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See the images and read the stories behind the creative process of one of America’s most respected landscape photographers, William Neill.

For more than two decades, William Neill has been offering his thoughts and insights about photography and the beauty of nature in essays that cover the techniques, business, and spirit of his photographic life. Curated and collected here for the first time, these essays are both pragmatic and profound, offering readers an intimate look behind the scenes at Neill’s creative process behind individual photographs as well as a discussion of the larger and more foundational topics that are key to his philosophy and approach to work.

Drawing from the tradition of behind-the-scenes books like Ansel Adams’ Examples: The Making of 40 Photographs and Galen Rowell’s Mountain Light: In Search of the Dynamic Landscape, Light on the Landscape covers in detail the core photographic fundamentals such as light, composition, camera angle, and exposure choices, but it also deftly considers those subjects that are less frequently examined: portfolio development, marketing, printmaking, nature stewardship, inspiration, preparation, self-improvement, and more. The result is a profound and wide-ranging exploration of that magical convergence of light, land, and camera.

Filled with beautiful and inspiring photographs, Light on the Landscape is also full of the kind of wisdom that only comes from a deeply thoughtful photographer who has spent a lifetime communicating with a camera. Incorporating the lessons within the book, you too can learn to achieve not only technically excellent and beautiful images, but photographs that truly rise above your best and reveal your deeply personal and creative perspective—your vision, your voice.

Rage Against The LightPlace: Sydney CBD. Or a city anywhere. Time: Mostly daytime yet feels like night.Era: Early 21st century. Mood: Dark but hopeful.Light: Dramatic. Sydney is a city in the midst of a development boom. Skyscrapers. Cranes. Man-made environment. Concrete. Few trees. Mirrored surfaces. Windows magnifying light. Consumer advertising expressing people's desires. Impersonal at heart.There are signs of life amid the cold abstractions of architecture. People scurry about being literally exposed by light. They are struck by shafts between buildings like insects coming out for food. Solitary male figures appear as different identities. A man in a suit, dragging on a cigarette is lost in thought.Street photography is a genre with a long history (Garry Winogrand, Daido Moriyama, Trent Parke). The CBD is a favorite haunt. Some photographers seek out people or emphasize a sense of isolation in the crowd. Others evoke a haunting mood empty of human presence. Markus Andersen does both, loving the tradition of black and white (high contrast), square format and abstraction. With very deliberate cropping and enterprising juxtapositions he reveals his skill for graphic design. He aligns the elements of people and place to make a wryly humourous visual haiku. The Leunig of photography.Markus Andersen's photographs describe an experience familiar to us. It is exciting and full of promise to go to the CBD and yet it can leave us feeling empty. We go home only temporarily satiated. This essay is rich with worldly wisdom. There is satisfaction in the vision shared. It celebrates the humanity of the self and its endless creative ability to interpret. This is the role of the artist. It casts light on our experience by speaking from the heart. Markus Anderson sheds light on our love of life and our love of light.
The Hierarchy, high priests of the religious order the Light, rules both the magical kingdom of Albi and its religion. Worshippers in the old ways of the Earth Mother, clandestinely scattered throughout the land, are persecuted as heretics. And when missionary student Rollo Woodbridge returns to his home in Albi, he is arrested for heresy and treason, setting off a chain of events that puts everyone's life in jeopardy and plunges the kingdom into chaos. With Rollo in jail, the treacherous motives of the Hierarchy begin in earnest as Earl Uptree of Norcaster puts the entire Woodbridge family at risk. When two wise women rescue Rollo from prison, the family home is destroyed--but Rollo and his siblings are left alive. While his sister Maddy and his brother Brat swear vengeance, Rollo attempts to broker a peace between the faiths. While Maddy works her way into advantageous positions and Brat joins the underground resistance, Rollo tries desperately to save his kingdom's future. As plots weave inexorably toward one another and life and death hang in the balance, the family must decide whether to stay and fight or leave Albi forever in the suspenseful, action-packed Against the Light.
Seven years ago, Moriyah was taken captive in Jericho and branded with the mark of the Canaanite gods. Now the Israelites are experiencing peace in their new land, but Moriyah has yet to find her own peace. Because of the shameful mark on her face, she hides behind her veil at all times and the disdain of the townspeople keeps her from socializing. And marriage prospects were out of the question . . . until now. Her father has found someone to marry her, and she hopes to use her love of cooking to impress the man and his motherless sons. But when things go horribly wrong, Moriyah is forced to flee. Seeking safety at one of the newly-established Levitical cities of refuge, she is wildly unprepared for the dangers she will face, and the enemies--and unexpected allies--she will encounter on her way.
From French author-illustrator duo Richard Marnier and Aude Maurel comes a captivating picture book about creativity, diversity, and self-expression. This is my town, simple and typical. Each house has a door, two windows, a red roof —all so predictable But then one night… someone leaves on their light! And in the morning, what a shock! The shutters are sealed tight! Who is that who lives next door? We’ve never seen anything like this before! In a town where everyone follows the rules, one neighbor’s decision to leave the light on at night completely disrupts the neighborhood, sparking a creative revolution. Vibrant, poetic, and fun, Who Left the Light On? playfully teaches the powerful lesson that diversity, creativity, and individuality should be celebrated.
This book is renowned for being the book to own to understand lighting! This is better than all the other how to books on the market which just provide set examples for photographers to follow. Light Science and Magic provides photographers with a comprehensive theory of the nature and principles of light to allow individual photographers to use lighting to express their own creativity. It will show you in-depth how to light the most difficult subjects such as surfaces, metal, glass, liquids, extremes (black-on-black and white-on-white), and people. With more information specific for degital photographers, a brand new chapter on equipment, much more information on location lighting, and more on photographing people, you'll see why this is one of the only recommended books by www.strobist.com.
Designed for a nonmathematical undergraduate optics course addressed to art majors, this four-part treatment discusses the nature and manipulation of light, vision, and color. Questions at the end of each chapter help test comprehension of material, which is almost completely presented in a nonmathematical manner. 170 black-and-white illustrations. 1983 edition.
Life in Guatemala is simple for young Davico and his older brother Felipe ... until soldiers invade, and the blackouts begin. Davico lives with his family above La Casita — the Little House — in Guatemala City in the early 1950s. But it’s not just a little house. It’s also the family restaurant! The restaurant provides plenty of distraction and adventure for Davico and his older brother, Felipe. The mean cook, Augusto, and the always-late waiter, Otto, love to play tricks on Davico. There’s a huge oven that Felipe knows how to light — if he can only reach the box of matches above the stove. And don’t forget the glass tank of live lobsters — including the king of them all, Genghis Khan, who stares at Davico with round unblinking eyes. Could Genghis Khan climb on the back of the other lobsters and get out of the tank, Davico wonders. Could he move faster on land than in the water? Then one day, Davico hears shooting in the streets. There are blackouts every evening, and the family must sleep under the big wooden table in the dining room. People stop coming to the restaurant, and tanks and soldiers swarm the front of the National Palace, where a shoeshine boy warns the brothers that the gringos are coming. But what does that mean, and who are the gringos? Davico wants to be brave, but the shooting and tanks and airplanes flying overhead terrify him. He finds comfort in the special lamp that his father buys him to endure the blackouts. But it is not enough to console Davico when his parents announce that it’s time to leave for the United States of America, where no one speaks Spanish, and everything is different. Key Text Features Illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.3.7 Explain how specific aspects of a text's illustrations contribute to what is conveyed by the words in a story (e.g., create mood, emphasize aspects of a character or setting)