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Ian Hamilton's last book, published posthumously in 2002, is a typically brilliant revisiting of the concept of Samuel Johnson's classic Lives of the English Poets, wherein Hamilton considers 45 deceased poets of the twentieth century, offering his personal estimation of what claims they will have on posterity and 'against oblivion.' Examples of each poet's verse accompany Hamilton's text, making the book both a provocative primer and a kind of critical anthology. 'The affective power of this book... lies in its understatement and its understanding of what we might care about. From a century of Manifestoes and Movements, Hamilton works as a corrective for the local and particular... his idea of poetry, of what made greatness in poetry, emerges intact from each measured sentence. His criticism always pointed you towards all that he could find that was true in a piece of writing.' Tim Adams, Observer
Ian Hamilton's last book, published posthumously in 2002, is a typically brilliant revisiting of the concept of Samuel Johnson's classic Lives of the English Poets, wherein Hamilton considers 45 deceased poets of the twentieth century, offering his personal estimation of what claims they will have on posterity and 'against oblivion.' Examples of each poet's verse accompany Hamilton's text, making the book both a provocative primer and a kind of critical anthology. 'The affective power of this book... lies in its understatement and its understanding of what we might care about. From a century of Manifestoes and Movements, Hamilton works as a corrective for the local and particular... his idea of poetry, of what made greatness in poetry, emerges intact from each measured sentence. His criticism always pointed you towards all that he could find that was true in a piece of writing.' Tim Adams, Observer
This acclaimed twenty-first–century Russian novel is “a Dantean descent” into the abandoned Soviet gulags, written “with a clear poetic sensibility” (The Wall Street Journal). In Sergei Lebedev’s debut novel, an unnamed young man travels to the vast wastelands of the Far North to uncover the truth about a mysterious neighbor who once saved his life, and whom he knows only as Grandfather II. What he finds among the forgotten mines and decrepit barracks of former gulags is a world relegated to oblivion, where it is easier to ignore both the victims and the executioners than to come to terms with a terrible past. This disturbing tale evokes the great and ruined beauty of a land where man and machine work in tandem with nature to destroy millions of lives during the Soviet century. Emerging from today’s Russia, where the ills of the past are being forcefully erased from public memory, this masterful novel is an epic literary act of bearing witness, attempting to rescue history from the brink of oblivion. A Wall Street Journal Top 10 Novel of the Year “Not since Alexander Solzhenitsyn has Russia had a writer as obsessed as Sergei Lebedev with that country’s history or the traces it has left on the collective consciousness . . . The best of Russia’s younger generation of writers.” ―The New York Review of Books
Politics. Cultural Writing. Latino/Latina Studies. Native American Studies. A fascinating history of the Zapatista revolution by an eyewitness.
Oblivion is a heartbreaking, exquisitely written memorial to the author's father, Héctor Abad Gómez, whose criticism of the Colombian regime led to his murder by paramilitaries in 1987. Twenty years in the writing, it paints an unforgettable picture of a man who followed his conscience and paid for it with his life during one of the darkest periods in Latin America's recent history.
Haderlap is an accomplished poet, and that lyricism leaves clear traces on this ravishing debut, which won the prestigious Bachmann Prize in 2011. The descriptions are sensual, and the unusual similes and metaphors occasionally change perspective unexpectedly. Angel of Oblivion deals with harrowing subjects - murder, torture, persecution and discrimination of an ethnic minority - in intricate and lyrical prose. The novel tells the story of a family from the Slovenian minority in Austria. The first-person narrator starts off with her childhood memories of rural life, in a community anchored in the past. Yet behind this rural idyll, an unresolved conflict is smouldering. At first, the child wonders about the border to Yugoslavia, which runs not far away from her home. Then gradually the stories that the adults tell at every opportunity start to make sense. All the locals are scarred by the war. Her grandfather, we find out, was a partisan fighting the Nazis from forest hideouts. Her grandmother was arrested and survived Ravensbrück. As the narrator grows older, she finds out more. Through conversations at family gatherings and long nights talking to her grandmother, she learns that her father was arrested by the Austrian police and tortured - at the age of ten - to extract information on the whereabouts of his father. Her grandmother lost her foster-daughter and many friends and relatives in Ravensbrück and only escaped the gas chamber by hiding inside the camp itself. The narrator begins to notice the frequent suicides and violent deaths in her home region, and she develops an eye for how the Slovenians are treated by the majority of German-speaking Austrians. As an adult, the narrator becomes politicised and openly criticises the way in which Austria deals with the war and its own Nazi past. In the closing section, she visits Ravensbrück and finds it strangely lifeless - realising that her personal memories of her grandmother are stronger. Illuminating an almost forgotten chapter of European history and the European present, the book deals with family dynamics scarred by war and torture - a dominant grandmother, a long-suffering mother, a violent father who loves his children but is impossible to live with. And interwoven with this is compelling reflection on storytelling: the narrator hoping to rid herself of the emotional burden of her past and to tell stories on behalf of those who cannot.
