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For Dante and Petrarch, posthumous love was a powerful conviction. Like many of their contemporaries, both poets envisioned their encounters with their beloved in heaven—Dante with Beatrice, Petrarch with Laura. But as Ramie Targoff reveals in this elegant study, English love poetry of the Renaissance brought a startling reversal of this tradition: human love became definitively mortal. Exploring the boundaries that Renaissance English poets drew between earthly and heavenly existence, Targoff seeks to understand this shift and its consequences for English poetry. Targoff shows that medieval notions of the somewhat flexible boundaries between love in this world and in the next were hardened by Protestant reformers, who envisioned a total break between the two. Tracing the narrative of this rupture, she focuses on central episodes in poetic history in which poets developed rich and compelling compensations for the lack of posthumous love—from Thomas Wyatt’s translations of Petrarch’s love sonnets and the Elizabethan sonnet series of Shakespeare and Spencer to the carpe diem poems of the seventeenth century. Targoff’s centerpiece is Romeo and Juliet, where she considers how Shakespeare’s reworking of the Italian story stripped away any expectation that the doomed teenagers would reunite in heaven. Casting new light on these familiar works of poetry and drama, this book ultimately demonstrates that the negation of posthumous love brought forth a new mode of poetics that derived its emotional and aesthetic power from its insistence upon love’s mortal limits.
Poetry. "Here are poems about papa and place. Poems about family history. Poems that rise from the casket with memories. The rooster turns its head to listen. There is something Dominican that is captured in the beak of each word as this woman moves among her people. She brings lines that are lush and filled with reminders. Yes -- 'Someone has set the cat among the pigeons.'"--E. Ethelbert Miller "The gods have bestowed a blessing on us in this radiant debut collection, LOVE LETTER TO AN AFTERLIFE. Above all else, these poems speak profoundly about survival and preservation of self and family, of language and culture, of memory and identity. These poems put in work, emboldening the many millions of us in the African diaspora in our determination to be, endure, and thrive in the new world. Ines P. Rivera Prosdocimi, we sing your name."--Jeffery Renard Allen
Psychic artist and medium Jane de Forest draws on the invisible world behind our five senses in this entertaining first hand account of people reunited with loved ones and animals in the afterlife. She investigates how the connections and bonds shared in earthly relationship are unbroken by death in this richly illustrated book filled with beautiful art and gentle insights. Based on the true stories Love Never Dies is a humbling and magical journey through the struggles, mishaps and heartfelt rewards of translating messages between different realities. From ancient mysticism to modern new age philosophy, this book is an excellent read for those interested in parapsychology & prophecy, reincarnation & spiritual healing as well as lovely gift for those grieving loss.Ancient wisdom & conceptual ideas shared in this book:¿Love never dies and your relationship bond exists forever.¿You will never die and will return home after death, you are eternal.¿You will see your loved ones and animals again.¿ESP or extrasensory perception--animals know what you are thinking.¿Spiritual psychology & philosophy--our temporary home on earth is a type of school, albeit elementary, to learn spiritual lessons.¿Karma is real, there is an energetic feedback loop, what goes around comes around.¿The future is malleable, so you can and do affect it.¿Personal growth & transformation--it is easier to resolve conflict and let go of resentments while on Earth.¿Mental & spiritual healing--you effect loved ones on the other side with your thoughts and feelings.¿Life-force chi energy can be optimized for self-empowerment.¿Mother Nature has equipped us ALL with abilities to intuitively receive knowledge; it just takes a little training and positive intention.
The story of Chip Oney's ongoing after-life communications with his fiance Lyn Ragan after his violent murder.
A collection of personal stories that relate encounters with deceased loved ones celebrates the existence of an afterlife.
In this book, among other sources, we have compiled key thoughts and material that were dictated to Alice Bailey (starting in the 1920s and continuing through the 1960s) from the Tibetan master Djwhal Khul. As you see in the references, she wrote eighteen books, which were published by Lucis Publishing Company, New York. Djwhal Khul shared this material from another dimension, giving us a new perspective. We highly recommend these books because Djwhal Khul is in a higher vibrational dimension, working and aiding us in an enlightened evolution. What we have added to this book is some of our thoughts about the energies to which Khul refers. We know very little about these energies, and this material presents a challenge to us in our evolutionary sojourn. Each of us must pursue our understanding and knowledge about these energies. This is our goal and our reason for writing this book. Good travels to you.
A boy born of an adulterous affair, whose race and parentage are unclear . . . an obsessive journalist who feels alive only on the edge of danger . . . a beautiful but distracted young woman who seems ill-equipped for life—when these three mismatched people come together in London during the 1960s, their lives are changed forever. Stray Love is the unforgettable story of Marcel, an orphan growing up in postwar England. When his guardian, Oliver, is promoted to foreign correspondent and posted to Vietnam, Marcel is left in the care of the free-spirited Pippa. But just when it seems they will never be reunited, Marcel is sent to join Oliver in Vietnam. As the war escalates, Oliver is finally overwhelmed by emotions he can’t outrun—including his doomed love for Pippa. But Marcel, running through the streets of Saigon, or bonding with his Vietnamese nanny, Anh, is finally starting to feel at home in the world. Is this why Oliver suddenly decides to tell Marcel the truth about his life? And is it the “real” truth or simply Oliver’s version of it?
