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Yullik ses-Khennik is dead, the kaz-naghkt are defeated and Aquila belongs to the Rift Riders once more. Life is returning to normal. Except, for those caught up in the recent events, life isn't normal anymore. Heroic deeds do not always result in glorious rewards and few escaped unscathed. Heart-worn, wounded and weary, Mhysra, Cumulo and their friends must now find a way to pick themselves up and live on in a world they helped make safe. At times the future may look bleak, but love, friendship and found families have their ways of making everything better again. For anyone who didn't want to say goodbye to the Wingborn series just yet, or perhaps wondered what might happen to all those little romances, this one is for you.
Aquila lies broken, but the Rift Riders are victorious. They have their home back and the kaz-naghkt have been almost wiped out. But not quite. Yullik ses-Khennik has escaped, and he did not go alone. Not only are there a handful of kaz-naghkt left to threaten the Overworld, but Lady Mhysra Kilpapan has been taken. And her friends will do anything to get her back. With Cumulo and Lyrai in the lead, a small band of Rift Riders will journey into the west for the final showdown bringing Riders, dragons and Yullik together one last time. World’s End is waiting and the fate of the Overworld hangs in the balance. Who will win and who will die? The final Wingborn adventure has begun.
One Discipline, Four Ways offers the first book-length introduction to the history of each of the four major traditions in anthropology—British, German, French, and American. The result of lectures given by distinguished anthropologists Fredrik Barth, Andre Gingrich, Robert Parkin, and Sydel Silverman to mark the foundation of the Max Planck Institute for Social Anthropology, this volume not only traces the development of each tradition but considers their impact on one another and assesses their future potentials. Moving from E. B. Taylor all the way through the development of modern fieldwork, Barth reveals the repressive tendencies that prevented Britain from developing a variety of anthropological practices until the late 1960s. Gingrich, meanwhile, articulates the development of German anthropology, paying particular attention to the Nazi period, of which surprisingly little analysis has been offered until now. Parkin then assesses the French tradition and, in particular, its separation of theory and ethnographic practice. Finally, Silverman traces the formative influence of Franz Boas, the expansion of the discipline after World War II, and the "fault lines" and promises of contemporary anthropology in the United States.
A haunting novel spanning several generations, The Seed Keeper follows a Dakhóta family’s struggle to preserve their way of life, and their sacrifices to protect what matters most. Rosalie Iron Wing has grown up in the woods with her father, Ray, a former science teacher who tells her stories of plants, of the stars, of the origins of the Dakhóta people. Until, one morning, Ray doesn’t return from checking his traps. Told she has no family, Rosalie is sent to live with a foster family in nearby Mankato—where the reserved, bookish teenager meets rebellious Gaby Makespeace, in a friendship that transcends the damaged legacies they’ve inherited. On a winter’s day many years later, Rosalie returns to her childhood home. A widow and mother, she has spent the previous two decades on her white husband’s farm, finding solace in her garden even as the farm is threatened first by drought and then by a predatory chemical company. Now, grieving, Rosalie begins to confront the past, on a search for family, identity, and a community where she can finally belong. In the process, she learns what it means to be descended from women with souls of iron—women who have protected their families, their traditions, and a precious cache of seeds through generations of hardship and loss, through war and the insidious trauma of boarding schools. Weaving together the voices of four indelible women, The Seed Keeper is a beautifully told story of reawakening, of remembering our original relationship to the seeds and, through them, to our ancestors.
Aquila has fallen and the Rift Riders are homeless. Freshly settled in the heart of the Overworld, the kaz-naghkt are more dangerous than ever, especially when united with their pirate allies. Scattered and divided, the Riders are desperate to reclaim their home – but first they need help. After fleeing into the Greater West, Mhysra, Lyrai and their friends are sent south to the kingdom of Havia to plead for aid. But the land also borders the magical Storm Wash on the very edge of the Dragonlands, and soon the Riders have more to worry about than kaz-naghkt and unfriendly kings. Back at Aquila, Lord Yullik sits high in his tower of triumph, but little does he know of the troubles that wait in the shadows. The Dragongifted are waking – and the Overworld will never be the same again.
Even readers with no particular interest in Japan - if such odd souls exist - may expect unexpected pleasure from this book if English metaphysical poetry, grooks, hyperlogical nonsense verse, outrageous epigrams, the (im)possibilities and process of translation between exotic tongues, the reason of puns and rhyme, outlandish metaphor, extreme hyperbole and whatnot tickle their fancy. Read together with The Woman Without a Hole, also by Robin D. Gill, the hitherto overlooked ulterior side of art poetry in Japan may now be thoroughly explored by monolinguals, though bilinguals and students of Japanese will be happy to know all the original Japanese is included. This Reader is a selection from "Mad in Translation - a thousand years of kyoka, comic Japanese poetry in the classic waka mode," a 2000-poem, 200-chapter, 740-page monster of a book. It offers a 300-page double distillation high-proof sample of the poetry and prose, with improved translations, re-considered opinions and additional snake-legs (explanation some scholars may not need). The scattershot of two-page chapters and notes have been compounded into a score of cannonball-sized thematic chapters with just enough weight to bowl over most specialists yet, hopefully, not bore the amateur and sink a potentially broad-beamed readership. (More information may be found at the Paraverse Press website or Google Books)"
On a world cursed to be covered in clouds, protected by the elite Rift Riders who fly on the backs of giant eagle miryhls, Lady Mhysra Kilpapan and her friends are making history. Women are now firmly back within the Rider fold and the future looks bright. But even though Mhysra and her Wingborn Cumulo have survived their first year as students, there’s more to becoming a Rift Rider than lessons and training. Especially when trouble is brewing in the Wrathlen and the kaz-naghkt are looking for revenge. Return to the Overworld for the next exciting Wingborn adventure, where strength, loyalty, honour and friendship are about to tested to their limits – and beyond.
In this digital original novella from the world of Erin Hunter's #1 nationally bestselling Warriors series, discover what happened to Dovewing after the events of the fourth Warriors arc, Omen of the Stars. The Dark Forest has been defeated—but Dovewing's powers are gone. Will she able to adjust to life as an ordinary warrior? Warriors: Dovewing's Silence also includes a teaser to Warriors Super Edition: Bramblestar's Storm.
Even readers with no particular interest in Japan - if such odd souls exist - may expect unexpected pleasure from this book if English metaphysical poetry, grooks, hyperlogical nonsense verse, outrageous epigrams, the (im)possibilities and process of translation between exotic tongues, the reason of puns and rhyme, outlandish metaphor, extreme hyperbole and whatnot tickle their fancy. Read together with The Woman Without a Hole, also by Robin D. Gill, the hitherto overlooked ulterior side of art poetry in Japan may now be thoroughly explored by monolinguals, though bilinguals and students of Japanese will be happy to know all the original Japanese is included.--amazon.com.