Download Free Agaves Que Cantan Rancheras Book in PDF and EPUB Free Download. You can read online Agaves Que Cantan Rancheras and write the review.

"Del otro lado del auricular, una voz que apenas reconozco responde, cruzo los dedos para brindar por tu éxito con un buen tequila. No sé si es la voz, los dedos cruzados, la imagen de un brindis que está a punto de suceder, el olor del éxito o el sabor de un buen tequila lo que provoca que un suspiro transparente llene mis pulmones al tiempo que un gesto peculiar interroga a mi memoria. ¿De quién es la sazón de tierra mojada que parece invadir el viaje que estoy a punto de comenzar? ¿Quién va a conducirme por los caminos de asfalto y los senderos de grava y barro de una de las regiones más mexicanas de México? ¿Con quién voy a compartir los paisajes agaveros que esperan tranquilamente el retorno de los siglos?" Una vieja amiga y un amigo nuevo van buscando respuestas mientras van paseando por los pueblos, los cerros, las veredas, los ríos, el aire y la imaginación del paisaje azul que va llenando sus ojos de jimadores, artesanos, charros y mariachis. Tal vez incluso las palabras se queden paseando... Desde 1994, y con un estilo colorido y sensual, la prosa fresca de Alejandra nos lleva por sus inagotables retratos de mundos reales e imaginarios. Este nuevo viaje por el Estado mexicano de Jalisco, nos invita a vivir una historia salpicada de música y bañada con tequila. Agaves Que Cantan Rancheras es uno de esos libros cuyo final quisiéramos retardar para poder pasear un poco más.
Originally published in 1843, Fanny Calderon de la Barca, gives her spirited account of living in Mexico–from her travels with her husband through Mexico as the Spanish diplomat to the daily struggles with finding good help–Fanny gives the reader an enlivened picture of the life and times of a country still struggling with independence.
This three-person troupe is unique not only for its imaginative explorations of contemporary Latin/Chicano culture but also for its vision of a society in transition.
Accompanying 50-minute CD contains examples of music discussed in the book.
Al has to take the rap for his pal Duane's botched robbery, but before he goes, he leaves his drunken ex-beaty queen wife Sylvie in the care of his father Jefe. In the year he is gone, Jefe and Sylvie fall in love, and when Al is granted early parole, he enlists Duane in a mad and murderous hunt for the fleeing lovers. In the course of their search, they meet China, a weird changeling who wields a water gun filled with ammonia and purports to know where his wife has been taken.
The first in-depth study of banda, a Mexican and Mexican American musical practice.
The hit movie La Bamba (based on the life of Richie Valens), the versatile singer Linda Ronstadt, and the popular rock group Los Lobos all have roots in the dynamic music of the Mexican-American community in East Los Angeles. With the recent "Eastside Renaissance" in the area, barrio music has taken on symbolic power throughout the Southwest, yet its story has remained undocumented and virtually untold. In Barrio Rhythm, Steven Loza brings this hidden history to life, demonstrating the music's essential role in the cultural development of East Los Angeles and its influence on mainstream popular culture. Drawing from oral histories and other primary sources, as well as from appropriate representative songs, Loza provides a historical overview of the music from the nineteenth century to the present and offers in-depth profiles of nine Mexican-American artists, groups, and entrepreneurs in Southern California from the post-World War II era to the present. His interviews with many of today's most influential barrio musicians, including members of Los Lobos, Eddie Cano, Lalo Guerrero, and Willie chronicle the cultural forces active in this complex urban community.
Examines how Day of the Dead celebrations among America's Latino communities have changed throughout history, discussing how the traditional celebration has been influenced by mass media, consumer culture, and globalization.
Lydia Mendoza began her legendary musical career as a child in the 1920s, singing for pennies and nickels on the streets of downtown San Antonio. She lived most of her adult life in Houston, Texas, where she was born. The life story of this Chicana icon encompasses a 60-year singing career that began with the dawn of the recording industry in the 1920s and continued well into the 1980s, ceasing only after she suffered a devastating stroke. Her status as a working-class idol continues to this day, making her one of the most prominent and long-standing performers in the history of the recording industry and a champion of Chicana/o music. This bilingual edition presents Lydia Mendoza's historia in an interview between the artist and Yolanda Broyles-González: first is the English translation, then the Spanish original, as told by Mendoza herself. Broyles-González concludes the volume with an extended essay on the significance of Mendoza's career and her place in Tejana music and Chicana studies. Known as a lone artist and performer, Lydia Mendoza's voice and twelve-string guitar-playing figure prominently in her ability to both nurture and transmit the vast oral tradition of popular Mexican song with beauty and integrity. She sang the songs of the people across generations in the old tradition; all are indigenous to the Americas, and many of them to Texas. It is the music that emerged from the experiences of native peoples (on both sides of the U.S.-Mexico border) within the colonial context of the nineteenth century. Mendoza's prominence and stature as a Chicana idol stems from her sustained presence and perpetual visibility within a complex network of social and cultural relations in the twentieth century. Along with being one of the earliest female recording and touring artists, she is loved as a voice of working-class sentimiento, sentiment and sentience, through song, which is one of the most cherished of Chicana/o cultural art forms. Through her vast repertoire and unmistakable interpretive skill in the shaping of songs she is a living embodiment of U.S.-Mexican culture and a participant in raza people's protracted struggles for survival.
A fascinating study of subcultural musics and their cultural identities.