Hurting people ask heart-felt questions about God and suffering. Some "answers" they receive appeal to mystery: “God’s ways are not our ways”. Some answers say God allows evil for a greater purpose. Some say evil is God's punishment. The usual answers fail. They don't support the truth that God loves everyone all the time. God Can't gives a believable answer to why a good and powerful God doesn't prevent evil. Author Thomas Jay Oord says God’s love is inherently uncontrolling. God loves everyone and everything, so God can't control anyone or anything. This means God cannot prevent evil singlehandedly. God can’t stop evildoers, whether human, animal, organism, or inanimate objects and forces. In God Can't, Oord gives a plausible reason why some are healed, but many others are not. God always works to heal everyone, but sometimes our bodies, organisms, or other creatures do not cooperate with God's healing work. Or the conditions of creation are not right for the healing God wants to do. Some people think God causes or allows suffering to teach us lessons or build our character. God Can't disagrees. Oord says God squeezes good from the evil God didn’t want in the first place. God uses pain and suffering without willing or even allowing it. Most people think God can overcome evil singlehandedly. In God Can't, Oord says God needs cooperation for love to reign now and later. This leads to a better view of the afterlife called “relentless love.” It rejects traditional ideas of heaven, hell, and annihilation. Relentless love holds to the possibility all creatures and all creation will respond to God’s love. God Can't is written in understandable language. As a world-renown theologian, Thomas Jay Oord brings credibility to the book’s radical ideas. He explains these ideas through true stories, illustrations, and scripture. God Can't is for those who want answers to tragedy, abuse, and other evils that make sense! What They're Saying... “If conventional notions of God make less and less sense to you, you’ll find Thomas Jay Oord’s new book a breath of fresh air. Simply put, “God Can’t” presents an understanding of God that thoughtful, ethical people can believe in.” -- Brian D. McLaren, author of The Great Spiritual Migration "I did not want this book to end. I wish Dr. Oord had written it 100 years ago, or 1000 years ago... To find your understanding of life and your love for God renewed, read this book." -- Dr. Karen Strand Winslow, Ph.D., Biblical and Jewish Studies Professor of Bible, Azusa Pacific University "As a clinical psychologist working with people in trauma, I owe Thomas Jay Oord an enormous debt of gratitude for recasting the so-called problem of evil in terms that are conceptually satisfying, theologically consistent, and pastorally liberating.” -- Dr Roger Bretherton- Principal Lecturer at the University of Lincoln (UK), Chair of the British Association of Christians in Psychology “Victims of trauma sometimes hear theological responses that imply their suffering is somehow “God’s will." A more careful theological reflection on the nature of the power of a God who is love can help. Oord gives us a clear and compelling alternative in this profoundly insightful and admirably concrete and accessible book.” -- Dr. Anna Case-Winters, Professor of Theology at McCormick Theological Seminary “I know of no book that speaks to suffering with the depth of theological sophistication and psychological sensitivity as God Can’t. This book is a rare combination of depth and accessibility, truly written for the wounded. I recommend it to my students, parishioners, and therapy clients.” -- Dr. Brad D. Strawn, Professor of the Integration of Psychology and Theology, Fuller Theological Seminary
The Afterlife in Popular Culture: Heaven, Hell, and the Underworld in the American Imagination gives students a fresh look at how Americans view the afterlife, helping readers understand how it's depicted in popular culture. What happens to us when we die? The book seeks to explore how that question has been answered in American popular culture. It begins with five framing essays that provide historical and intellectual background on ideas about the afterlife in Western culture. These essays are followed by more than 100 entries, each focusing on specific cultural products or authors that feature the afterlife front and center. Entry topics include novels, film, television shows, plays, works of nonfiction, graphic novels, and more, all of which address some aspect of what may await us after our passing. This book is unique in marrying a historical overview of the afterlife with detailed analyses of particular cultural products, such as films and novels. In addition, it covers these topics in nonspecialist language, written with a student audience in mind. The book provides historical context for contemporary depictions of the afterlife addressed in the entries, which deal specifically with work produced in the 20th and 21st centuries.
• Shows how the certainty of change and loss can support rather than diminish love • Shares practices and meditations to help love endure in the face of loss, disappointment, change, or any of the ways relationships and circumstances are altered by time • Explores how to cultivate gratitude for every expression of love we encounter, strengthen compassion for others, and recognize the power of love after life Collaborating with his late son, Jordan, psychologist Matthew McKay offers five ways to keep love alive in a world of impermanence. He explores how to see and know what we love, how to actively care for what we love, how to have compassion for the suffering of others, how to set the daily intention to act with love, and how to turn toward rather than away from the pain of impermanence. McKay shares practices and meditations to help love endure in the face of loss, disappointment, change, or any of the ways relationships and circumstances are altered by time. He examines what love is and is not, including how not to mistake yearning and neediness for love, sex for love, and attraction to beauty for love. He shows how to cultivate gratitude for every expression of love we encounter, learn to care for things we don’t like, and recognize the power of love after life--a love that reaches beyond death. He also provides concrete exercises for communicating with and channeling messages from loved ones who have crossed over. Ultimately, McKay shows that, by running from pain, we run from love. By avoiding pain, we lose the pathway to connection. Yet, by recognizing love in the heart of pain and loss, by knowing that change and impermanence are inevitable, we can navigate life with a compass pointing to love as true north, learning to love more deeply and making what we love more cherished.