"On Saturday, January 14, 1950, at 6:18 P.M., Cadet Richard Cox left his room at the U.S. Military Academy at West Point to go to dinner with an unidentified visitor. The man was supposedly someone Cox had known when they served in an intelligence unit in Germany. Cox never returned. In 1957, Richard Cox was declared legally dead, and the files were closed. It was as if he had vanished off the face of the earth." "Then in 1985, thirty-five years after Cox's disappearance, a retired history teacher named Marshall Jacobs decided to pursue the mystery as a research project. Through the Freedom of Information Act, he obtained voluminous once-secret files from the Army and FBI. Jacobs plunged into a labyrinthine search - and what began as a hobby became an obsession. He traveled the country interviewing witnesses from the Florida Keys to the Pacific Northwest. What he discovered were tales of murder, intrigue, and cover-up. It took more than seven years, but Jacobs eventually found the one witness who enabled him to bring the case to closure." "In Oblivion, Harry J. Maihafer tell the enthralling story of Jacob's search for Richard Cox. Its startling climax is one that readers will long remember."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Cassandra James is consigned to oblivion. Convinced that life is not worth living unless there's a point, seventeen-year-old Cassandra is stuck in a constant search for something to keep her alive. It's senior year. But while her friends are planning their futures, Cassandra's left wondering if she'll even have one. Back in therapy (against her will), pretending to be okay and holding up a broken family, she's running out of reasons. Then Lily Peters, the fiery girl with blue eyes, upends the ideology Cassandra has used to survive, and instead shows her what it's like to live. Things she ignored because they weren't important enough to keep her alive become the very things she lives for. Her feelings for Lily Peters, for example. In an existential coming-of-age story, Cassandra James blurs the lines between fiction and reality, fighting to find meaning in a meaningless world, and to break her consignment to oblivion.
The final, thrilling conclusion to #1 NEW YORK TIMES bestselling author Anthony Horowitz's masterful series! Matt. Pedro. Scott. Jamie. Scar. Five Gatekeepers have finally found one another. And only the five of them can fight the evil force that is on the rise, threatening the destruction of the world. In the penultimate volume of The Gatekeepers series, a massive storm arose that signalled the beginning of the end. Now the five Gatekeepers must battle the evil power the storm has unleashed -- and strive to stop the world from ending.
In the stories that make up Oblivion, David Foster Wallace joins the rawest, most naked humanity with the infinite involutions of self-consciousness -- a combination that is dazzlingly, uniquely his. These are worlds undreamt of by any other mind. Only David Foster Wallace could convey a father's desperate loneliness by way of his son's daydreaming through a teacher's homicidal breakdown (The Soul Is Not a Smithy). Or could explore the deepest and most hilarious aspects of creativity by delineating the office politics surrounding a magazine profile of an artist who produces miniature sculptures in an anatomically inconceivable way (The Suffering Channel). Or capture the ache of love's breakdown in the painfully polite apologies of a man who believes his wife is hallucinating the sound of his snoring (Oblivion). Each of these stories is a complete world, as fully imagined as most entire novels, at once preposterously surreal and painfully immediate.