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Reprint of the original, first published in 1876.
A classic work of American literature that has not stopped changing minds and lives since it burst onto the literary scene, The Things They Carried is a ground-breaking meditation on war, memory, imagination, and the redemptive power of storytelling. The Things They Carried depicts the men of Alpha Company: Jimmy Cross, Henry Dobbins, Rat Kiley, Mitchell Sanders, Norman Bowker, Kiowa, and the character Tim O’Brien, who has survived his tour in Vietnam to become a father and writer at the age of forty-three. Taught everywhere—from high school classrooms to graduate seminars in creative writing—it has become required reading for any American and continues to challenge readers in their perceptions of fact and fiction, war and peace, courage and fear and longing. The Things They Carried won France's prestigious Prix du Meilleur Livre Etranger and the Chicago Tribune Heartland Prize; it was also a finalist for the Pulitzer Prize and the National Book Critics Circle Award.
Years after I was born, years after the war, my father told my mother that if he had been born just twenty years later, he could have done more with his life.
An episodic log of some of the author's more memorable hours aloft in peace and as a member of the Air Transport Command in war.
From the New York Times bestselling author of Rump, comes the true story behind another unlikely hero: a grumpy dwarf who gets tangled up in Snow White's feud with the wicked queen. Ever since he was a dwarfling, Borlen (nicknamed "Grump") has dreamed of visiting The Surface, so when opportunity knocks, he leaves his cavern home behind. At first, life aboveground is a dream come true. Queen Elfrieda Veronika Ingrid Lenore (E.V.I.L.) is the best friend Grump always wanted, feeding him all the rubies he can eat and allowing him to rule at her side in exchange for magic and information. But as time goes on, Grump starts to suspect that Queen E.V.I.L. may not be as nice as she seems. . . . When the queen commands him to carry out a horrible task against her stepdaughter Snow White, Grump is in over his head. He's bound by magic to help the queen, but also to protect Snow White. As if that wasn't stressful enough, the queen keeps bugging him for updates through her magic mirror! He'll have to dig deep to find a way out of this pickle, and that's enough to make any dwarf Grumpy indeed. "Liesl Shurtliff writes the perfect middle-grade page-turners that fourth graders can gobble down on the plane, train, and automobile trips ahead this summer. . . . [she] excels at turning familiar worlds on their heads. --The New York Times Book Review "Hilarious and heartfelt . . . Lovable Borlen's grumpy first-person narration explores themes of belonging, friendship, and doing the right thing. Sure to please fans of reimagined fairy tales." --Kirkus "A hilarious reimagining of its origin story with a wonderfully detailed world and interesting twists on classic characters. Sure to be a hit with fantasy fans looking for comedy." --Booklist "The story moves at a fast pace and deftly balances lighthearted humor with emotional weight. . . .a sure hit for Shurtliff's fans." --School Library Journal
Perfectly evoking the sights and sounds of the summer of 1978 in Brooklyn, Suzanne Corso makes an acclaimed fiction debut with this powerful coming-of-age tale, told from an adult perspective, of family, best friends, first loves, and big dreams waiting to come true. Samantha Bonti is fifteen years old, half Jewish and half Italian, and hesitantly edging toward pure Brooklyn. She lives in Bensonhurst with her mother, Joan, a woman poisoned with cynicism and shackled by addictions; and with her Grandma Ruth, Samantha’s loudest and most opinionated source of encouragement. As flawed as they are, they are family. And this is home—a tight-knit community of ancestors and traditions, of controlling mobsters, compliant wives, and charismatic young guys willing to engage in anything illegal to get a shot at playing with the big boys. Yet Samantha has something that even her most simpatico girlfriend, Janice Caputo, doesn’t share—a desire to become a writer and to escape their insular, overcrowded little world and the destiny that is assumed for all of them. Then comes Tony Kroon. He’s a gorgeous mobster wannabe, a Bensonhurst Adonis whose seductive charms Samantha finds irresistible—even when she knows she’s too smart to fall this deep . . . but Samantha soon finds herself swallowed up by dangerous circumstances that threaten to jeopardize more than her dreams. Grandma Ruth’s advice: Samantha had better write herself out of this story and into a new one, fast.
The importance of Chicago in American culture has made the city's place in the American imagination a crucial topic for literary scholars and cultural historians. While databases of bibliographical information on Chicago-centered fiction are available, they are of little use to scholars researching works written before the 1980s. In The Chicago of Fiction: A Resource Guide, James A. Kaser provides detailed synopses for more than 1,200 works of fiction significantly set in Chicago and published between 1852 and 1980. The synopses include plot summaries, names of major characters, and an indication of physical settings. An appendix provides bibliographical information for works dating from 1981 well into the 21st century, while a biographical section provides basic information about the authors, some of whom are obscure and would be difficult to find in other sources. Written to assist researchers in locating works of fiction for analysis, the plot summaries highlight ways in which the works touch on major aspects of social history and cultural studies (i.e., class, ethnicity, gender, immigrant experience, and race). The book is also a useful reader advisory tool for librarians and readers who want to identify materials for leisure reading, particularly since genre, juvenile, and young adult fiction, as well as literary fiction, are included.
During World War II, Allied casualty rates in the air were high. Of the roughly 125,000 who served as aircrew with Bomber Command, 59,423 were killed or missing and presumed killed—a fatality rate of 45.5%. With odds like that, it would be no surprise if there were as few atheists in cockpits as there were in foxholes; and indeed, many airmen faced their dangerous missions with beliefs and rituals ranging from the traditional to the outlandish. Military historian S. P. MacKenzie considers this phenomenon in Flying against Fate, a pioneering study of the important role that superstition played in combat flier morale among the Allies in World War II. Mining a wealth of documents as well as a trove of published and unpublished memoirs and diaries, MacKenzie examines the myriad forms combat fliers' superstitions assumed, from jinxes to premonitions. Most commonly, airmen carried amulets or talismans—lucky boots or a stuffed toy; a coin whose year numbers added up to thirteen; counterintuitively, a boomerang. Some performed rituals or avoided other acts, e.g., having a photo taken before a flight. Whatever seemed to work was worth sticking with, and a heightened risk often meant an upsurge in superstitious thought and behavior. MacKenzie delves into behavior analysis studies to help explain the psychology behind much of the behavior he documents—not slighting the large cohort of crew members and commanders who demurred. He also looks into the ways in which superstitious behavior was tolerated or even encouraged by those in command who saw it as a means of buttressing morale. The first in-depth exploration of just how varied and deeply felt superstitious beliefs were to tens of thousands of combat fliers, Flying against Fate expands our understanding of a major aspect of the psychology of war in the air and of World War II.