urhobo history is notable for the sharp challenges that the Urhobo people have faced at various points of their di?cult existence in the rainforest and deltaic geographical formation of Western Niger Delta. Their history of migrations and their segmentation into twenty-two cultural units were, in large part, e?orts aimed at overcoming these challenges. History of The Urhobo People of Niger Delta includes an evaluation of modern responses to challenges that confront the Urhobo people, following the onrush of a new era of European colonization and introduction of a new Christian religion into their culture. The formation of Urhobo Progress Union and of its educational arm of Urhobo College is presented as the Urhobo response to modern challenges facing their existence in Western Niger Delta and Nigeria. History of The Urhobo People of Niger Delta extends its purview to various other fragments of the Urhobo historical and cultural experience in modern times. These include the di?culties that have arisen from petroleum oil exploration in the Niger Delta in post-colonial Nigeria.
This unique book is the product of pioneering research carried out by scholars native to the Urhobo culture and language. Unlike many of the other major ethnic cultures in Nigeria, which were studied by Western anthropologist in the nineteenth and twentieth centuries, the Urhobo language and culture remained neglected. Studies in Urhobo Culture represents a comparatively new area of research, approached from an indigenous perspective. The result is a wide-ranging survey of Urhobo culture in Nigeria, offering diverse perspectives on topics such as: naming traditions and practices of the Urhobo; religious beliefs, values and movements; traditions of marriage; artistic productions, food and dress subcultures; and the geography of Urhoboland and agricultural practices. In-depth consideration is given to Urhobo traditional poetry and the intellectual aspects of Urhobo culture and language, within the wider complex of the Edoid languages and cultures. The contributors further situate the language question within the global context of language endangerment, arguing the Urhobo case is an example of how English and Pidgin are imperilling small and medium-sized languages in Africa, and weakening the hold of indigenous cultures on the younger generation.
This book examines the depiction of the Delta region of Nigeria through literature and other cultural art forms. The Niger Delta has been thrust into the global limelight due to resource extraction and conflict, but it is also a region with a rich culture, environment, and heritage. The creative imagination of the area’s artists has been fuelled by the area’s pressing concerns of indigenous peoples, minority discourse, environmental degradation, climate change, multinational corporations' greed, dictatorship, and people’s struggle for control of their resources. Taking a holistic approach to the Niger Delta experience, this book showcases artistic responses from literature, visual arts, and performances (such as masquerades, dances, and festivals). Chapters cover authors, artists, and performers such as Ben Okri, Ken Saro-Wiwa, Isidore Okpewho, J.P. Clark, and Bruce Onobrakpeya, as well as topics like the famous Benin bronze figures and Urhobo Udje dance. Affirming the wealth and diversity of the region which continues to inspire creative artistic productions, The Literature and Arts of the Niger Delta will be of interest to researchers of African literature, arts, and other cultural productions.
Nigerian businessman Robert Akinyemi Edward has already agreed to postpone his retirement once to assist Adilax, a multinational oil company, amid the worsening crisis in the Niger Delta. With just three days left in his deferment, he settles into a chair in a hotel lounge. Moments after he receives an urgent phone call, he frantically races to the Abuja airport to catch the last flight to Warri. There is no time to waste: a member of the Itsekiri royal family has been abducted from the house of Macpherson Douglas, an Adilax staff member. With Princess Alero Mayuku missing and Douglas in trouble with the police, Robert soon finds himself immersed in tense negotiations involving several conflicting groups. But when Douglas and the police officers who take him in for questioning suddenly disappear, Robert must initiate his own search operations to find the princessrumored to be a captive of Ijaw militia boysand Douglas. But as Robert is about to discover, there are those who will stop at nothing to stand in his way. In this political and social thriller, a Nigerian businessman is drawn into centuries-old conflicts as he attempts to rescue an abducted princess and elude those who hunt him.
The Urhobo peoples occupy the western fringe of the Niger River delta in southern Nigeria, an area rich with oil reserves. Since the 1970s, the petroleum industry has brought worldwide wealth and attention to Nigeria, but tragically has also detracted from broad-based economic progress as flow stations, flare-offs, drilling platforms and pipelines have proliferated. As rural economies suffered an inevitable decline, the custom of maintaining traditional Urhobo art has experienced a parallel atrophy. The resultant decline in Urhobo culture has prompted a response among many Urhobo who want to celebrate and preserve their traditions for future generations. The Museum for African Art in New York makes a major contribution to this effort through the presentation of "Where Gods and Mortals meet," the first exhibition to showcase Urhobo arts. The exhibition introduces never-before-seen Urhobo art and footage of cultural performances, from yesterday and today. This accompanying catalogue includes approximately 80 works of art: traditional art from the historical period 1850 to 1975, including monumental wood figures, metal and clay sculpture, and masks and costumes with accompanying poetry and song; a small selection of contemporary work by Bruce Onobrakpeya, an Urhobo by birth and one of Africa's foremost artists; plus photos and video footage of extraordinary multimedia masquerades.
The election of Israel -- The context of 1 Peter -- The purpose of election in 1 Peter 1:1-5 -- The present implications of new birth and catalogical parenesis in 1 Peter 1:22-2:3 -- The present and missiological significance of the identity of the elect in 1 Peter 2:9-12 -- Who are the elect in 1 Peter? -- From exegesis to application in 1 Peter -- Missiological implications for the Anglican Church of Nigeria -- Theology and praxis: 21st century challenges to Nigerian Anglicanism.
This book is an exposition of the sociocultural past, present, and futuristic preview of the Emevor-speaking people of the Niger-Delta, Nigeria. The work is the product of the author’s reminiscences and introspection into the historiography, geography, economy, language, education, and the multifarious rich sociocultural milieu of the people. It deals with the traditional customs, beliefs, totems, astronomy, time and event reckoning, marriages, traditional religions, ancestral worship and Christology, oracle divination, obituary and obsequies, initiation into Ehwa womanhood rites and sabbatical fattening of brides, festivals, identity of people, governance, heroes/heroines and modern pacesetters, and the changes provoked by modernity. By using simple language, graphic descriptions, and vivid and clear explanations of the phenomena and events, the author has taken the reader through the maze, as it were, with the needed compass to navigate through these labyrinths.
Professor Darah turned seventy on Wednesday November 22, 2017 and to celebrate his very productive career, his colleagues and many of those he has mentored thought it appropriate to mark his official exit from the university in a dignified way by commissioning for publication, in the now acceptable festschrift tradition, the highly compelling and outstanding collection of essays titled: Scholarship and Commitment: Essays in Honour of G.G. Darah. The book is a ground-breaking collection of essays; some are couched as tributes to the ebullient celebrant, there are others on more serious discourses in the areas of literary theories and criticism, language and linguistics, popular literature and politics, the African woman, identity and contemporary realities, oral literature, the news media and cultural studies. The essays, on their own, attest to the vivacity and liveliness as well as the encouraging state of health of publishing in the Nigerian academia, which in this collection alone, parades forty-two essays in different fields or discourses.
Combining ethnographic and historical perspectives, Tom Forrest examines the strategies and patterns of development employed by business people from the colonial period to the present. Through a series of highly readable case studies, he provides a broad picture of the various forms of capital accumulation and sectoral advances in trade, transport, manufacture, agriculture, finance and other services. These are set within the context of changing economic opportunities, shifts in power and policy, relations with foreign capital, and attitudes towards private business and the state.